Art historian Richard Poss took a more flexible approach, maintaining that the astronomical rock art of the North American Southwest should be read employing " the hermeneutic traditions of western art history and art criticism " Astronomers, however, raise different questions, seeking to provide their students with identifiable precursors of their discipline, and are especially concerned with the important question of how to confirm that specific sites are, indeed, intentionally astronomical.

This has been identified by the historian Ronald Hutton, cited in an article by Roger Dearnsley " The Influence of Aleister Crowley on Ye Bok of Ye Art Magical, as a piece of medieval ecclesiastical Latin used to mean " lifting the veil.

Art historian and the artist's great-grandson Joachim Pissarro notes that they “ professed a passionate disdain for the Salons and refused to exhibit at them .” Together they shared an “ almost militant resolution ” against the Salon, and through their later correspondences it is clear that their mutual admiration “ was based on a kinship of ethical as well as aesthetic concerns ”.

Art historian Diane Kelder notes that it was Pissarro who introduced Gauguin, who was then a young stockbroker studying to become an artist, to Degas and Cézanne.

Art historian Bernard Berenson wrote in 1896: " Leonardo is the one artist of whom it may be said with perfect literalness: Nothing that he touched but turned into a thing of eternal beauty.

* Calculations by him of eclipses for eighteen hundred years were inserted in L ' Art de vérifier les dates by Benedictine historian Charles Clémencet ( 1750 )

Art historian Giorgio Vasari wrote about Anguissola that she " has shown greater application and better grace than any other woman of our age in her endeavors at drawing ; she has thus succeeded not only in drawing, coloring and painting from nature, and copying excellently from others, but by herself has created rare and very beautiful paintings.

US economic historian Charles P. Kindleberger explained this position in his 1990 book Historical Economics: Art or Science ?.

Art historian John Rowlands sees this work as " one of the most moving portraits in art, from an artist, too, who always characterized his sitters with a guarded restraint ".

* Martin Kemp, Art historian

Art historian Walter J. Friedlander, in The Golden Wand of Medicine: A History of the Caduceus Symbol in Medicine ( 1992 ) collected hundreds of examples of the caduceus and the rod of Asclepius and found that professional associations were just somewhat more likely to use the staff of Asclepius, while commercial organizations in the medical field were more likely to use the caduceus.

Art historian Raymond Cogniat writes that after living and studying art on his own for four years, " Chagall entered into the mainstream of contemporary art.

Art historian and curator James Sweeney notes that when Chagall first arrived in Paris, Cubism was the dominant art form, and French art was still dominated by the " materialistic outlook of the 19th century ".

Art historian Jean Leymarie observes that Chagall began thinking of art as " emerging from the internal being outward, from the seen object to the psychic outpouring ", which was the reverse of the Cubist way of creating.

Art historian Charles Stuckey has compared the viewpoint to that of a distracted spectator at a ballet, and says that " it is Degas ' fascination with the depiction of movement, including the movement of a spectator's eyes as during a random glance, that is properly speaking ' Impressionist '.

His Writings, 1973 – 1983, on Works 1969-1979, co-authored by the art historian Benjamin H. D. Buchloh, was published by The Press of the Nova Scotia College of Art and Design.

Of Posidonius's work on tactics, The Art of War, the Greek historian Arrian complained that it was written ' for experts ', which suggests that Posidonius may have had first hand experience of military leadership or, perhaps, utilized knowledge he gained from his acquaintance with Pompey.

Art historian Sivaramamurti calls it " a unique connection of the closely knit ideal of man and woman rising above the craving of the flesh and serving as a symbol of hospitality and parenthood ".

Art historian Robert Hillenbrand ( 1999 ) likens the movement to the foundation of an " Islamic Rome ", because the meeting of Eastern influences from Iranian, Eurasian steppe, Chinese, and Indian sources created a new paradigm for Islamic art.

She started making plans for a Museum of Modern Art in London together with the English art historian

* Geoffrey Howse ( 1955 – present ) actor, local historian and author, was a student at Barnsley School of Art 1973 – 75.

Art historian Ralph Nicholson Wornum estimated that Stothard's designs number five thousand and, of these, about three thousand were engraved.

The art historian Giovanni Lista has classified Futurism by decades: “ Plastic Dynamism ” for the first decade, “ Mechanical Art ” for the 1920s, “ Aeroaesthetics ” for the 1930s.

