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As Frankenheimer describes in Charles Champlin's interview book, he advised Lancaster that the script was too long but was told he had to shoot all that was written.
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Frankenheimer and Charles
John Frankenheimer: A Conversation with Charles Champlin ( Riverwood Press ).
Frankenheimer and Champlin's
Frankenheimer is quoted in Champlin's biography as saying that his alcohol problem caused him to do work that was below his own standards on Prophecy ( 1979 ), an ecological monster movie about a mutant grizzly bear terrorizing a forest in Maine.
Frankenheimer and interview
" In an interview, Frankenheimer refused to discuss the film, saying only that he had a miserable time making it.
During an interview with the History Channel, Frankenheimer revealed:
Frankenheimer and book
Urban legend has it that the film was pulled from circulation due to the similarity of its plot to the death of President Kennedy the following year, but Frankenheimer states in the Champlin book that it was pulled because of a legal battle between producer Sinatra and the studio over Sinatra's share of the profits.
As he recounts in the Champlin book, Frankenheimer used the production's desperation to his advantage in negotiations.
Frankenheimer calls it in the Champlin book " the only movie I've made which I would say was a total disaster.
The Train is a 1964 black-and-white war film directed by John Frankenheimer from a story and screenplay by Franklin Coen and Frank Davis, based on the non-fiction book Le front de l ' art by Rose Valland.
As he recounts in the Champlin book, Frankenheimer used the production's desperation to his advantage in negotiations.
Frankenheimer and Lancaster
In addition, John Frankenheimer directed five films with Lancaster: The Young Savages ( 1961 ), Birdman of Alcatraz ( 1962 ), Seven Days in May ( 1964 ), The Train ( 1964 ), and The Gypsy Moths ( 1969 ).
Frankenheimer returned to television during the late 1950s, moving to film permanently in 1961 with The Young Savages, in which he worked for the first time with Burt Lancaster in a story of a young boy murdered by a New York gang.
Burt Lancaster, who was producing as well as starring, asked Frankenheimer to take over the film.
Lancaster was committed to star in Judgment at Nuremberg, so he made that film while Frankenheimer prepared the reshoots.
The Train had already begun shooting in France when star Lancaster had the original director fired and called in Frankenheimer to save the film.
The celebration of Americana starred Frankenheimer regular Lancaster, reuniting him with From Here to Eternity co-star Deborah Kerr, and it also featured Gene Hackman.
It was made into a motion picture and released in February 1964, with a screenplay by Rod Serling, directed by John Frankenheimer, and starring Burt Lancaster, Kirk Douglas, Fredric March, and Ava Gardner.
This almost caused Frankenheimer to back out, since he and Lancaster had butted heads on The Birdman of Alcatraz several years before.
Ironically, Lancaster and Frankenheimer became close friends during the filming, while Douglas and the director had a falling out.
The Train had already begun shooting in France when star Burt Lancaster had the original director fired and called in Frankenheimer to take over the film.
Frankenheimer noted on his DVD commentary that Lancaster performed the entire roll down the mountain himself, filmed by cameras at points along the hillside.
Boenish's cinematography work included the 1969 John Frankenheimer parachuting film classic The Gypsy Moths, starring Burt Lancaster and Gene Hackman, and a National Geographic Explorer segment on jumps from El Capitan.
Frankenheimer and script
Again saddled with an unfilmably long script, Frankenheimer threw it out and took the locations and actors left from the previous film and began filming, with writers working in Paris as the production shot in Normandy.
Frankenheimer and was
John Michael Frankenheimer ( February 19, 1930 – July 6, 2002 ) was an American film and television director known for social dramas and action / suspense films.
Frankenheimer was born in Queens, New York, the son of Helen Mary ( née Sheedy ) and Walter Martin Frankenheimer, a stockbroker.
His father was of German Jewish descent and his mother was Irish Catholic, and Frankenheimer was raised Catholic.
In May 2001, amid rumors that he was the biological father of film director Michael Bay, Frankenheimer stated he had a brief relationship with Bay's birth mother.
After the rumors surfaced that Bay's natural father was a filmmaker, there was much speculation about Frankenheimer, who continued to deny the story and told the Los Angeles Times that there had once been " tests " to determine paternity ( long before DNA testing ).
The first cut of the film was four-and-a-half hours long, the length Frankenheimer had predicted.
Frankenheimer was next hired by producer John Houseman to direct All Fall Down, a family drama starring Eva Marie Saint and Warren Beatty.
Frankenheimer had to fight to cast Lansbury, who had worked with him on All Fall Down, and was just two years older than Harvey.
Frankenheimer was ahead in schedule anyway, and the McQueen / Sturges project was called off, while the German race track was only mentioned briefly in Grand Prix.
Frankenheimer was a friend of Senator Robert F. Kennedy and drove him to the Ambassador Hotel in Los Angeles the night Kennedy was assassinated in June 1968.
Frankenheimer and told
* When told that Michel Simon would be unable to complete scenes scripted for his character as a result of prior contractual obligations, Frankenheimer devised the sequence wherein Papa Boule is executed by the Germans.
Frankenheimer and had
Frankenheimer and producer George Axelrod bought Richard Condon's 1959 novel after it had already been turned down by many Hollywood studios.
Due to their contract with the German Nürburgring, Frankenheimer had to turn over 27 reels shot there to Sturges.
The film tested very highly, and Paramount and Frankenheimer had high expectations for it.
In 1990, he returned to the Cold War political thriller genre with The Fourth War with Roy Scheider ( with whom Frankenheimer had worked previously on 52 Pick-Up ) as a loose cannon Army colonel drawn into a dangerous personal war with a Russian officer.
They had a contract with the German Nürburgring, and after John Frankenheimer shot scenes there for Grand Prix, the reels had to be turned over to Sturges.
Some of the other actors had problems with Frankenheimer.
Due to their contract with the German Nürburgring, Frankenheimer had to turn over 27 reels shot there to Sturges.
Director John Frankenheimer cast a more malevolent, coarse Lee Marvin in his 1973 film version that had a 239-minute running time.
0.200 seconds.