it: Alessandro di Fere

it: Alessandro I di Scozia

it: Alessandro II di Scozia

it: Alessandro I di Serbia

it: Alessandro III di Scozia

* Gili Luca, 2011, La sillogistica di Alessandro di Afrodisia.

Alessandro algardi, busto di maurizio frangipane ,. JPG |< center > Maurizio Frangipane < center >

Alessandro algardi, ritratto di olimpio pamphili. JPG |< center > Olimpio Pamphili < center >

* Infanta Beatríz Isabela Federica Alfonsa Eugenia Cristina Maria Teresa Bienvenida Ladisláa of Spain ( 1909 – 2002 ), who married Don Alessandro Torlonia, 5th Prince di Civitella-Cesi.

La teologia dell ' immagine nella Glossa di Alessandro di Hales.

it: Alessandro di Hales

File: Cristo e la cananea di Alessandro Allori detail. jpg | Christ and Canaanite woman by Alessandro Allori.

He is known for building the new façade of the Basilica di San Giovanni in Laterano, beginning construction of the Trevi Fountain, and the purchase of Cardinal Alessandro Albani's collection of antiquities for the papal gallery.

It houses precious frescoes by Correggio, in the so-called Camera di San Paolo ( 1519 – 1520 ), and Alessandro Araldi.

* 1941 La corona di ferro by Alessandro Blasetti

** Alessandro Peretti di Montalto, Venetian cardinal ( d. 1623 )

His position was greatly enhanced by the rapid-fire successes of Alessandro nelle Indie ( Naples, 1824, revised, Milan, 1826 ; given and recorded in London in November 2006 ), Amazilia ( Naples 1824, revised, Vienna, 1827 ), and the previously mentioned L ' Ultimo giorno di Pompei ( Naples, 1825 ).

Portrait of Cardinal Alessandro Farnese, later Pope Paul III, by Raphael, 1509 – 1511 ( Museo di Capodimonte, Naples ).

Born in 1468 at Canino, Latium ( then part of the Papal States ), Alessandro Farnese was the oldest son of Pier Luigi I Farnese, Signore di Montalto ( 1435 – 1487 ) and his wife Giovanna Caetani, a member of the Caetani family which had also produced Pope Boniface VIII.

Pietro Alessandro Guglielmi ( 1728-1804 ) wrote an oratorio, Debora e Sisera, for the Lenten season of 1788 at the Teatro di San Carlo, Naples, which was said to have been " almost universally regarded as one of the most sublime works of the late 18th century.

Alessandro Algardi ( 31 July 1598 – 10 June 1654 ) was an Italian high-Baroque sculptor active almost exclusively in Rome, where for the latter decades of his life, he was the major rival of Gian Lorenzo Bernini.

He sat for his portrait busts, both by Gian Lorenzo Bernini and by Alessandro Algardi, whose restrained bust in a tondo is in the Church of Santa Maria in Vallicella.

File: Lorenzo d ' Alessandro da San Severino-The Crucifixion ; Saint Michael-Walters 37496. jpg | The Crucifixion ; Saint Michael.

Alessandro ’ s humanist education was at the University of Pisa and the court of Lorenzo de ’ Medici.

For the chapter of San Lorenzo in Damaso, he produced major performances over thirty-five years for the music-loving Cardinal Pietro Ottoboni, whose extensive circle of artists included Arcangelo Corelli, George Frideric Handel, both Alessandro and Domenico Scarlatti, Bernardo Pasquini, and Filippo Amadei.

He had asked that his pupil Lorenzo di Credi, who was then in charge of his workshop in Florence, should be entrusted with the finishing of the statue, but the Venetian state after considerable delay commissioned Alessandro Leopardi to do this and the statue was eventually erected on a pedestal made by Leopardi in the Campo SS Giovanni e Paolo in Venice, where it stands today.

Giambologna was an important influence on later sculptors through his pupils Adriaen de Vries and Pietro Francavilla who left his atelier for Paris in 1601, as well as Pierre Puget who spread Giambologna's influence throughout Northern Europe, and in Italy on Pietro Tacca, who assumed Giambologna's workshop in Florence, and in Rome on Gian Lorenzo Bernini and Alessandro Algardi.

Among the prominent scholars who have teached at the University of Pisa are anatomist Lorenzo Bellini ; economist Giuseppe Toniolo ; jurist Francesco Accarigi ; mathematicians Benedetto Castelli, Giovanni Alfonso Borelli, Alessandro Marchetti, Luigi Guido Grandi, Ennio De Giorgi and Corrado De Concini ; philosopher Arnold Davidson ; poet Giovanni Pascoli ; physicists Carlo Matteucci and Roy McWeeny.

He belonged to the generation of Carracci-inspired or trained painters that included Giovanni Andrea Donducci ( Mastelletta ); Alessandro Tiarini, Lucio Massari, Leonello Spada and Lorenzo Garbieri.

Some famous Florentines were amongst players of the game, particularly the Medici family including Piero, Lorenzo and Alessandro de ' Medici.

Alessandro is also believed by historians to have been the illegitimate son of either Pope Clement VII or Lorenzo II de ' Medici, Duke of Urbino.

In 1535, a delegation of Florentine nobles, which included the Pazzi family who previously conspired to assassinate Lorenzo de ' Medici and was headed by Alessandro ’ s cousin Ippolito de ' Medici, sought to gain the assistance of Emperor Charles V & I to depose Alessandro.

Vetralla then passed in rapid succession among a series of Papal nobles, to Cardinal Giovanni Borgia, to Lorenzo Cybo ( 1529 ), and to Cardinal Alessandro Farnese in 1534.

