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Allmusic's and John
Allmusic's John Bush felt it was " noisy record basically guitar feedback, synthesizer distortion and rigid drum programming ".

Allmusic's and praised
Allmusic's review praised the performances of Jeff Porcaro, David Paich, and Steve Lukather in passing but dismissed Isolation as " a Journey clone album, minus the aching ballads that had made Journey such a success.
Allmusic's Bruce Eder praised the album, saying that it was better produced than their debut, but he also said that it " doesn't tread enough new ground to precisely rival In the Court of the Crimson King ".
Allmusic's retrospective review generally praised the album for its emotional poignancy and relevance, and summed it up as " a group of simple, heartfelt songs played in spare arrangements on acoustic guitars and keyboards and driven by a restrained rhythm section.
Allmusic's Heather Phares praised Cibo Matto as " Fresh and funky ", and said of the album, " Viva!

Allmusic's and album
In his review of Opeth's 2001 album Blackwater Park, Allmusic's Eduardo Rivadavia wrote ; " Tracks start and finish in seemingly arbitrary fashion, usually traversing ample musical terrain, including acoustic guitar and solo piano passages, ambient soundscapes, stoner rock grooves, and Eastern-tinged melodies — any of which are subject to savage punctuations of death metal fury at any given moment.
For instance, Allmusic's Alex Henderson described the album as " one of the strongest albums of the 70's " and " EWF's crowning achievement ", and Billboard Magazine called it " a very tightly produced and performed package ".
The album garnered the admiration of critics, with Allmusic's Rob Theakston referring to the album as an " outstanding record " and Steve Jones of USA Today remarking that on the album EWF are as " vibrant as ever ".
Coe's debut album, Penitentiary Blues was described as " voodoo blues " and " redneck music " by Allmusic's Thom Jurek.
* Allmusic's Greg Prato gave the album 3. 5 stars ( of 5 ), saying they " had improved their songwriting and strengthened their focus and musical approach.
Allmusic's Greg Prato awarded the album four and a half out of five stars and called it " one of Cooper's very best ; it remains one of rock's all-time, quintessential classics.
Allmusic's Steve Huey said that it " brought back some of the pounding speed of Reign in Blood for their third major-label album ", and addressed it to be " their most accessible album, displaying the full range of their abilities all in one place, with sharp, clean production ".
Allmusic's reviewer, Ned Raggett felt their early work had been " as goth as it gets ", while this album saw them " plunging into a wider range of music and style ".
Allmusic's album reviewer, Mike DaRonco, felt " the first two songs are great in that catchy, playful pop-punk sort of way, but the rest ... fall under the trap of having all their tracks sounding like one big, long song ".
Allmusic's retrospective review was largely negative, particularly criticizing the solo sides of Keith Emerson (" on the level of a good music-student piece, without much original language ") and Greg Lake ("" C ' est la Vie ," the featured single, says little that " Still ... You Turn Me On ," from their previous album, didn't say better and shorter ").
Allmusic's review reflected on the album as a major change of direction for Toto, commenting on the anguished and highly vague philosophical lyrics and the focused, bluesy musical style.
" According to Allmusic's Thom Jurek, the album is a " triumph not only for Henry — who has set a new watermark for himself — but for American popular music, which so desperately needed something else to make it sing again.
The album received negative reviews upon its release .< ref name =" PM "> Allmusic's Eduardo Rivadavia gave the album one and a half out of five stars and wrote that the album has " gone down as one of heavy metal's all-time greatest disappointments ".
" Allmusic's later retrospective review was only slightly more forgiving, summarizing that the album " is more interesting for what it points toward than what it actually does.
In Allmusic's retrospective review of the album, the website gave it five stars out of five, calling it a " shambling wreck of an album " while at the same time " among the most harrowing experiences in pop music ; impassioned, erratic, and stark " and " the slow, sinking sound of a band falling apart ".

Allmusic's and writing
Allmusic's Stephen Thomas Erlewine gave the album a five out of five rating, writing that " it serves as a reminder of the sheer brilliance of the music within this peerless show.

