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Arturo and Toscanini's
Earlier in his career he was Arturo Toscanini's successor as music director of the New York Philharmonic, serving from 1936 to 1943.
Frank and Dyment also discuss Maestro Toscanini's performance history in the 50th anniversary issue of Classic Record Collector ( 2006, 47 ) Frank with ' Toscanini – Myth and Reality ' ( 10 – 14 ) and Dyment ' A Whirlwind in London ' ( 15 – 21 ) This issue also contains interviews with people who performed with Toscanini – Jon Tolansky ' Licia Albanese – Maestro and Me ' ( 22 – 6 ) and ' A Mesmerising Beat: John Tolansky talks to some of those who worked with Arturo Toscanini, to discover some of the secrets of his hold over singers, orchestras and audiences.
He was a champion of Arturo Toscanini's conducting, which was for him a revelation in structure and expression.
His books include the standard biography of and a book of essays on the Italian conductor Arturo Toscanini, plus an edited collection of Toscanini's letters.
In the 1930s his constant praise of conductor Arturo Toscanini and denigration of John Barbirolli, Toscanini's successor as music director of the New York Philharmonic, prompted protest, with Downes's " constantly repeated line of hocus-pocus " condemned as " thoroughly nauseating ".
In 1967, as RCA Victrola reissued numerous recordings of Arturo Toscanini and the NBC Symphony Orchestra, Seraphim reissued some of Toscanini's British recordings with the BBC Symphony Orchestra, made in London's Queen's Hall from 1937 to 1939.
At Arturo Toscanini's recommendation, Rodziński was engaged by NBC to select the musicians for the new NBC Symphony Orchestra.
Shortly afterwards, conductor Arturo Toscanini's last two public concerts were recorded on stereophonic magnetic tape.
Above all, expressed serious doubts about Arturo Toscanini's recordings.

Arturo and Harvey
* Harvey Sachs |, ed., The Letters of Arturo Toscanini, New York: Knopf, 2003.
Other columnists include Arturo Rivera, Joe O ' Neill, Richard Muga, Emily Carney, Paul Guzzo, Leonardo Venta, Harvey Grajales, Gene Siudut, Kyle Dion and Travis Puterbaugh.

Arturo and Sachs
* Howard Taubman, The Maestro: The Life of Arturo Toscanini, New York: Simon & Schuster, 1951 ( contains factual errors corrected by Haggin and Sachs ).

Arturo and notes
She notes that while Flores names Jorge Luis Borges as the first magical realist ( some critics consider him a predecessor, not actually a magical realist ), he fails to acknowledge either Alejo Carpentier or Arturo Uslar-Pietri for bringing Roh's magic realism to Latin America.
Gedda's recordings span a wide variety of styles and several of the roles may be considered amongst the most challenging in the entire operatic repertoire, notably Arnold in Rossini's Guillaume Tell and Arturo in I puritani, both requiring stratospheric high notes and an easy legato line.
Doctor Gradus ad Parnassum is a satirical piano composition by Claude Debussy, from his suite Children's Corner, poking fun at Muzio Clementi's collection ( or, as Myriam Chimènes states in the notes to the Arturo Benedetti Michelangeli version, at Czerny's collection ).

Arturo and multiple
The family were well acquainted with motor racing as Arturo and his brother Giuseppe were both bicycle racers-Giuseppe was a multiple winner of the Italian national championship and was particularly admired by a young Tazio.

