[permalink] [id link]
Bakshi returned to television with the live-action film Cool and the Crazy ( 1994 ) and the anthology series Spicy City ( 1997 ).
from
Wikipedia
Some Related Sentences
Bakshi and returned
In 1987, Bakshi returned to television work, producing the series Mighty Mouse: The New Adventures, which ran for two years before it was canceled due to complaints from a conservative political group over perceived drug references.
Two weeks after Bakshi returned to New York, Krantz entered his office and told Bakshi that he had acquired the film rights through Dana, who had Crumb's power of attorney and signed the contract.
Arkoff threatened to withdraw his financial backing unless Krantz rehired Bakshi, who returned a week later.
" When Bakshi returned to the United States, he learned that the cost of developing blown-up prints of each frame had risen.
Ralph Bakshi, director of ground-breaking animated films like Fritz the Cat and the original Lord of the Rings film, returned to animation after taking a short break in the mid-1980s.
Arkoff threatened to pull the film's budget unless Krantz rehired Bakshi, who returned a week later.
Bakshi and television
Beginning his career at the Terrytoons television cartoon studio as a cel polisher, Bakshi was eventually promoted to director.
Wizards originated in the concept for Tee-Witt, an unproduced television series Bakshi developed and pitched to CBS in 1967.
Peter Woodthorpe ( 25 September 1931 – 12 August 2004 ) was an English film, television and voice actor who supplyed the voice of Gollum in the 1978 Bakshi version of The Lord of the Rings and BBC's 1981 radio serial.
# Byomkesh Bakshi ( 1993 ) directed by Basu Chatterjee was the critically acclaimed television adaptation of the series.
# Byomkesh Bakshi ( 2004 ) directed by Swapan Ghoshal was the second television adaptation of the series also aired on Doordarshan.
The Mighty Heroes was an animated television series created by Ralph Bakshi for the Terrytoons company.
Spicy City is an animated television series which was created by Ralph Bakshi for HBO.
Bakshi and with
The family lived in a low-rent apartment, where Bakshi became fascinated with the urban milieu.
Bakshi recalled, " All my friends were black, everyone we did business with was black, the school across the street was black.
The racial segregation of local schools meant that the nearest white school was several miles away ; Bakshi obtained his mother's permission to attend the nearby black school with his friends.
In June 1956, Bakshi graduated from the school with an award in cartooning.
In response to the period's political climate and as a form of therapy, Bakshi drew the comic strips Bonefoot and Fudge, which satirized " idiots with an agenda ", and Junktown, which focused on " misfit technology and discarded ideals ".
Bakshi was dissatisfied with the traditional role of a Terrytoons director: " We didn't really ' direct ' like you'd think.
In 1966, Bill Weiss asked Bakshi to help him carry presentation boards to Manhattan for a meeting with CBS.
Bakshi received a pay raise, but was not as satisfied with his career advancement as he had anticipated ; Rasinski had died in 1965, Bakshi did not have creative control over The Mighty Heroes, and he was unhappy with the quality of the animation, writing, timing and voice acting.
Bakshi met with Burt Hampft, a lawyer for the studio, and was hired to replace Culhane.
Hampft suggested that Bakshi work with producer Steve Krantz, who had recently fired Culhane as supervising director on the Canadian science fiction series Rocket Robin Hood.
Bakshi and background artist Johnnie Vita soon headed to Toronto, planning to commute between Canada and New York, with artists such as Morrow and Wood working from the United States.
Failing to reach a settlement with Guest, Krantz told Bakshi to grab the series ' model sheets and return to the United States.
Krantz arranged a meeting with Crumb, during which Bakshi presented the drawings he had created while learning the artist's distinctive style to prove that he could adapt Crumb's artwork to animation.
Artist Vaughn Bodé warned Bakshi against working with Crumb, describing him as " slick ".
Bakshi later agreed with Bodé's assessment, calling Crumb " one of the slickest hustlers you'll ever see in your life ".
