Bernstein's career since Watergate has continued to focus on the theme of the use and abuse of power " through books, magazine articles, television reporting and commentary.

* 1971 – In Washington, D. C., the John F. Kennedy Center for the Performing Arts is inaugurated, with the opening feature being the premiere of Leonard Bernstein's Mass.

" The album Blue Valentine ( 1978 ) displayed Waits's biggest musical departure to date, with much more focus on electric guitar and keyboards than on previous albums and hardly any strings ( with the exception of album-opener " Somewhere " — a cover of Leonard Bernstein's song from West Side Story — and " Kentucky Avenue ") for a darker, more blues-oriented sound.

* September 8 – In Washington, DC, the John F. Kennedy Center for the Performing Arts is inaugurated, with the opening feature being the premiere of Leonard Bernstein's Mass.

** The first of Leonard Bernstein's Young People's Concerts with the New York Philharmonic is telecast by CBS.

It is Leonard Bernstein's only original film score not adapted from a stage production with songs.

Reformism was quickly targeted by revolutionary socialists, with Rosa Luxemburg condemning Bernstein's Evolutionary Socialism in her 1900 essay Reform or Revolution ?.

The concert was held at East Pyongyang Grand Theatre, with a program including the national anthems of both North Korea ( Aegukka ) and the United States ( The Star-Spangled Banner ), the Prelude to Act III of Lohengrin by Richard Wagner, Antonín Dvořák's Symphony No. 9 " From the New World ", George Gershwin's An American in Paris, Georges Bizet's Farandole, Leonard Bernstein's Overture to Candide, and the popular Korean folk song Arirang.

Other notable recordings include Deryck Cooke's completion of Gustav Mahler's Symphony No. 10, conducted by Simon Rattle ; Elgar's In the South ( Alassio ) with Constantin Silvestri, Tchaikovsky's 2nd Piano Concerto with Rudolf Barshai and Peter Donohoe as soloist ( with Nigel Kennedy and Steven Isserlis in the slow movement ); Anthony Payne's completion of Elgar's 3rd Symphony with Paul Daniel, and Leonard Bernstein's Chichester Psalms with Marin Alsop.

A special concert series devoted to Romeo and Juliet, as interpreted by Hector Berlioz, Peter Tchaikovsky, and Sergei Prokofiev and Leonard Bernstein's symphonic dances from West Side Story, inspired DG to record the same music with Ozawa.

For Deutsche Grammophon, Ozawa and the orchestra recorded William Russo's " Three Pieces for Blues Band and Symphony Orchestra " with the Siegel-Schwall Blues Band, and Bernstein's Orchestral Dances from West Side Story.

As a reciter West has worked with all the major British orchestras, as well as the Strasbourg Philharmonic Orchestra, Dallas Symphony Orchestra and the National Symphony Orchestra in Washington, D. C .. Works include Stravinsky's Oedipus Rex and The Soldier's Tale, Prokofiev's Eugene Onegin, Beethoven's Egmont, Schoenburg's Ode To Napoleon, Strauss ' Enoch Arden, Saint-Saëns ’ Carnival of the Animals, Bernstein's Kaddish, Walton's Façade and Henry V, Night Mail and The Way to the Sea by Britten and Auden and the world premieres of Concrete by Judith Weir at the Barbican and Howard Goodall ’ s Jason and the Argonauts at the Royal Albert Hall.

These include: Sprouts, a weekly showcase of producers and stations around the network, often in documentary format ; Explorations in Science with Dr. Michio Kaku, a weekly radio program on science, politics, and the environment ; Dennis Bernstein's Flashpoints a daily drive-time public affairs program ; and many other regular programs.

However, several other important names in the field, Arjen Lenstra, Adi Shamir, Jim Tomlinson, and Eran Tromer disagreed strongly with Bernstein's conclusions.

Karajan's technique was highly controlled, and eventually he conducted with his eyes often closed ; Bernstein's technique was demonstrative, with highly expressive facial gestures and hand and body movements.

As the music director of the Berlin Philharmonic, Karajan cultivated warm, blended beauty of tone, which has sometimes been criticized as too uniformly applied ; by contrast, in Bernstein's only appearance with the Berlin Philharmonic in 1979 – in the Mahler's Symphony No. 9 – he tried to get the orchestra to produce an " ugly " tone in a certain passage in which he believed it suited the expressive meaning of the music ( the first horn player refused, and finally agreed to let an understudy play instead of himself ).

Michèle Bernstein's novels, Tous les chevaux du roi ( 1960 ) and La Nuit ( 1961 ), present fictionalised accounts of her life with Debord during this period.