Allmusic's and all
" Allmusic's Mark Deming commented that " Newman's humor started getting more acidic with 12 Songs, but here even his most mordant character studies boast a recognizable humanity, which often make his subjects both pitiable and all the more loathsome.
Allmusic's Sean Hickey says, " According to the composer, Density 21. 5 is based on two melodic ideas — one modal, one atonal — and all of the subsequent material is generated from these two themes.
Allmusic's retrospective review consisted of a single sentence: " A record that ELP released only because they owed it to their original label, and that's all one needs to know.
Rolling Stone describes " Scenario " as " the ultimate posse cut ", and in Allmusic's review of " Scenario " they say, " not only did Tribe make history on The Low End Theory by putting together one of the best hip-hop albums of all time, they also opened up a hole in the sky for the emergence of the ever-unique and talented genius of Busta Rhymes ".
" Allmusic's Stephen Thomas Erlewine described the song as " a vivid portrait of a seaside vacation where Difford's vignettes are made all the more vivid by Tilbrook's bright, invigorating pop.

Allmusic's and songwriting
Allmusic's Heather Phares called Ideal's initial effort a " heartfelt first album " which showcased the " group's smooth, sensuous vocal styling and romantic songwriting.

Allmusic's and production
" Allmusic's Stanton Swihart comments that " no one sounded like OutKast in 1994 " and that the album showcased Organized Noize as it " began forging one of the most distinctive production sounds in popular music in the ' 90s ".

Allmusic's and with
" Complete with anthemic choruses, spoken word story lines, and plenty of bombastic power metal punctuating every dramatic turn ", says Allmusic's Vincent Jeffries, " Nightfall in Middle-Earth is perhaps Blind Guardian's most triumphant ".
Allmusic's top-marks review states " The Chemical Brothers ' sound is big on bombast, replete with screeching guitar samples and lots of sirens and screaming divas.
" In its review of True Blue, Allmusic's Stephen Thomas Erlewine said that " she is using the music to hook in critics just as she's baiting a mass audience with such masterstrokes as ' Papa Don't Preach '.
Stephen Thomas Erlewine and Heather Phares wrote in Allmusic's biography of Pavement that, with Demolition Plot J-7, Pavement " had begun to forge influences into its own signature sound.
Allmusic's William Ruhlmann was less favourable and said " was familiar folk-rock, with Kelly singing romantic lyrics over acoustic and electric guitars and a rhythm section.
Allmusic's William Ruhlmann felt " it provides a good sampler of his work, accompanied by a full band rather than recent acoustic sets " and that its style was " melodic folk-rock with electric guitar for bite and often caustic lyrics ".
Allmusic's Zac Johnson called the album " spectacular ", " brimming over with Wainwright's trademark popera and young romantic wishes ".
Allmusic's retrospective review echoed this sentiment with greater emphasis, declaring " Duke showcased a new Genesis ... but Abacab was where this new incarnation of the band came into its own.
Allmusic's Adam Greenberg described Slack Key Dreams of the Ponomoe as an ambient album with an " easy listening " sound accented with slack key motives.
Allmusic's Greg Maurer's found " a fascination with the dark, ( self -) destructive side of religion is more than evident in his later work ...
The song was popular with critics and fans ; Allmusic's Amy Hanson called it a " somewhat surprising hit ".
Allmusic's Bret Love wrote that " The group's high testosterone and volume levels, and virtual lack of funkiness, ensure a somewhat limited appeal, but for angry young men with too much pent-up energy, the powerful aggression of < nowiki > Snappin ' Necks </ nowiki > must be close to heaven.
Allmusic's retrospective review asserted the opposite: that the album indulged in long and meandering instrumentation more than any other work by Traffic, with even the vocals doing no more than " improvising his melodies over the music, paying little heed to the meaning of the words ".
On 25 April that year Crime and the City Solution issued their second album, Shine, which Allmusic's Ned Raggett felt was " a touch less classically smooth and arranged, more rough around the edges and jagged, especially with Bonney's delivery ... his lyrics come across as distinctly unfriendly to a usual verse / chorus structure, sounding like a spoken-word recitation sung a line at a time ".
Allmusic's review of the album Appetite of Kings noted the influence of the Sex Pistols, along with " aggressive pogo-punk ".
Allmusic's Liana Jonas described the song " a lively and heartfelt song with electric-guitar power chords, spirited vocal delivery, and catchy chorus .".

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