Andersson's next project was Mamma Mia !, a musical built around 24 of ABBA's songs, which has become a worldwide box-office blockbuster with versions in several languages currently being played in many countries, including the UK ( West End premiere in April 1999 ), Canada ( Toronto premiere in 2000 ), the USA ( Broadway premiere in 2001 ), and Sweden ( Swedish language premiere in 2005 ).

A complaint against Anderson was submitted to the Stockholm District Court in June 1990 by Agnetha Fältskog's company Agnetha Fältskog Produktion AB, Benny Andersson's company Mono Music AB, as well as a Dutch company holding Björn Ulvaeus ' rights.

In 1986 Frida was in the choir for the recording of her former husband Benny Andersson's song " Klinga Mina Klockor ".

This public museum was founded in 1926 on Andersson's pioneering discoveries of prehistoric archaeology made in China in the 1920s, and later expanded to cover later periods as well as other parts of Asia.

Excavation work was begun immediately by Andersson's assistant Austrian palaeontologist Otto Zdansky, who found what appeared to be a fossilised human

Burns's style was a source of inspiration for Martin Ander's artwork for Fever Ray, Karin Dreijer Andersson's solo project.

Excavations were undertaken by Andersson's assistant Austrian palaeontologist Otto Zdansky in 1921 and 1923 unearthing a great deal of material that was sent back to Uppsala University in Sweden for further analysis.

However, Lykos was again transformed into Sauron when the Toad used a machine to drain Tanya Andersson's life force into Lykos.

The last documentary evidence of these objects was a 1948 Visitors Guide to the Geological Survey museum in Nanjing, which listed Andersson's Yangshao artefacts among the exhibits.

Following contact with the Museum of Far Eastern Antiquities ( Östasiatiska Museet ) in Stockholm, it was confirmed that these were indeed left from Andersson's excavations.

It was one of a number of tracks that explored the darker territory of Björn Ulvaeus and Benny Andersson's songwriting as the two men's divorces were beginning to influence their musical output.

Dregen and Eriksson had been roadies for Entombed, while Håkansson was a childhood friend of Andersson's.

Chess writer Dennis Monokroussos once remarked of Andersson's style, " For most of us, if we're playing a peer and major exchanges occur, a quick draw is the likely result [...] for Andersson [...] exchanges often not the prelude to a quick draw but the signal that it time for his opponent to start suffering.

It is possible they remain in Nanjing, but despite investigations by several competent parties ( Andersson's sending lists have been copied by the Museum of Far Eastern Antiquities to major institutions for cultural heritage and archaeology in China ), they have not been relocated, and their whereabouts remains unknown.

Andersson currently performs with his own band of 16 musicians, BAO ; " Benny Anderssons Orkester " (" Benny Andersson's orchestra "), utilising the vocal talents of fellow Swedes Helen Sjöholm ( from Kristina from Duvemåla ) and Tommy Körberg ( of Chess fame ), with lyrics to new material sometimes written by his song-writing partner and best friend of 40 years, Björn Ulvaeus.

In 2000, Benny wrote the music for fellow Swede ( no relation ) Roy Andersson's film Songs from the Second Floor ( the music later re-recorded, featuring new lyrics, with BAO!

Körberg is also a frequent performer with Benny Andersson's band, Benny Anderssons Orkester ( BAO ), singing mostly dance music and music by Andersson.

In 1964 they debuted on the Swedish TV-show Hylands hörna with locally famous Swedish poet Dan Andersson's Jag väntar vid min mila ( translated as " I'm Waiting at the Charcoal Kiln ").

Andersson's interest began early in life with KISS as his favorite band and soon discovered his childhood friend and future band mate Kenny Håkanssons father's record collection and bands such as The Ramones and Sex Pistols.

In late 1994, Andersson formed The Hellacopters as a side project together with Dregen, Kenny Håkansson and Robert Eriksson, all of whom earlier had been roadies during Andersson's time in Entombed.

In 2000 Kalvik also scored a hit with a version of Andersson's song Tröstevisa, performed as a duet with Swedish singer CajsaStina Åkerström.

She is also a frequent performer with Benny Andersson's band, Benny Anderssons Orkester ( BAO ), singing mostly dance music and music by Andersson.

