Later examples can be found as the opening movement of each of Johann Sebastian Bach's Orchestral Suites, Partita in D major, BWV 828, C minor Cello Suite, BWV 1011, and as an opening to many oratorios by George Frideric Handel ( including Messiah ).

* Meditazione ( Aria di Bach ) ( an arrangement of the Air from Bach's Orchestral Suite in D major )

The show's opening theme tune was Badinerie, the final movement of Johann Sebastian Bach's Orchestral Suite No. 2 in B minor.

Keith Emerson contributed a series of treatments of classical pieces ( such as Bach's French Suite No. 1 in D minor, BWV 812 and Bartok's ' Allegro Barbaro '), Carl Palmer provided a drum solo ( called " Tank ") and Greg Lake provided two ballads, beginning with the folky, extended work " Take a Pebble ".

He played the Sarabande from Bach's Suite in C minor (# 5 ).

Pieces he performed included the Sarabande movement from Bach's Cello Suite No. 6, and Franck's Panis Angelicus with Placido Domingo.

At his burial ceremony, the second movement of Mozart's Piano Concerto No. 21 ( which Marceau long used as an accompaniment for an elegant mime routine ) was played, as was the sarabande of Bach's Cello Suite No. 5.

A gigue is usually in 3 / 8 or in one of its compound metre derivatives, such as 6 / 8, 6 / 4, 9 / 8 or 12 / 8, although there are some gigues written in other metres, as for example the gigue from Johann Sebastian Bach's first French Suite ( BWV 812 ), which is written in 4 / 4.

In Bach's gigues, each section often begins as a fugue, in which the theme used in the first section is inverted in the second section, as for example in the gigue from Bach's third English Suite.

During the Soused ( or Brown-Bag ) Period, P. D. Q. Bach wrote a Concerto for Horn & Hardart, a Sinfonia Concertante, a Pervertimento for Bicycle, Bagpipes, and Balloons, a Serenude, a Perückenstück ( literally German for " Hairpiece "), a Suite from The Civilian Barber ( spoofing Rossini's The Barber of Seville ), a Schleptet in E-flat major, the half-act opera The Stoned Guest ( the character of " The Stone Guest " from Mozart's Don Giovanni ), a Concerto for Piano vs. Orchestra, Erotica Variations ( Beethoven's Eroica Variations ), Hansel and Gretel and Ted and Alice, an opera in one unnatural act ( Humperdinck's Hansel and Gretel and the 1969 film Bob & Carol & Ted & Alice ), The Art of the Ground Round ( Bach's The Art of Fugue ), a Concerto for Bassoon vs. Orchestra, and a Grand Serenade for an Awful Lot of Winds and Percussion.

), the oratorio The Seasonings ( Haydn's The Seasons ), Diverse Ayres on Sundrie Notions, a Sonata for Viola Four Hands, the chorale prelude Should, a Notebook for Betty Sue Bach ( Bach's Notebook for Anna Magdalena Bach and Buddy Holly's " Peggy Sue "), the Toot Suite, the Grossest Fugue ( Beethoven's Grosse Fuge ), a Fanfare for the Common Cold ( Copland's Fanfare for the Common Man ) and the canine cantata Wachet Arf!

* Johann Sebastian Bach's Fifth Cello Suite is written with the A string, the highest string, tuned down a whole step to a G. This tuning allows chords which would be difficult or impossible at regular tuning.

Also, two arrangements of outside composers ' pieces figure on the Palmer side: one of Johann Sebastian Bach's baroque D Minor Invention # 4, BWV 775, and a piece titled ' The Enemy God Dances With the Black Spirits ', an excerpt of the 2nd movement of " The Scythian Suite " by Sergei Prokofiev ( 1891-1953 ), written in 1915.

The film uses the sarabande from Johann Sebastian Bach's Fifth Cello Suite, which Bergman also used in Cries and Whispers ( 1971 ).

The first page of the Suite No. 1 in G major, BWV 1007 in Anna Magdalena Bach's handwriting

The third track, " Knife Edge ", is based on the first movement of Leoš Janáček ’ s Sinfonietta ( 1926 ) with an instrumental middle section that includes an extended quotation from the Allemande of Johann Sebastian Bach's first French Suite in D minor, BWV 812, but played on an organ rather than clavichord or piano.

There, Morris choreographed a dance based on Bach's Third Suite for Unaccompanied Cello, which Ma performs.

The beginning of the piece is reminiscent of the Courante from J. S. Bach's French Suite No. 5, which is in the same key.

Perhaps the best-known ripieno concerto is Johann Sebastian Bach's Brandenburg Concerto No. 3.

* Bach's concerti for 2 violins, for 2, 3, or 4 harpsichords as well as several of his Brandenburg concertos.

The characteristic rhythm in the left hand is also found in Bach's Partita No. 3 for solo violin, in the A major prelude from the first book of The Well-Tempered Clavier, and in the D minor prelude of the second book.

Variation 25 is the third and last variation in G minor ; a three-part piece, it is marked adagio in Bach's own copy and is in 3 / 4 time.

« Further thoughts on Bach's 1722 temperament » ( Early Music XXXIX / 3, August 2011, pp. 401-407 ).

Präparierter Text 1 is adapted from the second movement of Brahms ' Symphony No. 1, and is for violin and magnetic tape ; Präparierter Text 2 is adapted from the first movement of Mozart's Jupiter Symphony ( No. 41 ), and is for flute, trumpet, timpani, violin, cello and double bass ; Präparierter Text 3 is adapted from the fourth movement of Beethoven's Symphony No. 9, and is for cymbal, bass drum and magnetic tape ; and Präparierter Text 4 is adapted from the Ricercar a 6 from Johann Sebastian Bach's Musical Offering and is for chamber orchestra ( a version for full orchestra followed in 1970 ).