Restorations, at first in stucco, were remade in 1679 by Giuseppe Giorgetti and Lorenzo Ottoni, who enabled the antique left leg to be reaffixed and provided the elaborate supporting structure that is illustrated in Paolo Alessandro Maffei's Raccolta di statue ( 1704 ); in the eighteenth century the right leg was again restored in marble, and once more by Pacetti in 1799.

* Anthony Alessandro as Lorenzo

* Palazzo Albani del Drago, built by Domenico Fontana and enlarged with an added belvedere, by Alessandro Specchi for the Albani Pope Clement XI ; with the decline in the fortunes of Cardinal Alessandro Albani, it was sold to the del Drago, who occupy it still.

In collaborazione con Maria Carchio, Alessandro del Meglio, English summary by Gianna Crescioli.

Italian sculptors whose work is held by the museum include: Bartolomeo Bon, Bartolomeo Bellano, Luca della Robbia, Giovanni Pisano, Donatello, Agostino di Duccio, Andrea Riccio, Antonio Rossellino, Andrea del Verrocchio, Antonio Lombardo, Andrea Riccio, Pier Jacopo Alari Bonacolsi, Andrea della Robbia, Michelozzo di Bartolomeo, Michelangelo ( represented by a freehand wax model and casts of his most famous sculptures ), Jacopo Sansovino, Alessandro Algardi, Antonio Calcagni, Benvenuto Cellini ( Medusa's head dated c1547 ), Agostino Busti, Bartolomeo Ammannati, Giacomo della Porta, Giambologna ( Samson Slaying a Philistine ( Giambologna ) c1562, his finest work outside Italy ), Bernini ( Neptune and Triton c1622 – 3 ), Giovanni Battista Foggini, Vincenzo Foggini ( Samson and the Philistines ), Massimiliano Soldani Benzi, Antonio Corradini, Andrea Brustolon, Giovanni Battista Piranesi, Innocenzo Spinazzi, Canova, Carlo Marochetti and Raffaelle Monti.

* Raimonda Ciano ( Rome, 12 December 1933-Rome, 24 May 1998 ), married to Nobile Alessandro Giunta ( 1929 -), son of Nobile Francesco Giunta ( Piero, 1887 – 1971 ) and wife ( m. Rome, 1924 ) Zenaida del Gallo Marchesa di Roccagiovine ( Rome, 1902 – São Paulo, Brazil, 1988 )

* 1950: Prima comunione, regìa di Alessandro Blasetti ( voce fuori campo del narratore )

Private is known for high-budget adult movies such as the two-part series " Millionaire " directed by Alessandro del Mar with a reported budget of $ 1. 9 million.

*, Fiat 500 – l ' evoluzione del mito, by Alessandro Sannia, pub.

Prominent European observers of the time seemed to agree that the Japanese " excel not only all the other Oriental peoples, they surpass the Europeans as well " ( Alessandro Valignano, 1584, " Historia del Principo y Progresso de la Compania de Jesus en las Indias Orientales ).

For the same theatre be composed La Lolta d ' Ercole con Achilleo in 1689, La Superbia d ' Alessandro in 1690, Orlando generoso in 1691, Le Rivali concordi in 1692, La Liberia contenta in 1693, I Trionfi del Job and I Baccanali in 1695, and Briseide in 1696.

He famously wrote that the Japanese " excel not only all the other Oriental peoples, they surpass the Europeans as well " ( Alessandro Valignano, 1584, " Historia del Principo y Progresso de la Compania de Jesus en las Indias Orientales ( 1542-64 )").

* Valignano, Alessandro 1584, " Historia del Principo y Progresso de la Compania de Jesus en las Indias Orientales ( 1542-64 )" (" History of the Beginnings and Progress of the Society of Jesus in the East Indies ( 1542-64 )")

On the back of the frontispiece of a copy of the 1621 edition of the First Book of Madrigals, found in the collection of the Liceo Musicale di Bologna, composer Alessandro Grandi had written in 1623 a dedication wherein he begins, " Escono questi Madrigali del Signor Cauaglier Nenna dal sepolchro delle tenebre alla luce del sole ", or " These madrigals of Signor Nenna exit from out the darkness of the grave to the light of the sun ".

Named " Puerto del Desengano ", Spanish for " bay of disenchantment ", by Alessandro Malaspina in 1792, upon finding that the bay was not the entrance to the legendary Northwest Passage.

In 1639 he went to Paris, introduced by the Tuscan ambassador, Alessandro del Nero, and where he lived until 1650, adapting his style to French taste, as in his series updating the Northern theme of the taking by Death of various individuals.

* Alessandro Scarlatti – La Caduta del Decemviri

1700, 88v ‑ 89r ): G. Ballaira, " Frammenti inediti della perduta recensione δ del romanzo di Alessandro in un codice Vaticano ," Bollettino del comitato per la preparazione dell ' edizione nazionale dei classici greci e latini 13 ( 1965 )

The statue was modelled by Andrea del Verrocchio and cast in bronze after his death by Alessandro Leopardi, but, as no monument was permitted in the Piazza, it was placed near the Scuola Grande of St Mark outside the church of SS Giovanni è Paolo.

An exhibition at Trento, 1999 is memorialised in a catalogue by Andrea Bacchi, Lia Camerlengo and Manfred Leithe-Jasper, " La Bellissima Maniera ": Alessandro Vittoria e la Scultura Veneta del Cinquecento ( Trento 1999 ) which is the basic text for its introductory essays on Vittoria's art and career, by Manfred Leithe-Jasper ; his patrons, by Thomas Martin ; his connections with Venetian painting, by Stefano Tumidei ; and Vittoria's role as a collector, by Victoria Avery.