Hit recordings include " Du måste finnas " (" You Have to Be There ") from the symphonic musical Kristina från Duvemåla ( Kristina ), " Vår sista dans " (" If this is Our Last Dance ") with Benny Andersson's Orkester, " Gabriellas sång " ( from film Så som i himmelen aka As It Is In Heaven ), " Jag vet vad han vill " ( aka " I Know Him So Well ") from musical Chess, " Det är vi ändå " ( with Tommy Körberg and Benny Anderssons Orkester ), and " Du är min man " (" You Are My Man ") with Benny Anderssons Orkester, among others.

* 2001-Benny Anderssons Orkester ( with Benny Andersson's Orchestra / Band )

Martin Nyström of Dagens Nyheter wrote that Andersson and Ulvaeus " created a great Swedish musical that thematically touches on the great questions of our time " and compared Andersson's musicality with that of Schubert ; while Svenska Dagbladets Carl-Gunnar Åhlén concluded that Björn Ulvaeus " succeeded in presenting the drama without getting bogged down, despite its almost Wagnerian length ".

Dr. Barlow is also creating a new lunar impact crater database similar to Wood and Andersson's, except hers will include all impact craters greater than or equal to five kilometers in diameter and is based on Clementine ( spacecraft ) images of the lunar surface.

He also wrote the theme for Roy Andersson's next film, You, the Living, from 2007.

According to the Social Democrat Björn Andersson's blog, SD is opposed to adoption rights for homosexual couples, and to letting lesbian women become inseminated.

The central metaphor of the film is a medieval wooden statue of Mary, recently excavated after being buried for centuries, analogous to Gould's and Andersson's potential to be lovers or man and woman.

Andersson's musical background comes from his father and grandfather ; they both enjoyed playing the accordion, and at six, Benny got his own.

Against France, they lost to a Christophe Dugarry header reminiscent of Kennet Andersson's two years earlier, beating the goalkeeper to a lofted through ball.

The Formula One team's roots can be traced to a later development in 1972, when Swede Ove Andersson's Andersson Motorsport team used a Toyota Celica 1600GT in the RAC Rally in Great Britain.

Andersson's most well-known popular book on his time in China is Den gula jordens barn, 1932, translated into several languages, including English ( as Children of the Yellow Earth, 1934, reprinted 1973 ), Japanese, and Korean.

For an extensive bibliography of Andersson's works, and a comprehensive discussion of his and his colleagues ' archaeological research in China, see M. Fiskesjö and Chen Xingcan, China before China: Johan Gunnar Andersson, Ding Wenjiang, and the Discovery of China's Prehistory.

Even though similar such ceramics have been excavated since Andersson's time by Chinese archaeologists, these lost collections hold a special interest and value since they derive from the first scientific archaeological excavations in China.

The Museum of Modern Art in New York City presented a retrospective of Andersson's work in September 2009.

New wave filmmakers Susumu Hani and Shōhei Imamura retreated to documentary work, though Imamura made a dramatic return to feature filmmaking with Vengeance Is Mine ( 1979 ).

But during the summer of 1981, his original mentor Don Siegel gave him a chance to return to filmmaking.

Van Sant, longing to return to more intimate production methods, decided to leave behind big-budget studio filmmaking for his next two features.

A few years after her husband's death in 1974, Corday's friend Clint Eastwood offered her a chance to return to filmmaking with a role in his 1977 film The Gauntlet.

He made a brief return to filmmaking in 1958 when he directed the feature Passionate Summer, but he saw himself primarily as a television director, and it remained his favourite medium.

Despite having slashed himself over 30 times with a razor, Kurosawa survived his suicide attempt ; however, he would not return to filmmaking for five years, releasing Dersu Uzala in 1975.

Oliveira's second return to filmmaking came in 1971 with Past and Present ( O Passado e o Presente ), a satirical black comedy on marriage and the bourgeoisie.

After World War II and his return to Italy, Pontecorvo made the decision to leave journalism for filmmaking, a move that seems to have been in the making for some time, but was set in motion after he saw Roberto Rossellini's Paisà ( 1946 ).

Yes was written in direct response to the events of September 11, 2001 and is considered Potter's return to more experimental methods of filmmaking.