In the Baroque period, the term was also occasionally used for both vocal and instrumental compositions, such as Claudio Monteverdi's Scherzi musicali ( 1607 ), Antonio Brunelli's Scherzi, Arie, Canzonette e Madrigale ( 1616 ) for voices and instruments, Johann Schenk's Scherzi musicale ( fourteen suites for gamba and continuo ) or the scherzo of Johann Sebastian Bach's Partita No. 3 for harpsichord.

The recording featured Bach's Partita No. 3 in E major, Eugène Ysaÿe's Sonata No. 3 in D minor, and " Lulsawice " by Paul Patterson, all performed unaccompanied.

Bach's Brandenburg Concerto No. 3.

" He also elaborates on their additional similarities, which lead Sassoon to suggest that Bach used Handel's A minor fugue as a structural model or guide for the Musical Offerings Ricercar a 6, and that its musical concepts may also have influenced Bach's development of the Ricercar a 3.

The Museum of Non-Objective Painting ( later, The Guggenheim ) commissioned him to synchronize a film with a march by John Philip Sousa in order to demonstrate loyalty to America, and then insisted that he make a film to Bach's Brandenburg Concerto No. 3, even though he wanted to make a film without sound in order to affirm the integrity of his non-objective imagery.

This close connection within a work of both theme ( 3 and 6 ) and instrument ( 1 and 6 ) is unusual in Bach's cantatas.

A notable exception is the rondo form of the Gavotte from Bach's Partita No. 3 in E Major for solo violin, BWV 1006.

Another well-known example of bariolage is in Bach's Preludio to the E major Partita No. 3 for solo violin, where three strings are involved in the maneuver ( one open string and two fingered notes ).

In Bach's unaccompanied Partita for Violin No. 2 the first movement ( titled Allemanda ) begins as if in 3 / 4 time in a manner one might initially perform and hear as a courante.

* April 19 – Premiere of the first Leipzig version of Johann Sebastian Bach's St Mark Passion pastiche BWV deest BC D 5b at the St. Nicholas Church, Leipzig

This musical work, while touted as " P. D. Q. Bach's Half-Act Opera: The Stoned Guest ," is actually the work of Peter Schickele.

Puns are occasionally used to connect ideas, such as " the Magnificrab, Indeed " with Bach's Magnificat in D ; " SHRDLU, Toy of Man's Designing " with Bach's Jesu, Joy of Man's Desiring ; and " Typographical Number Theory ", or " TNT ", which inevitably reacts explosively when it attempts to make statements about itself.

* Marcel Plays Mozart – Flute and Harp Concerto, Concerto's in D and G, and JS Bach's Flute Piano and Violin Sonata

Bach's Toccata and Fugue in D Minor.

* " The Royal Theme's Hidden Symmetry: In Defense of the Concise Solution to the Augmentation Canon in J. S. Bach's ' Musical Offering '", Timothy D. Edwards, BACH: Journal of the Riemenschneider Bach Institute, Vol.

* Recording of Busoni's transcription of Bach's Chaconne in D minor by Boris Giltburg in MP3 format

Book 2: Preludio, Fuga e Fuga figurata ( Studie nach J. S. Bach's Wohltemperiertem Klavier )-The " Preludio " and " Fuga " are almost unaltered transcriptions of the D major prelude and fugue from the first book of Bach's Well-Tempered Clavier.

S. Terry and D. Litti, < cite > Bach's Cantata Libretti < cite >, Journal of the Royal Musical Association 1917 44 ( 1 ): 71 – 125 ;

* J. C. Bach's Concerto in D Major Op. 13, No. 2, 1st movement ( YouTube )

On the other hand, the parts in the manuscript are numbered from 1 to 4, and Bach's usual closing formula ( S. D. G = Soli Deo Gloria ) is only found at the end of the Dona Nobis Pacem.

Instead, Johann Adolph Hasse's Mass in D minor was performed, a work with many similarities to Bach's Mass ( the Credo movements in both works feature chant over a walking bass line, for example.

Dudley arranged Bach's Chaconne from Partita in D minor for Piano trio and a recording by the Eroica Trio appears on their " Baroque " album.

Some might criticize Disney's animators for providing a pictorial interpretation of Bach's Toccata and Fugue in D Minor, but nobody can deny an extramusical association for Dukas's The Sorcerer's Apprentice.

Among the most notable of Joachim's achievements were the revivals of Bach's Sonatas and partitas for solo violin, BWV 1001-1006, and particularly of Beethoven's Violin Concerto in D major, Op.

Bach's toccatas are among the most famous examples of the form, and his Toccata and Fugue in D Minor BWV 565 is one of the most popular organ works today, although its authorship is disputed by some authorities.

These had green labels, and the catalogue included some ambitious items, such as an abridged version ( 1925 ) of Edward Elgar's oratorio The Dream of Gerontius and, from Novello, what has been reported as the first recording of Bach's Toccata and Fugue in D minor, BWV 565 ( arranged for piano by Carl Tausig ) and a complete recording of Mendelssohn's First Piano Concerto, her sole recording of a work extending over more than two record sides.

According to Schickele, Bach's parents did not bother to give their youngest son a real name, and settled on " P. D.