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Basie and is
Several times it came near breaking, and there were in fact some lovely peals of thunder from Jerry Mulligan's big band, which is about as fine an aggregation as has come along in the jazz business since John Hammond found Count Basie working in a Kansas City trap.
The film is full of deliberate anachronisms, from the Count Basie Orchestra playing " April in Paris " in the Wild West, to Slim Pickens referring to the Wide World of Sports, to the German Heer of WWII.
* Fitzgerald is sometimes referred to as the quintessential swing singer, and her meetings with Count Basie are highly regarded by critics.
Basie recalled a review, which said something like, " We caught the great Count Basie band which is supposed to be so hot he was going to come in here and set the Roseland on fire.
The corner is the location of 555 Edgecombe Avenue, also known as the Paul Robeson Home, a National Historic Landmark where Count Basie had also lived.
The Count Basie Theatre is also home to Phoenix Productions, a non-profit community theatre founded in 1988 puts on large scale musicals four times a year.
The building is now known for its famous African American residents including actor Paul Robeson, musician Count Basie, and boxer Joe Louis.
Johnson's musical legacy is present in the body of work of the more famous Fats Waller as well as scores of other pianists who were influenced by him, such as Art Tatum, Donald Lambert, Louis Mazetier, Pat Flowers, Joe Turner, Cliff Jackson, Hank Duncan, Claude Hopkins, Duke Ellington, Count Basie, Don Ewell, Johnny Guarnieri, Dick Hyman, Dick Wellstood, Ralph Sutton, Neville Dickie, Mike Lipskin, Jim Turner, Bernd Lhotzky, Chris Hopkins and Butch Thompson.
He is especially known for his charts for Count Basie such as " Li ' l Darlin '" and " Cute ".
Basie said, " There is something of his on each one of those first albums of that new band.
In a presentation of the Count Basie band notable of its justness, for its attention to all the rich instrumental talent and all the high good taste of this band — in this presentation, not the least of the achievements is the evenness of the manuscript.
That is the one that came out under the title of " Basie Plays Hefti ".
The term vocalese is believed to have been coined by jazz critic Leonard Feather to describe the first Lambert, Hendricks, & Ross album, Sing a Song of Basie.
In the case of swing bands, the classic rhythm section comprises a quartet of guitar, piano, double bass, and drums ; a noted example is that of the Count Basie Orchestra with Freddie Green, the Count, Walter Page, and Jo Jones.
He is particularly fond of 1930s jazz music, in particular Count Basie and Duke Ellington, and has named The Remarkable Andrew as his favorite film of all time.
He is considered one of the originators of vocalese, which adds lyrics to existing instrumental songs and replaces many instruments with vocalists ( such as the big-band arrangements of Duke Ellington and Count Basie ).
As well as the Kansas City Sessions, his clarinet work from 1938-39 is documented on recordings with Basie, Billie Holiday, Basie small groups, and the organist Glenn Hardman.
The band compared favorably with the best of America ’ s big bands as confirmed by Count Basie in his testimonial to Heath on Heath ’ s 21st Anniversary album, and is generally accepted as the best swing band that Britain ever produced.
This pattern, which forms the basis of countless ( usually uptempo ) jazz compositions, was popular with swing-era musicians: It is found in " Shoeshine Boy " ( Lester Young's 1936 breakout recording with Count Basie ) and " Cotton Tail " written by Duke Ellington in 1940, as well as Charlie Christian's " Seven Come Eleven ", Charlie Parker's " Salt Peanuts ", and Thelonious Monk's " Rhythm-a-Ning ", for instance.
Nestico is most known for his arrangements for the Count Basie orchestra.

Basie and by
In general, the larger the ensemble, the greater the need for a formal arrangement, although the early Count Basie big band was famous for its head arrangements, so called because they were worked out by the players themselves, memorized immediately and never written down.
Most arrangements for large ensembles, big bands, in the swing era, were written down, however, and credited to a specific arranger, as were later arrangements for the Count Basie big band by Sammy Nestico and Neal Hefti.
Large scale pieces such as De Staat ( 1972 – 76 ), for example, are influenced by the energy of the big band music of Count Basie and Stan Kenton and the repetitive procedures of Steve Reich, both combined with bright, clashing dissonances.
The song has become a jazz standard with performances by Count Basie, Sarah Vaughan, the Stan Kenton Orchestra and many others.
With the ' New Testament ' Basie band in full swing, and arrangements written by a young Quincy Jones, this album proved a respite from the ' Songbook ' recordings and constant touring that Fitzgerald was engaged in during this period.
The popularity of many of the major bands was amplified by star vocalists, such as Frank Sinatra with Tommy Dorsey, Helen O ' Connell and Bob Eberly with Jimmy Dorsey, Ella Fitzgerald with Chick Webb, Billie Holiday and Jimmy Rushing with Count Basie, Dick Haymes and Helen Forrest with Harry James, Doris Day with Les Brown, Toni Arden and Ken Curtis with Shep Fields and Peggy Lee with Benny Goodman.
The major African American bands of the 1930s included, apart from the bands led by Ellington, Hines and Calloway, were those of Count Basie, Jimmie Lunceford, and Chick Webb.
Not much of a student in school, Basie dreamed of a traveling life, inspired by touring carnivals which came to town.
One day, when the pianist failed to arrive by show time, Basie took his place.
Discouraged by the obvious talents of Sonny Greer, who also lived in Red Bank and became Duke Ellington's drummer in 1919, Basie at age 15 switched to piano exclusively.
As he did with Duke Ellington, Willie " the Lion " Smith helped Basie out during the lean times by arranging gigs at " house-rent parties ," introducing him to other top musicians, and teaching him some piano technique.
The following year, in 1929 Basie became the pianist with the Bennie Moten band based in Kansas City, inspired by Moten's ambition to raise his band to the level of Duke Ellington's or Fletcher Henderson's.
Later that year, Basie appeared on a television special with Fred Astaire, featuring a dance solo to " Sweet Georgia Brown ", followed in January 1960 by Basie performing at one of the five John F. Kennedy Inaugural Balls.
With the ' New Testament ' Basie band in full swing, and arrangements written by a youthful Quincy Jones, this album proved a swinging respite from her Songbook recordings and constant touring she did during this period.
Frank Sinatra recorded for the first time with Basie on 1962's Sinatra-Basie and for a second studio album on 1964's It Might as Well Be Swing, which was arranged by Quincy Jones.
*" Blues in Hoss ' Flat ," composed by Basie band member Frank Foster, was used by the radio DJ Al " Jazzbeaux " Collins as his theme song in San Francisco and New York.
", written and recorded by Buddy Johnson in 1949 ( and covered by Count Basie and his Orchestra that same year ) and in the lyrics to the song " We Didn't Start the Fire " by Billy Joel.
Several tunes composed and / or made famous by Count Basie name-check the town in their title, including " Red Bank Boogie " and " The Kid from Red Bank ".
It contained four plundered tracks: " Don't " by Elvis Presley which included piano accompaniment by Bob Wiseman, " Pocket " by Count Basie, a version of Dolly Parton singing " The Great Pretender " in which " she gets to sing a duet with himself ( sic )", and " Spring ", a version of Igor Stravinsky's The Rite of Spring.