Art historian, Philip Mould says, " it is about noticing things which have specific characteristics of the artists involved, as opposed to general characteristics of the era ".

Presentation of `` The Life And Times Of John Sloan '' in the Delaware Art Center here suggests a current nostalgia for human values in art.

To enable students and the public to spot Sloan forgeries, the Delaware Art Center ( according to its director, Bruce St. John ) will maintain a complete file of photographs of all Sloan works, as well as a card index file.

* John Bender and Gene Blocker Contemporary Philosophy of Art: Readings in Analytic Aesthetics 1993.

* John M. Valentine, Beginning Aesthetics: An Introduction To The Philosophy of Art.

He liked to surround himself with jazz musicians and often performed with a horn section drawn from a pool that included, among others, saxophone players Art Themen, Mel Collins, Dick Heckstall-Smith, Lol Coxhill, Dick Morrissey, John Surman and trombonist Mike Zwerin.

According to David Steel, curator of European art at the North Carolina Museum of Art, Erin Jones " brought that museum into the modern era ," employing " a top-notch curator, John Nolan ," and following " best practices in conservation and restoration.

* Portrait of Mrs. John Wheeler Leavitt, 1885, grandmother of Cecilia Beaux, Westmoreland Museum of American Art, Greensburg, Pa., ExplorePAHistory. com

Mayor John Lindsay appointed him to the New York City Art Commission in 1969.

* Rewald, John, The History of Impressionism ( 1961 ), Museum of Modern Art, ISBN 0-8109-6035-4

In 1651, John French published The Art of Distillation the first major English compendium of practice, though it has been claimed that much of it derives from Braunschweig's work.

Chambers, in 1728, followed the earlier lead of John Harris's Lexicon Technicum of 1704 and later editions ( see also below ); this work was by its title and content " A Universal English Dictionary of Arts and Sciences: Explaining not only the Terms of Art, but the Arts Themselves ".

John Harris is often credited with introducing the now-familiar alphabetic format in 1704 with his English Lexicon Technicum: Or, A Universal English Dictionary of Arts and Sciences: Explaining not only the Terms of Art, but the Arts Themselves – to give its full title.

Woodcut print of a kite from John Bate's 1635 book, The Mysteryes of Nature and Art in which the kite is titled How to make fire Drakes.

Made by AP Films with Director-Gerry Anderson, Director of Photography by Arthur Provis, Art director by Reg Hill, Special Effects by John Read.

General George Washington at Trenton by John Trumbull, Yale University Art Gallery ( 1792 ).

One of Barrett's pupils, John Parkin, created his own handwritten grimoire, The Grand Oracle of Heaven, or, The Art of Divine Magic, although it was never actually published, largely because Britain at the time was at war with France, and grimoires were commonly associated with the French.

* Sir John Summerson, Architecture in Britain ( series: Pelican History of Art ) Reissued in paperback 1970

Notable performers there included among others: Pearl Bailey, Count Basie, Nat King Cole, John Coltrane, Miles Davis, Ella Fitzgerald, Coleman Hawkins, Billie Holiday, Lena Horne, Burl Ives, Leadbelly, Anita O ' Day, Charlie Parker, Les Paul and Mary Ford, Paul Robeson, Kay Starr, Art Tatum, Sarah Vaughan, Dinah Washington, Josh White, Teddy Wilson, Lester Young, and The Weavers, who also in Christmas 1949, played at the Village Vanguard.

Later John William Lloyd, a collaborator of Benjamin Tucker ´ s periodical Liberty, published in 1931 a sex manual that he called The Karezza Method: Or Magnetation, the Art of Connubial Love.

John Gardner, in The Art of Fiction, cites in this context the work of Barthelme and its " seemingly limitless ability to manipulate techniques as modes of apprehension apprehend nothing.

* Portrait of John Crossley of Scaitcliffe kept at the Christchurch Art gallery in Christchurch, New Zealand ( use searchbar on website to look for the image )

* Jacob Lawrence on the site of the Queens Museum of Art ; includes reproductions of several prints from the John Brown series.

* Washington's State Art Collection: The Legend of John Brown.

* National Gallery of Art: Selections from John James Audubon's The Birds of America ( 1826 – 1838 )