[permalink] [id link]
Behn's story was adapted for the stage by Irish playwright Thomas Southerne, who stressed its sentimental aspects, and as time went on, it came to be seen as addressing the issues of slavery and colonialism, remaining very popular throughout the 18th century.
from
Wikipedia
Some Related Sentences
Behn's and story
Behn's story was not primarily a protest against slavery but was written for money ; and it met readers ' expectations by following the conventions of the European romance novella.
Further, the novel is unusual in Behn's fictions by having a very clear love story without complications of gender roles.
Through the 18th century, Southerne's version of the story was more popular than Behn's, and in the 19th century, when Behn was considered too indecent to be read, the story of Oroonoko continued in the highly pathetic and touching Southerne adaptation.
Her first published play, Agnes de Castro ( a verse dramatization of Aphra Behn's story of the same title ), was staged two years later.
Behn's and was
The first novel to expose the complex play that the genre allows was Aphra Behn's Love-Letters Between a Nobleman and His Sister, which appeared in three volumes in 1684, 1685, and 1687.
Behn's original surname was Bjørshol.
In 2009, it was made public that Behn's de jure paternal grandfather Bjarne Nikolai Bjørshol was not his biological grandfather.
He was intended for the church, and to attend Trinity College, Cambridge ; but in 1698 he ran away and obtained employment in a theatrical company in Dublin, where he made his first appearance as the title character in Aphra Behn's Oroonoko.
The City Heiress was one of Behn's plays singled out by satirists for scorn.
The distinctions are subtle, but it was not merely Behn's sex that made the play offensive to moralizing poets of the 1690s and the first decade of the 18th century.
Having famously worked as a spy for Charles II against the Dutch, Behn's meager income was lost when the king refused to pay her expenses.
Oroonoko is now the most studied of Aphra Behn's novels, but it was not immediately successful in her own lifetime.
One potential motive for the novel, or at least one political inspiration, was Behn's view that Surinam was a fruitful and potentially wealthy settlement that needed only a true noble to lead it.
She played Semernia in Aphra Behn's The Widow Ranter in 1689, a breeches role, a type of role she would often return to, and was by 1690 playing parts like Lady Anne in Shakespeare's Richard III and Desdemona in Othello.
The subplot of this play was borrowed from Cervantes and Boccaccio, and Aphra Behn's Amorous Prince ( 1671 ) is an adaptation of it.
Anthony Aston contrasted his wild, untaught talents with Betterton's artfulness, and he was especially appreciated in " natural " characters such as the unique title character in Aphra Behn's Oroonoko.
Mary Delarivier Manley's New Atlantis ( 1709 ) comes closest to an inheritor of Behn's, but her novel, while political and satirical, was a minor scandal.
Behn's and adapted
* Thomas Southerne-Oroonoko ( adapted from Aphra Behn's novel Oroonoko )
* Thomas Southerne-The Fatal Marriage ; or The Innocent Adultery ( adapted from Aphra Behn's The Nun )
Behn's and for
Ari Behn's father met his biological father, Terje Erling Ingebrigtsen, for the first time, but Ingebrigtsen died before Ari Behn had a chance to meet him.
Aphra Behn's Oroonoko can be read as an allegory for the rebellion, with the titular slave playing Monmouth's role.
Topographical and cultural verisimilitude were not a criterion for readers of novels and plays in Behn's day any more than in Thomas Kyd's, and Behn generally did not bother with attempting to be accurate in her locations in other stories.
This fictionalized father thereby gives the narrator a motive for her unflattering portrait of Byam, a motive that might cover for the real Aphra Behn's motive in going to Surinam and for the real Behn's antipathy toward the real Byam.
Behn's and by
One of the first English women to earn her livelihood by authorship, Behn's life is difficult to unravel and relate.
Fop characters appear in many Restoration comedies, including Sir Fopling Flutter in George Etherege's The Man of Mode, or Sir Fopling Flutter ( 1676 ), Aphra Behn's diatribe against politic marriages, The Town Fop ( 1676, published 1677 ), and Lord Foppington in The Relapse ( 1696 ) by John Vanbrugh.
Also, as Ernest Bernbaum argues in " Mrs. Behn's ' Oroonoko '", everything substantive in Oroonoko could have come from accounts by William Byam and George Warren that were circulating in London in the 1660s.
The character of Oroonoko solves Behn's questions by being a natural king and a natural leader, a man who is anointed and personally strong, and he is poised against nobles who have birth but no actual strength.
* Lecture: Behn's Oroonoko: ethnography, romance and history, by professor William Warner at the University of California Santa Barbara.
* An Annotated Bibliography on Aphra Behn's Oroonoko, by Jack Lynch, 1997.
Behn's and Thomas
and Aphra Behn's, Oroonoko ( 1688 ) are also contenders, while earlier works such as Sir Thomas Malory's Morte d ' Arthur, and even the " Prologue " to Geoffrey Chaucer's Canterbury Tales have been suggested.
Behn's and its
Pamela is an epistolary novel, like Behn's Love Letters, but its purpose is to illustrate a single chapter in the life of a poor country girl.
Behn's and time
They see in these plot elements a protest against the powerlessness of women in Behn's time.
The introduction to Aphra Behn's " The History of the Nun " has been taken as a suggestion that Behn too had romantic relations with Hortense during this same time.
Behn's and on
The piece is based on Mrs Aphra Behn's The History of the Nun, with the addition of a comic underplot.
Other Restoration comedies were as frank with their sexuality, and others had women choosing their lovers on the basis of their wit ( while wits choose theirs on the basis of money ), but Behn's characters do not moderate their desires in their comedic solutions.
In Behn's longer career, her works center on questions of kingship quite frequently, and Behn herself took a radical philosophical position.
The work is based on the Rondeau from Henry Purcell's incidental music to Aphra Behn's Abdelazer, and is structured, in accordance with the plan of the original documentary film, as a way of showing off the tone colours and capacities of the various sections of the orchestra.
Behn's and be
Behn's work should always be read with an eye toward her contemporary political world.
Behn's and colonialism
European angst over colonialism inspired fictional treatments such as Aphra Behn's novel Oroonoko, or the Royal Slave ( 1688 ), about a slave revolt in Surinam in the West Indies.
Behn's and .
* Angellica Bianca in Aphra Behn's 1677 play The Rover.
Behn's unique achievement as an early professional woman writer has been the subject of much recent study.
The play conforms to the general rules of Restoration comedy, but it also keeps Behn's own highly Royalist political point of view.
0.513 seconds.