Arturo and performances
The show also had performances by singers Tony Bennett and Patti LaBelle, jazz trumpeter Arturo Sandoval, and the Miami Sound Machine.
Key acted on a dream he had of meeting Toscanini by starting the Arturo Toscanini Society to release a number of " unapproved " live performances by Toscanini.
He gave performances under Bruno Walter and Arturo Toscanini, and he also played the solo part in Richard Strauss ' Don Quixote under the composer.
One of the few exceptions was the eventual release of recorded performances by the NBC Symphony Orchestra with Arturo Toscanini.
* Complete performances from the Internet Archive by Jascha Heifetz / Arturo Toscanini & Fritz Kreisler / John Barbirolli.
Ironically, Hitler attended performances that included Jewish and foreign singers, long after they had been banned from all other venues across Germany ( including heldentenor, Max Lorenz, married to a well-known Jewish woman ) Winifred's influence with Hitler was so strong that Hitler even wrote a letter ( at her behest ) to anti-fascist Italian conductor Arturo Toscanini, begging him to lead the festival.
The years from 1934 to 1937 were a golden period when the famed conductors Arturo Toscanini and Bruno Walter conducted many performances.
In addition to purely extracurricular productions, the English Department's teaching of A-level Theatre Studies produces further theatrical output ; such as Brecht's The Resistible Rise Of Arturo UI ( 2008 ) and other devised performances.
Its earliest concerts included the UK premiere of Mahler's Eighth Symphony and first performances of works by Bartók, Holst and Stravinsky under such conductors as Adrian Boult, Arturo Toscanini and Bruno Walter.
Banderas worked to mimic the correct posture and finger placements for his character's trumpet performances, while the actual playing was performed by Arturo Sandoval.
The Symphonic Choir, under the direction of Westminster's Director of Choral Activities, has sung at individual performances of large orchestral / choral works with professional orchestras conducted by Claudio Abbado, Daniel Barenboim, Leonard Bernstein, Herbert von Karajan, Eugene Ormandy, William Steinberg, Leopold Stokowski, Arturo Toscanini, and Bruno Walter, and such contemporary figures as Pierre Boulez, Mariss Jansons, Erich Leinsdorf, James Levine, Zdeněk Mácal, Kurt Masur, Lorin Maazel, Michael Tilson Thomas, Riccardo Muti, Claudio Abbado, Seiji Ozawa, Wolfgang Sawallisch, Robert Shaw, Zubin Mehta, Albert Wolff, and Rafael Frübeck de Burgos.
* 1928: performances in Budapest, a three-year contract with La Scala, debut in the role of Calaf, and then he sings well and Mascarila Cavaradossiego the premiere of " Le Preziosa ridicole " Lattuady under the baton of Arturo Toscanini.

Arturo and Beethoven's
** Ludwig van Beethoven's Ninth Symphony is played on television in its entirety for the first time, in a concert featuring Arturo Toscanini conducting the NBC Symphony Orchestra.
) The closing credits music for the broadcast was the second movement ( scherzo ) of Beethoven's Ninth Symphony, from the 1952 studio recording with Arturo Toscanini conducting the NBC Symphony Orchestra.
In 1952, she was engaged by Arturo Toscanini for his first and only studio recording of Beethoven's Ninth Symphony, with the NBC Symphony Orchestra.
She sang Beethoven's Symphony No. 9 with the BBC Chorus and the BBC Symphony Orchestra conducted by Arturo Toscanini at the Queen's Hall, London, on November 3, 1937.

