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Bava and 1978
Mario Bava was very disappointed with the distribution of some of his later films ( which caused him to retire in 1978 at age 63 ).

Bava and after
During that same year, Bava had performed a similar salvage job on Caltiki – The Immortal Monster ( 1959 ), replacing Riccardo Freda as director after he had abandoned the picture in the middle of production.

Bava and co-directing
After co-directing Shock with his father Mario, Bava moved into the directing chair, making his debut with the twisted Macabre for producer Pupi Avati, then going on to helm several other features, including A Blade in the Dark, Delirium and Monster Shark.

Bava and last
However the Talmud ( Bava Batra 91a ) asserts that Ibzan is to be identified with Boaz from the story of Ruth, who lived in the Bethlehem of Judah, and that he consummated his marriage with Ruth on the last night of his life.
Parts of his commentary on the Talmud have been preserved, and they appear on the pages of most of tractate Bava Batra ( where no commentary by Rashi is available ), as well as the last chapter of tractate Pesachim.

Bava and horror
During the 1960s and 70s, Italian filmmakers Mario Bava, Riccardo Freda, Antonio Margheriti and Dario Argento developed giallo horror films that become classics and influenced the genre in other countries.
In France, Eyes Without a Face ( 1960 ) continued the mad scientist theme, while in Italy director Mario Bava began his own series of horror films.
Bava proved highly influential on Italian horror cinema and ushered in a new wave of Italian directors, including most notably Dario Argento, as well as prompting the release of numerous giallo films in the early 1970s.
Writing in 2000, Tim Lucas wrote that Bava is " the acknowledged smoking gun behind the ' body count ' movie phenomenon of the 1980s, which continues to dominate the horror genre two decades later with such films as Scream, I Know What You Did Last Summer and their respective sequels.
Mario Bava ( 31 July 1914 – 25 April 1980 ) was an Italian director, screenwriter, special effects artist and cinematographer, remembered as one of the greatest names from the " golden age " of Italian horror films, and is considered to have kick-started the giallo film genre.
Bava completed filming I vampiri for director Riccardo Freda in 1956, now referred to as the first Italian horror film.
In 1960, Bava directed Black Sunday, a gothic horror film and his first solo directorial effort, which made a genre star out of Barbara Steele.
Bava directed what is now regarded as the first Italian giallo film, The Girl Who Knew Too Much ( 1963 ), and his 1965 sci-fi horror film Planet of the Vampires was a thematic precursor to Alien ( 1979 ).
Mario Bava's son Lamberto Bava worked for fourteen years as Bava's assistant director, and went on to become a horror film director on his own.
Black Sabbath ( Italian: I tre volti della paura ) is a 1963 Italian horror anthology film directed by Mario Bava.
Some critics, such as Tim Lucas and Alan Upchurch, have also compared Ptushko to Italian filmmaker Mario Bava, who made fantasy and horror films with similarities to Ptushko's work and made similarly innovative use of color cinematography and special effects.
Lamberto Bava ( born 3 April 1944 ) is an Italian film director, specializing in horror, giallo and fantasy films.
Bava was born in Rome, the son of horror maestro Mario Bava and grandson of cameraman Eugenio Bava.
Reportedly, famed Italian horror director Lucio Fulci was furious when he learned that Bava directed this film, since he had understood that he was slated to direct it with the project's screenwriter Dardano Sacchetti.
Although Bava more recently made 2 violent horror films entitled Ghost Son and The Torturer, it seems he strongly favors the made-for-TV fantasy films.
He never finished either of the two horror films he was assigned in the Fifties (" I VAMPIRI " and " CALTIKI "), but rather allowed his cinematographer Mario Bava to complete them.
The Whip and the Body ( Italian: La frusta e il corpo ) is a 1963 Italian gothic horror film directed by Mario Bava.
Black Sunday ( Italian: La maschera del demonio ; also known as The Mask of Satan ) is a 1960 Italian gothic horror film directed by Mario Bava, from a screenplay by Ennio de Concini, Mario Serandrei and Marcello Coscia ( who was uncredited ).
As a lover of Russian fantasy and horror, Bava decided to adapt Nikolai Gogol's 1865 horror story " Viy " into a feature film.
However, the resultant screenplay ( by Bava, Ennio De Concini and Mario Serandrei ) in fact owed very little to Gogol at all, and seemed to be more a tribute to the atmospheric black-and-white gothic horror films of the 1930s, especially those produced by Universal Studios.
Mario Bava, ostensibly the director of this nonsense, allows this female Bela Lugosi to quench her thirst four times before she burns, screaming, at the stake [...] As a setting for unadulterated horror, it will leave its audiences yearning for that quiet, sunny little motel in Psycho.

