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Art and historian
Art historian Richard Poss took a more flexible approach, maintaining that the astronomical rock art of the North American Southwest should be read employing " the hermeneutic traditions of western art history and art criticism " Astronomers, however, raise different questions, seeking to provide their students with identifiable precursors of their discipline, and are especially concerned with the important question of how to confirm that specific sites are, indeed, intentionally astronomical.
This has been identified by the historian Ronald Hutton, cited in an article by Roger Dearnsley " The Influence of Aleister Crowley on Ye Bok of Ye Art Magical, as a piece of medieval ecclesiastical Latin used to mean " lifting the veil.
Art historian John Rewald called Pissarro the “ dean of the Impressionist painters ", not only because he was the oldest of the group, but also " by virtue of his wisdom and his balanced, kind, and warmhearted personality ”.
Art historian and the artist's great-grandson Joachim Pissarro notes that they “ professed a passionate disdain for the Salons and refused to exhibit at them .” Together they shared an “ almost militant resolution ” against the Salon, and through their later correspondences it is clear that their mutual admiration “ was based on a kinship of ethical as well as aesthetic concerns ”.
Art historian Diane Kelder notes that it was Pissarro who introduced Gauguin, who was then a young stockbroker studying to become an artist, to Degas and Cézanne.
Art historian Bernard Berenson wrote in 1896: " Leonardo is the one artist of whom it may be said with perfect literalness: Nothing that he touched but turned into a thing of eternal beauty.
* Calculations by him of eclipses for eighteen hundred years were inserted in L ' Art de vérifier les dates by Benedictine historian Charles Clémencet ( 1750 )
US economic historian Charles P. Kindleberger explained this position in his 1990 book Historical Economics: Art or Science ?.
Art historian John Rowlands sees this work as " one of the most moving portraits in art, from an artist, too, who always characterized his sitters with a guarded restraint ".
* Martin Kemp, Art historian
Art historian Walter J. Friedlander, in The Golden Wand of Medicine: A History of the Caduceus Symbol in Medicine ( 1992 ) collected hundreds of examples of the caduceus and the rod of Asclepius and found that professional associations were just somewhat more likely to use the staff of Asclepius, while commercial organizations in the medical field were more likely to use the caduceus.
Art historian Raymond Cogniat writes that after living and studying art on his own for four years, " Chagall entered into the mainstream of contemporary art.
Art historian and curator James Sweeney notes that when Chagall first arrived in Paris, Cubism was the dominant art form, and French art was still dominated by the " materialistic outlook of the 19th century ".
Art historian Jean Leymarie observes that Chagall began thinking of art as " emerging from the internal being outward, from the seen object to the psychic outpouring ", which was the reverse of the Cubist way of creating.
Art historian Charles Stuckey has compared the viewpoint to that of a distracted spectator at a ballet, and says that " it is Degas ' fascination with the depiction of movement, including the movement of a spectator's eyes as during a random glance, that is properly speaking ' Impressionist '.
His Writings, 1973 – 1983, on Works 1969-1979, co-authored by the art historian Benjamin H. D. Buchloh, was published by The Press of the Nova Scotia College of Art and Design.
Of Posidonius's work on tactics, The Art of War, the Greek historian Arrian complained that it was written ' for experts ', which suggests that Posidonius may have had first hand experience of military leadership or, perhaps, utilized knowledge he gained from his acquaintance with Pompey.
Art historian Sivaramamurti calls it " a unique connection of the closely knit ideal of man and woman rising above the craving of the flesh and serving as a symbol of hospitality and parenthood ".
Art historian Robert Hillenbrand ( 1999 ) likens the movement to the foundation of an " Islamic Rome ", because the meeting of Eastern influences from Iranian, Eurasian steppe, Chinese, and Indian sources created a new paradigm for Islamic art.
She started making plans for a Museum of Modern Art in London together with the English art historian
* Geoffrey Howse ( 1955 – present ) actor, local historian and author, was a student at Barnsley School of Art 1973 – 75.
Art historian Ralph Nicholson Wornum estimated that Stothard's designs number five thousand and, of these, about three thousand were engraved.
The art historian Giovanni Lista has classified Futurism by decades: “ Plastic Dynamism ” for the first decade, “ Mechanical Art ” for the 1920s, “ Aeroaesthetics ” for the 1930s.
Art historian, Philip Mould says, " it is about noticing things which have specific characteristics of the artists involved, as opposed to general characteristics of the era ".

