Welles's rough cut as submitted to Universal no longer exists.

Release was delayed due to Cohn ordering extensive editing and re-shoots by his assistants at Columbia, who insisted on cutting about an hour from Welles's final cut.

As with many of Welles's films over which he did not have control over the final cut, the missing footage has not been found and is presumed to have been destroyed.

However, many Welles scholars maintain that the visual style of Kane is similar to many of Welles's other films, and hence should be considered the director's work.

" Orson Welles's baroquely styled Touch of Evil ( 1958 ) is frequently cited as the last noir of the classic period.

Perhaps America's most famous radio drama broadcast is Orson Welles's The War of the Worlds, a 1938 version of the H. G. Wells novel, which convinced large numbers of listeners that an actual invasion from Mars was taking place.

* Plainsboro is mentioned in the description of the battle area in Orson Welles's 1938 radio broadcast, The War of the Worlds, when the radio announcer describes the aftermath of the purported Martian invasion at nearby Grover's Mill.

Orson Welles's Citizen Kane ( 1941 ) is frequently cited in critics ' polls as the greatest film of all time.

Orson Welles's The Trial is notable for heavily influencing Gilliam's signature style years before the American ex-patriate joined the Monty Python comedy troupe while only being a one-feature style for Welles.

The film is not based on Orson Welles's script The Cradle Will Rock, which was to be an autobiographical account of the play's production.

He was living in isolation in a " huge mansion ", which is said to be influenced by Xanadu from Orson Welles's Citizen Kane.

In Orson Welles's film version of Macbeth ( 1948 ), Fleance is briefly seen again at the very end of the movie.

What is only hinted at in Welles's documentary is that de Hory had recently served a two-month sentence in a Spanish prison for homosexuality and consorting with criminals.

Some have even argued that after Citizen Kane, F for Fake is Welles's most influential film, for it invented the MTV style of editing.

He edited This is Orson Welles ( 1992 ) by Welles and Peter Bogdanovich, a collection of interviews and other materials relating to Welles, and was consultant on the re-editing of Welles's Touch of Evil released in 1998, based on a lengthy memo written by Welles to Universal Pictures in the 1950s.

Welles's broadcast of War of the Worlds is just a story, but maybe there really are aliens at loose.

One of the most famous examples of non-chronological flashback is in the Orson Welles's film Citizen Kane ( 1941 ).

In addition, some of Welles's complaints concerned subtle sound and editing choices, and Murch re-edited the material accordingly.

As the library was not equipped to synchronize the recovered soundtrack with the film element, producer and restoration specialist Rick Schmidlin suggested that award-winning film editor Walter Murch be enlisted on the project ( the two had worked together on the 1998 restoration of Orson Welles's Touch of Evil ).

Returning once again to a reworking of the past, this time the supposed murder of director Thomas Ince by Orson Welles's bête noire William Randolph Hearst, The Cat's Meow was a modest critical success but made little money at the box office.

Opinions vary on the artistic value of the resulting production: some see Welles's mercilessly pared-down script ( the running time was around 100 minutes without an interval, several characters were eliminated, dialogue was moved around and borrowed from other plays, and the final two acts were reduced to a single scene ) as a radical and innovative way of cutting away peripheral elements of Shakespeare's tale ; others thought Welles's version was a mangled and lobotomised version of Shakespeare's tragedy which lacked the psychological depth of the original.

Welles's Julius Caesar opened at the Comedy Theater in the fall of 1937, and then was transferred to the National Theater on West 41st Street, later renamed the Nederlander Theater.

Welles's film was given little publicity despite the many stars in the cast.

While working as a film editor, Wise was called on to shoot additional scenes for Orson Welles's The Magnificent Ambersons ( 1942 ).

According to historian Winters, " Welles's opinion of the military abilities of both men was very low, but he did not question Butler's skill as a ' police magistrate ' in charge of civil affairs.

A promising project, Orson Welles's The Deep ( 1970 ) with Jeanne Moreau, was never finished.

He composed the score for Welles's second film, The Magnificent Ambersons ( 1942 ); like the film itself, the music was heavily edited by the studio, RKO Pictures.

The Shadow knows ...." According to historian Frank Brady, Welles's " voice as the ' invisible ' Shadow was perfect.

In 1951, during a break in the making of Othello, Mac Liammóir produced Orson Welles's ghost-story Return to Glennascaul which was directed by Hilton Edwards.

Orson Welles's masterpiece Citizen Kane was also released.

" Welles's name as coauthor was drowned out by voices all through the audience calling out, " Mank!

Richard Meryman concludes that " taken as a whole ... Citizen Kane was overwhelmingly Welles's film, a triumph of intense personal magic.

He was a member of the regular cast of Orson Welles's Ceiling Unlimited, for which he also wrote the December 14, 1942, episode, " War Workers ".

Some of the character's dialogue on how to run a newspaper are direct quotes from Welles's comments on how to make a motion picture ( though this was his first ).

After the broadcast of March 31, 1940 — a reprise of Jane Eyre, after Welles's suggestion of Alice Adams was not accepted — Welles and Campbell parted amicably.

His second film was the Orson Welles's The Stranger as Noah, the brother of Loretta Young's character.

Jean Renoir did the French narration for the film and Hemingway did the English version only after Orson Welles's sounded too theatrical ..

# A 1998 restored version that attempted to fulfill Welles's wishes in his 1958 memo.

He played Iago in Welles's film version of Othello ( 1952 ).

* Orson Welles's Chimes at Midnight ( 1966 ) compiles the two Henry IV plays into a single, condensed storyline, while adding a handful of scenes from Richard II and Henry V. The movie, also known as Falstaff, features Welles himself in the title role.

The film's plot structure also bears similarity to Orson Welles's Citizen Kane ( 1941 ), particularly the opening scenes with Lawrence's death and the reporter inquiring notables at Lawrence's funeral.