Basie and many
Waller influenced many pre-bop jazz pianists ; Count Basie and Erroll Garner have both reanimated his hit songs ( notably, " Ain't Misbehavin '").
Soon, Basie met many of the Harlem musicians who were " making the scene ," including Willie " the Lion " Smith and James P. Johnson.
Throughout his tours, Basie met many great jazz musicians, including Louis Armstrong.
Basie formed a new band that year, which included many Moten alumni, with the important addition of tenor player Lester Young.
The title single was a huge hit worldwide which has been covered by dozens of artists, including The Blues Brothers ( featuring guitarist Steve Cropper ), The Ventures, Al Kooper, The Shadows, Mongo Santamaría, Roy Buchanan ( also featuring Steve Cropper and Jan Hammer ), Count Basie and many others.
Cover versions of the song were performed by many artists, including Sergio Mendes, Herbie Hancock, Count Basie, Waylon Jennings, Hank Williams Jr., P. M.
He also arranged for many bandleaders and performers, including Louis Armstrong, Count Basie, Ella Fitzgerald, and Lionel Hampton.
Davis played with Cootie Williams, Lucky Millinder, Andy Kirk, Louis Armstrong, and Count Basie, as well as leading his own bands and making many recordings as a leader.
The club was a white-only establishment even though it featured many of the greatest African American entertainers of the era including Fletcher Henderson, Duke Ellington, Adelaide Hall, Count Basie, Bessie Smith, Cab Calloway, The Nicholas Brothers, Lottie Gee, Ella Fitzgerald, Fats Waller, Louis Armstrong, Dizzy Gillespie, Nat King Cole, Billie Holiday, and Ethel Waters.
Jackie and Roy were only two of the many singers he played behind, recording several albums with that husband-and-wife team, with their contemporary June Christy, and with Helen Humes, originally made famous by her singing with the Count Basie orchestra.
This series, along with other opportunities, has enabled students to perform in concert with more than 100 esteemed artists, such as Herbie Hancock, the Count Basie Orchestra, Joe Henderson, Pat Metheny, Michael Brecker, Dave Brubeck, Joe Williams, Dianne Reeves, Mike Stern, Dave Weckl, Christian McBride, Louie Bellson, Billy Taylor, Arturo Sandoval, Jimmy Heath, Wynton Marsalis, Benny Green, Russell Malone, and Branford Marsalis, among many others.
It was first recorded in September 1946 by Jack McVea, and immediately covered by many other artists including Fletcher himself, Count Basie, The Three Flames, and Louis Jordan, all of whom had hits with it.
* In the early 1960s, many of the top American stars performed at the Odeon, including Tony Bennett, with Count Basie, Ella Fitzgerald with Duke Ellington, Louis Armstrong & Woody Herman and the Herd.
Their compositions were recorded by many artists from a variety of musical genres, including Tony Bennett, Sonny James, Eddy Arnold, Bob Moore, Charley Pride, Nazareth, Jim Reeves, Leo Sayer, Simon & Garfunkel, Sarah Vaughan, The Grateful Dead, Elvis Costello, Count Basie, Dean Martin, Ray Charles, Gram Parsons, Bob Dylan ( Dylan's Self Portrait album has one of Felice's tracks and one co-written with her husband ), and others.
It celebrates the music of the Swing era of jazz ( 1930s-1946 ), including many well-known tunes by artists like Duke Ellington, William " Count " Basie, Benny Goodman and others.
In addition to Brubeck, Wright has played with many jazz stars, including Count Basie, Charlie Parker, Billie Holiday, Carmen McRae, Buddy DeFranco, Cal Tjader, Kai Winding, Karen Hernandez, Sonny Stitt, Gene Ammons, Dottie Dodgion, Lee Shaw, Dorothy Donegan, and Monty Alexander.
During his long career in the television and film industry, he has arranged and conducted projects for artists such as Bing Crosby, Sarah Vaughan, Toni Tennille, Frank Sinatra, Phil Collins, Barbra Streisand, Count Basie, and many others.

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