Art and Giorgio
* 1834 – Venice: The Dogana and San Giorgio Maggiore, oil on canvas, National Gallery of Art, Washington
The Collection of Modern Religious Art houses paintings and sculptures from artists like Carlo Carrà and Giorgio de Chirico.
The Song of Love ( Giorgio de Chirico ) | Love Song 1914, Museum of Modern Art
Glaser was educated at Manhattan's High School of Music and Art ( now Fiorello H. LaGuardia High School of Music and Art and Performing Arts ), graduated from the Cooper Union in 1951 and later, via a Fulbright Scholarship, the Academy of Fine Arts in Bologna under Giorgio Morandi.
In order to cure his boredom, Crown orchestrates an elaborate heist to steal a painting ( San Giorgio Maggiore at Dusk ) by Monet, valued at $ 100 million, from the Metropolitan Museum of Art.
*" San Giorgio Maggiore at Dusk " by Claude Monet, owned by the National Museum and Art Gallery in Cardiff, Wales.
Giorgio de Chirico, Love Song ( Giorgio de Chirico ) | Love Song, 1914, Museum of Modern Art | MOMA, New York City | New York

Art and wrote
In Art and Artist ( 1932 ), the psychologist Otto Rank wrote that the psychological trauma of birth was the pre-eminent human symbol of existential anxiety and encompasses the creative person's simultaneous fear ofand desire for – separation, individuation and differentiation.
One of the cookbooks that proliferated in the colonies was The Art of Cookery Made Plain and Easy written by Hannah Glasse, wrote of disdain for the French style of cookery, stating “ the blind folly of this age that would rather be imposed on by a French booby, than give encouragement to a good English cook !” Of the French recipes, she does add to the text she speaks out flagrantly against the dishes as she “… think it an odd jumble of trash .” Reinforcing the anti-French sentiment was the French and Indian War from 1754-1764.
The development of this department at the British Museum moved the focus for the development of conservation from Germany to Britain, and in 1956 Plenderleith wrote a significant handbook called The Conservation of Antiquities and Works of Art, it was this book rather than Rathgen's that is commonly seen as the major source for the development of conservation as we know it today.
Oscar Wilde, famous anarchist Irish people | Irish writer of the decadent movement and famous dandyThe anarchist writer and bohemian Oscar Wilde wrote in his famous essay The Soul of Man under Socialism that " Art is individualism, and individualism is a disturbing and disintegrating force.
Ovid wrote a guide to dating called Ars Amatoria ( The Art of Love ), which addresses, in depth, everything from extramarital affairs to overprotective parents.
Oscar Wilde, famous anarchist Irish people | Irish writer who published the libertarian socialist work titled The Soul of Man under SocialismThe anarchist writer and bohemian Oscar Wilde wrote in his famous essay The Soul of Man under Socialism that " Art is individualism, and individualism is a disturbing and disintegrating force.
Later, Art Spiegelman wrote in The New York Times Book Review, that Feininger's comics have “ achieved a breathtaking formal grace unsurpassed in the history of the medium .”
In 1538, Nikolaus Wynmann, a German professor of languages, wrote the first swimming book, The Swimmer or A Dialogue on the Art of Swimming ( Der Schwimmer oder ein Zweigespräch über die Schwimmkunst ).
In 1981, the humorous columnist Art Buchwald wrote a piece entitled, " Secular Humanists: Threat or Menace?
He also wrote and illustrated the poetry book The Melancholy Death of Oyster Boy & Other Stories, published in 1997, and a compilation of his drawings, sketches and other artwork, entitled The Art of Tim Burton, was released in 2009.
Theodore Roethke and Sylvia Plath wrote villanelles in the 1950s and 1960s, and Elizabeth Bishop wrote a particularly famous and influential villanelle, " One Art ", in 1976.
On September 19, Municipal Art Society chairman Philip K. Howard wrote to Mayor Rudy Giuliani, asking him " to consider placing two large searchlights near the disaster site, projecting their light straight up into the sky.
One of the gadflies of Aestheticism, W. S. Gilbert, introduced Harlequin and Pierrot as love-struck twin brothers into Eyes and No Eyes, or The Art of Seeing ( 1875 ), for which Thomas German Reed wrote the music.
Traditional accounts state that his descendant, Sun Bin, also wrote a treatise on military tactics, titled Sun Bin's Art of War.
Shiji claims that Sun Tzu later proved on the battlefield that his theories were effective ( for example, in the Battle of Boju ), that he had a successful military career, and that he wrote The Art of War based on his tested expertise.
He also wrote an autobiography, My Life in Art.
Art critic Henry McBride wrote about this exhibit for the New York Sun:
Art critic Edwin Denby wrote of the opening for the New York Herald Tribune that Chagall's work:
In 1753, she wrote An Essay on the Art of Ingeniously Tormenting with the help of Sarah Fielding and possibly James Harris or Richardson, and it was Richardson who printed the work.
Questions allow group members to “ step out of the frame of the prevailing ideology ,” as Rank wrote in Art and Artist ( 1932 / 1989, p. 70 ), reflect on their assumptions and beliefs, and reframe their choices.
In psychological health, the contact boundary that links I and Thou " harmoniously the edges of each without confusing them ," Rank wrote in Art and Artist ( 1932 / 1989, p. 104 ).
After retiring, he wrote The Singer and His Art ( Hamish Hamilton, 1971 ).

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