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Bauhaus and success
Both enjoyed greater commercial success in the United States than Bauhaus had, but disappeared from the charts in their homeland.

Bauhaus and band
Bauhaus ( band ) | Bauhaus — Live in concert, 3 February 2006
Some people credit the band Bauhaus ' first single " Bela Lugosi's Dead ", released August 1979, with the start of the goth subculture, though many prior art house movements influenced gothic fashion and style, the illustrations and paintings of Swiss artist, H. R. Giger being one of the earliest.
* Peter Murphy ( musician ) ( born 1957 ), British musician with the band Bauhaus
Bauhaus were an English rock band formed in Northampton in 1978.
The band was originally Bauhaus 1919 before they dropped the numerical portion within a year of formation.
The band chose the name Bauhaus 1919, a reference to the German Bauhaus art movement of the 1920s, because of its " stylistic implications and associations ", according to David J.
The band also chose to use the same typeface used on the Bauhaus college building in Dessau, Germany.
Bauhaus associate Graham Bentley said that the group was unlike any Northampton band of the time, most of which played predominantly cover songs.
The band recorded five songs ; one of the tracks from the session, " Bela Lugosi's Dead ", running more than nine minutes, was released as the group's debut single in August 1979 on Small Wonder Records as Bauhaus ( the 1919 abandoned ).
After Bauhaus disbanded, the members of the band did various solo work.
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Before the album was released, Jane's Addiction supported British band Love and Rockets on a two-month tour in late 1987 .. Also in late 1987, the band opened for former Bauhaus vocalist Peter Murphy at the now demolished Fender's Ballroom in Long Beach.
The band toured with Theatre of Hate, and then succeeded in getting a slot opening for Bauhaus at the end of 1982, but Astbury disbanded the group after a show on 26 February 1983.
* Love and Rockets ( band ), an alternative rock band formed by members of Bauhaus, named after the comic
In December 1980, " Telegram Sam " was the fourth single released by British gothic rock band Bauhaus.
The band Bauhaus included a song about the playwright, called " Antonin Artaud ", on their album Burning from the Inside.

Bauhaus and moved
After the Bauhaus moved to Dessau, a school of industrial design with teachers and staff less antagonistic to the conservative political regime remained in Weimar.
Gropius and his Bauhaus protégé Marcel Breuer both moved to Cambridge, Massachusetts to teach at the Harvard Graduate School of Design and collaborate on projects including The Alan I W Frank House in Pittsburgh and the company-town Aluminum City Terrace project in New Kensington, Pennsylvania, before their professional split.
The Bauhaus in Weimar lasted from 1919 to 1925, when it moved to Dessau, after the newly-elected right-wing city council put pressure on the School by withdrawing funding and forcing its teachers to quit.
In 1937, at the invitation of Walter Paepcke, the Chairman of the Container Corporation of America, Moholy-Nagy moved to Chicago to become the director of the New Bauhaus.
He moved to Weimar in 1922, deciding to make an impression on the Bauhaus principal, Walter Gropius, in order to spread the influence of the movement.
In 1953, Loy moved to Aspen, Colorado, where her daughters Joella and Fabienne were already living ; Joella, who had been married to the art dealer of Surrealism in New York, Julien Levy, next married the Bauhaus artist and typographer Herbert Bayer.
Rudolph earned his bachelor's degree in architecture at Auburn University ( then known as Alabama Polytechnic Institute ) in 1940 and then moved on to the Harvard Graduate School of Design to study with Bauhaus founder Walter Gropius.
After an apprenticeship as a silversmith during 1924-1927, Bill took up studies at the Bauhaus in Dessau under many teachers including Wassily Kandinsky, Paul Klee and Oskar Schlemmer from 1927 to 1929, after which he moved to Zurich.
The State College of Trades and Architecture, or College of Architecture for short, succeeded the Bauhaus in 1926, which, since the State School of Architecture had moved to Gotha, offered its own regular postgraduate courses in Architecture in the form both Van de Velde and Gropius had long envisioned.

Bauhaus and label
Bauhaus released " Kick in the Eye " as its debut release on the label.
The only band to follow this path would be Bauhaus, who were signed to Beggars Banquet in late 1980 right before Ivo and Peter purchased the label outright.

Bauhaus and Beggars
It has been described as a proto-goth band, similar in their live act to fellow Beggars Banquet signees, Bauhaus.

Bauhaus and Records
* The Passion Of Covers ; A Tribute To Bauhaus ( song Dark Entries-1996 Cleopatra Records )

Bauhaus and .
During the 1920's the Abstractionists, the German Bauhaus group of industrial designers, and the new architects all had the dream of some well ordered utopia, or welfare state, in which their neat and logical constructions might find their proper place.
* 1919 – The Staatliches Bauhaus school was founded by Walter Gropius in Weimar.
Ludwig Mies van der Rohe, one of the founders of modern architecture and the last director of the Bauhaus during its period in Dessau and Berlin was born in Aachen as well.
His experimental method had been influenced by his meetings with various members of the Bauhaus design school, especially László Moholy-Nagy, whom he first met in 1930.
, commonly known simply as Bauhaus, was a school in Germany that combined crafts and the fine arts, and was famous for the approach to design that it publicized and taught.
The Bauhaus school was founded by Walter Gropius in Weimar.
In spite of its name, and the fact that its founder was an architect, the Bauhaus did not have an architecture department during the first years of its existence.
The Bauhaus style became one of the most influential currents in Modernist architecture and modern design.
The Bauhaus had a profound influence upon subsequent developments in art, architecture, graphic design, interior design, industrial design, and typography.
Such influences can be overstated: Gropius himself did not share these radical views, and said that Bauhaus was entirely apolitical.
Thus the Bauhaus style, also known as the International Style, was marked by the absence of ornamentation and by harmony between the function of an object or a building and its design.
However, the most important influence on Bauhaus was modernism, a cultural movement whose origins lay as far back as the 1880s, and which had already made its presence felt in Germany before the World War, despite the prevailing conservatism.
The design innovations commonly associated with Gropius and the Bauhausthe radically simplified forms, the rationality and functionality, and the idea that mass-production was reconcilable with the individual artistic spirit — were already partly developed in Germany before the Bauhaus was founded.
The Bauhaus was founded at a time when the German zeitgeist had turned from emotional Expressionism to the matter-of-fact New Objectivity.
Beyond the Bauhaus, many other significant German-speaking architects in the 1920s responded to the same aesthetic issues and material possibilities as the school.
Vkhutemas, the Russian state art and technical school founded in 1920 in Moscow, has been compared to Bauhaus.
Founded a year after the Bauhaus school, Vkhutemas has close parallels to the German Bauhaus in its intent, organization and scope.
Vkhutemas was a larger school than the Bauhaus, but it was less publicised outside the Soviet Union and consequently, is less familiar to the West.
With the internationalism of modern architecture and design, there were many exchanges between the Vkhutemas and the Bauhaus.
The second Bauhaus director Hannes Meyer attempted to organise an exchange between the two schools, while Hinnerk Scheper of the Bauhaus collaborated with various Vkhutein members on the use of colour in architecture.
In 1919, after delays caused by the destruction of World War I and a lengthy debate over who should head the institution and the socio-economic meanings of a reconciliation of the fine arts and the applied arts ( an issue which remained a defining one throughout the school's existence ), Gropius was made the director of a new institution integrating the two called the Bauhaus.
" Gropius ' neologism Bauhaus references both building and the Bauhütte, a premodern guild of stonemasons.

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