Arturo and work
From this time his work was influenced by Etruscan art and the sculpture of Arturo Martini.
He joined the Bristol Old Vic and was there for two years 1959 – 1961, time he described as ' the bedrock of his career ', followed by much other stage work: as Brecht's Arturo Ui, The Strange Case of Martin Richter, Disabled, The Heretic, The Caretaker and Semi-Detached ( in New York ).
Other conductors who have recorded the work include Arturo Toscanini, Daniel Barenboim, Sir Georg Solti, Leonard Bernstein, Giuseppe Sinopoli, Leopold Stokowski, Eugene Ormandy, William Steinberg and André Previn, as well as leading English conductors from Sir Henry Wood and Sir Adrian Boult to Sir Simon Rattle.
Today, Grofé remains most famous for his Grand Canyon Suite ( 1931 ), a work regarded highly enough to be recorded for RCA Victor with the NBC Symphony conducted by Arturo Toscanini ( in Carnegie Hall in 1945, with the composer present ).
The department has done featured work with composers and organizations such as Eric Whitacre, Josh Groban, Arturo O ' Farrill, Béla Fleck and NPR's Radiolab.
From 1966 into the mid-1970s, Johnson ’ s work was shown at the Willard Gallery ( New York ) and Feigen Gallery ( Chicago and New York ), as well as by Angela Flowers in London and Arturo Schwarz in Milan.
Hardin moved to New York in 1943, where he met noted classical music luminaries such as Leonard Bernstein and Arturo Toscanini, as well as legendary jazz performer-composers such as Charlie Parker and Benny Goodman, whose upbeat tempos and often humorous compositions would influence Hardin's later work.
His work in Bergamo came to the attention of Arturo Toscanini, when the latter heard his radio broadcast of Debussy's La mer ( not Haydn's Il mondo della luna as has often been reported ).
In the late 1960s and early 1970s flourished the work of notable Mexican young directors: Arturo Ripstein ( El castillo de la pureza-1972 ; El lugar sin límites-1977 ), Luis Alcoriza ( Tarahumara-1965 ; Fé, Esperanza y Caridad-1973 ), Felipe Cazals ( Las poquianchis-1976 -; El Apando-1976 -), Jorge Fons ( los cachorros-1973 -; Rojo Amanecer-1989 -), Paul Leduc ( Reed, Mexico insurgente-1972 -; Frida, Naturaleza Viva ), Alejandro Jodorowski ( El topo-1972-; Santa Sangre-1989 -), the Chilean Miguel Littin ( Letters from Marusia-1976 -), Jaime Humberto Hermosillo ( La pasión según Berenice-1972 -; Doña Herlinda y su hijo-1984 -) and many others.
Arturo Alfonso Schomburg's work served as an inspiration to Puerto Ricans, Latinos and Afro-American alike.
While singing at bar mitzvahs and weddings and Borscht Belt resorts, he met an agent, Moe Gale, who found him work at Radio City Music Hall and with the NBC Symphony Orchestra, conducted by Arturo Toscanini.
As a classical composer and performer, his integration of jazz ( including being one of the first noted as an improvising jazz French hornist ), ethnic and folk music has led him to work with the likes of Charlie Parker, Thelonious Monk, Dizzy Gillespie, Lionel Hampton, Willie Nelson, Langston Hughes, Charles Mingus, Pepper Adams, Leonard Bernstein, Sir James Galway, Tito Puente, Mary Lou Williams, Joseph Papp, Arthur Miller, Miles Davis, Arturo Sandoval, Stan Getz, Pete Seeger, Elia Kazan, Odetta, Lord Buckley, Dustin Hoffman, Steve Allen, Machito, Earl " Fatha " Hines, Allen Ginsberg, Nina Simone, Gregory Corso, Bob Dylan, Steve Goodman, Hunter Thompson, Johnny Depp and Jack Kerouac throughout the course of his career.
Conductors who have recorded the work include Arturo Toscanini, Lorin Maazel, André Previn, Bernard Haitink, Eugene Ormandy, Yuri Temirkanov, Yevgeny Svetlanov, Riccardo Muti, Igor Markevitch, Andrew Litton, Mikhail Pletnev, Vladimir Fedoseyev, Riccardo Chailly, Mariss Jansons, Vasily Petrenko, Zubin Mehta, Vladimir Jurowski and others.
In this room highlights a gold sun donated by the Peruvian government, the work: El Día y la noche ( Day and night ), by Arturo Michelena, a equestrian portrait of Simón Bolívar ( 1936 ) as main painting of the room, and a portrait of the first president of Venezuela: Cristóbal Mendoza.
Titled Albert Pike ’ s Morals and Dogma: Annotated Edition, the work was prepared by Arturo de Hoyos, 33 °, G ∴ C ∴, K. Y. C. H., the Scottish Rite ’ s Grand Archivist and Grand Historian.
In 1945, Arturo Toscanini and the NBC Symphony recorded a version of the work for RCA Victor ; this recording was among the first LPs released by RCA ( LM-1004 ), in 1950.
" Yet if allowed to go free, he added, " Let me tell you that the first strike that breaks again in this Commonwealth or any other place in America where the work and the help and the intelligence of Joseph J. Ettor and Arturo Giovannitti will be needed and necessary, there we shall go again regardless of any fear and any threat.
Major influences on her work are Francisco de Goya and Arturo Rivera.
Arturo Toscanini originally planned to conduct the work in 1916, but the Italian composer refused to appear for the performance after a disagreement over his having included some of Wagner's music on a program played during World War I. Consequently, it did not premiere until March 11, 1917 where it appeared at the Teatro Augusteo in Rome with Antonio Guarnieri as conductor.
Although Arturo Toscanini was long associated with this work, performing it in his first and last concerts with the New York Philharmonic Orchestra, in 1926 and 1945 respectively, the first recordings of the music were by other Italian conductors.
Four months later, in September, the work received its first radio broadcast performance with Arturo Toscanini conducting the NBC Symphony Orchestra.

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