Bava and film
Sometimes dismissed as low-quality escapist fare, the Peplums allowed newer directors such as Sergio Leone and Mario Bava, a means of breaking into the film industry.
Mario Bava is considered the progenitor of the genre, and his 1963 film The Girl Who Knew Too Much is considered the first giallo film.
* Mario Bava's 1971 film, Twitch of the Death Nerve ( aka Carnage ), written by Bava, Giuseppe Zaccariello and Filippo Ottoni, features dialogue around the 10-minute mark describing the squonk and its attributes.
The Anthony Quinn film Attila ( directed by Pietro Francisci in 1954 ), the Kirk Douglas epic Ulysses ( co-directed by an uncredited Mario Bava in 1954 ) and Helen of Troy ( directed by Robert Wise with Sergio Leone as an uncredited second unit director in 1955 ) were the first of the big peplum films of the 1950s.
He claimed that Sachetti later allowed director Lamberto Bava to direct the project ( under the title Per Sempre / Until Death ) in 1987 without Fulci's knowledge that the film was even being made.
The first important film in this genre is Blood and Black Lace ( 1964 ) directed by Mario Bava.
Bava was originally hired as the cinematographer, but when Freda walked out on the project midway through production, Bava completed the film in several days, even creating the innovative special effects that were needed.
Bava co-directed The Day the Sky Exploded in 1958, the first Italian science fiction film.
Blastfighter is a 1984 Italian action film by Lamberto Bava starring Michael Sopkiw and George Eastman.
Bava also helped to write the 3rd " Demons " film, The Church, which was later directed for Argento by Michele Soavi.
In 1987, as an entry in the " Brivido Giallo " TV series, Bava directed Until Death, an unofficial sequel to Peter Medak's 1980 haunted house film, The Changeling.
Bava then went on to direct the Italian made-for-TV fantasy film Fantaghirò, which has since spawned four sequels.
Dario Argento hired Lamberto Bava to direct the first two films in his Demons series, but the third film in the series was directed by Michele Soavi instead of Bava.

Bava and Shock
* Shock ( 1977 ) aka Beyond the Door 2 ( Lamberto co-directed this film with his father Mario Bava )

Bava and with
Bava Metzia iv. 9d ), Abbahu became not only popular with his coreligionists, but also influential with the proconsular government ( Hagigah 14a ; Ketubot 17a ).
The story of Hanukkah, along with its laws and customs, is entirely missing from the Mishna apart from several passing references ( Bikkurim 1: 6, Rosh HaShanah 1: 3, Taanit 2: 10, Megillah 3: 4 and 3: 6, Moed Katan 3: 9, and Bava Kama 6: 6 ).
The Talmud El Am contains Hebrew text, English translation and commentary by Rabbi Dr A. Ehrman, with short ' realia ', marginal notes, often illustrated, written by experts in the field for the whole of Tractate Berakhot, 2 chapters of Bava Mezia and the halachic section of Qiddushin, chapter 1.
7 ( it is to be interpreted thus according to Bava Batra 14a ), that Aaron's Rod, together with its blossoms and fruit, was preserved in the Ark.
Bava continued with this style throughout his career, crafting numerous films such as Blood and Black Lace and the hugely influential Twitch of the Death Nerve.
Four years later, Bava used my script to make Per Sempre and Fulci, who wasn't working much at the time, got angry with me and started hurling these accusations.
Piccoli has worked with Jean Renoir, Jean-Pierre Melville, Jean-Luc Godard, Claude Lelouch, Jacques Demy, Claude Sautet, Louis Malle, Agnès Varda, Leos Carax, Luis Buñuel, Costa-Gavras, Alfred Hitchcock, Marco Ferreri, Jacques Rivette, Otar Iosseliani, Nanni Moretti, Jacques Doillon, Mario Bava, Manoel de Oliviera, Raul Ruiz, Theodoros Angelopoulos and Alain Resnais.
# Bava Kamma ( בבא קמא, First Gate ) deals with civil matters, largely damages and compensation.
# Bava Metzia ( בבא מציעא, Middle Gate ) deals with civil matters, largely torts and property law.
# Bava Batra ( בבא בתרא, Last Gate ) deals with civil matters, largely land ownership.
A new characteristic is that final / m / is often replaced with final / n / in the Mishna ( see Bava Kama 1: 4, " מועדין "), but only in agreement morphemes.
Bava became a cinematographer in his own right in 1939, shooting two short films with Roberto Rossellini.
' Enki ' is a washer-woman who is in deep love with ' Naidu Bava '.
Among the directors represented with notable works in this genre are Mario Bava, Dario Argento, Lucio Fulci, Sergio Martino and Umberto Lenzi.
* A Blade in the Dark ( Lamberto Bava, 1982 ; Italian: La casa con la scala nel buio / The House with the Dark Staircase )
Lucas's critical biography Mario Bava All the Colors of the Dark ( ISBN 0-9633756-1-X ), a vast work thirty-two years in preparation, with a special introduction penned by Martin Scorsese, was published in August 2007 by Video Watchdog.
It was honored as Best Book of 2007 by The Rondo Hatton Classic Horror Awards and the Sex Gore Mutants website, as an Independent Publisher Book Award Bronze Medal winner in the Performing Arts category, and The Academy of Science Fiction, Fantasy & Horror Films recognized Mario Bava: All the Colors of the Dark by having actor John Saxon present Lucas and his wife Donna with the rarely-presented Saturn Award for Special Achievement.

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