Krantz sent Bakshi to San Francisco, where he stayed with Crumb and his wife, Dana, in an attempt to persuade Crumb to sign the contract.
Bakshi hired animators he had worked with in the past, including Vita, Tyer, Anzilotti and Nick Tafuri, and began the layouts and animation.
Although Bakshi did not have enough time to pitch the film, Gross agreed to fund its production and distribute it, believing that it would fit in with his grindhouse slate.
Bakshi did not have a lawyer, so he sought advice from fellow directors with whom he had become friendly, including Martin Scorsese, Francis Ford Coppola and Steven Spielberg.
Bakshi wanted the voices to sound organic, so he experimented with improvisation, allowing his actors to ad lib during the recording sessions.
Bakshi cast Scatman Crothers, Philip Michael Thomas, Barry White and Charles Gordone in live-action and voice roles, cutting in and out of animation abruptly rather than seamlessly because he wanted to prove that the two mediums could " coexist with neither excuse nor apology ".
Bakshi and live-action
As of May 2009, Rodriguez plans to produce a live-action remake of Fire and Ice, a 1983 film collaboration between painter Frank Frazetta and animator Ralph Bakshi.
Billy Barty was the model for Bilbo, as well as Frodo and Sam, in the live-action recordings Bakshi used for rotoscoping.
Billy Barty was the model for Sam, as well as Frodo and Bilbo, in the live-action recordings Bakshi used for rotoscoping.
Ralph Bakshi ( born October 29, 1938 ) is an American director of animated and live-action films.
Bakshi said, " The illusion I attempted to create was that of a completely live-action film.
Animator Carl Bell loved drawing Aragorn so much that Bakshi gave Bell the live-action costume, which he wore while animating.
Bakshi and Frazetta were heavily involved in the production of the live-action sequences, from casting sessions to the final shoot.
Bakshi was forced to pay the union wages out of his own fees, and the continuity between Kricfalusi's animation and the live-action footage did not match ; however, the video was completed on time.
Bakshi moved into a warehouse loft in downtown Los Angeles to clear his head, and was offered $ 50, 000 to direct a half-hour live-action film for PBS's Imagining America anthology series.
The live-action footage was intended to look like " a living, walk-through painting ", a visual concept Bakshi had long wanted to achieve.
In 1993, Lou Arkoff, the son of Samuel Z. Arkoff, approached Bakshi to write and direct a low-budget live-action feature for Showtime's Rebel Highway series.
" ( New World Order ) features samples of George H. W. Bush and was used in the Ralph Bakshi live-action / animated film Cool World.
Cool World is a 1992 American live-action / animated film directed by Ralph Bakshi, and starring Kim Basinger, Gabriel Byrne, and Brad Pitt.
The visual design of the live-action footage was intended to look like " a living, walk-through painting ", a visual concept Bakshi had long wanted to achieve.
The live-action was directed by famous animation director Ralph Bakshi and the animation was directed by future The Ren & Stimpy Show creator John Kricfalusi.
Ralph Bakshi combined live-action and animation in 1973's Heavy Traffic, 1975's Coonskin ( a. k. a. " Streetfight ") and 1992's Cool World.
The film also uses live-action photographs and footage as backdrops for animated sequences, a filmmaking technique Bakshi previously employed in Heavy Traffic.
According to Bakshi, while shooting live-action background footage on Times Square at 4 A. M., a group of prostitutes came out and waved towards the camera before being chased off by the police.
" James ' book also states that Bakshi wanted to work with Pryor on a live-action / animated film based on Pryor's stand-up comedy.
Bakshi and Frazetta were heavily involved in the production of the live-action sequences, from casting sessions to the final shoot.
According to Bakshi, " What I would do is dress guys up, live-action guys.
During the post-production of the film, Bakshi found that the cost of the optical effect required to complete live-action scenes with animated characters was larger than the film's budget.
According to Bakshi, " The illusion I attempted to create was that of a completely live-action film.
0.195 seconds.