Ephron had an infant son, Jacob, and was pregnant with her second son, Max, in 1979 when she found out the news of Bernstein's affair with their mutual friend, married British politician Margaret Jay.

Since Missing, Shea has starred in many films, including Armyan Bernstein's Windy City ( opposite Kate Capshaw for which he won a " Best Actor " award at the Montreal Film Festival in 1984 ); Stealing Home with Mark Harmon, Jodie Foster and Blair Brown ; the French thriller Lune de Miel with Nathalie Baye ( also known as Honeymoon, shot in both French and English ); Uri Barbash's epic Unsettled Land ( also known as Ha-Holmeim, Israel, 1987 ) with Kelly McGillis ; Alan Alda's comedy A New Life with Alan Alda and Ann-Margret ; Jim Goddard's The Impossible Spy with Eli Wallach, also shot in Israel (" Best Actor " Golden Panda Award in China ); the futuristic Freejack ( 1992 ) with Rene Russo ; and the comedy Honey, I Blew Up the Kid with Rick Moranis.

Likewise, some of Leonard Bernstein's works he designated as operas ( e. g., Trouble in Tahiti ) are categorized as operettas, and his operetta Candide is sometimes considered a musical.

References to the theatre are plentiful throughout Resnais's filmmaking ( Marienbad, Muriel, Stavisky, Mon oncle d ' Amérique ), but he first undertook the challenge of taking a complete stage work and giving it new cinematic life in Mélo ( 1986 ), an adaptation of Henry Bernstein's 1929 play of the same name.

Bernstein's conditions describe when the two are independent and can be executed in parallel.

However, he notes that there are exceptions to this, namely Ray Parker Jr .' s title track " Ghostbusters ", Mick Smiley's " Magic ", and the two inclusions from Elmer Bernstein's score.

Bernstein's later opera, A Quiet Place ( 1983 ), incorporates Trouble in Tahiti in the form of an extended flashback, and both versions are regularly performed worldwide.

Given Bernstein's own opposition to software licenses, arguments for the validity of Bernstein's web pages as licenses may also strengthen the case for the validity of " click wrap " end-user license agreements, although this seems unlikely because the latter are contracts, whereas pure copyright licenses need never be seen by a user to be in force.

In short, Heller's theories are both a reinterpretation of Hegelian social theory and an emendation of Bernstein's revisionism.

Bernstein's performances inspired generations of musicians and music-lovers, and twenty-five of them are now available on DVD.

A basic reed part usually has three or four instruments ( flutes, clarinets and saxophones being the most common ), but can include up to eight instruments, such as the " Reed 3 " part in Bernstein's West Side Story, which calls for the player to use piccolo, flute, oboe, English horn, clarinet, bass clarinet, and tenor and baritone saxophones.

Sony has digitally remastered Bernstein's numerous Columbia recordings and released them on CD as a part of its extensive " Bernstein Century " series.

In 1975, Joseph sold a 75 % share of his company to Sidney Bernstein's Granada Group and the company became part of Granada.

* 1985-Leonard Bernstein West Side Story-a recording of Bernstein's music for the Broadway production West Side Story, with José Carreras singing the part of Tony and Leonard Bernstein himself conducting the orchestra and chorus 415253

staged concert was presented at New York City Center from November 19, 2008 through November 23, 2008, as part of a citywide celebration of Leonard Bernstein's 90th birthday.

Although Crawford preferred to characterize their relationship as one of “ sisterly-motherly love ,” she also acknowledged that at one time, their relationship had bordered becoming sexual, particularly on Bauer's part when she reserved a single hotel room for the two of them at the International Festival of Contemporary Music in Liège in September 1930, which made Crawford “ uncomfortable .” Along with Crawford's perceptions of her relationship with Bauer, Martin Bernstein, a longtime friend of Bauer's and a former chair of the NYU music department, stated: “ s a female, had very little interest in men ( emphasis in original )... At least if she had any romantic liaisons with men, we don't know about it .” Babbitt further substantiated Bernstein's thoughts during an interview about Bauer when he remarked, “ And she was very much a ... let's simply say unmarried.

With Bernstein's approval, the countertenor part was sung by Aled Jones, then a treble.

Instead, it received its premiere as part of Bernstein's Omnibus television show, " The World of Jazz " on October 16, 1955, with Benny Goodman — Leonard's Tanglewood neighbour and friend since the 1940s — as the soloist and to whom the work is now dedicated.

That same year, she performed her first professional lead in a special concert performance of the operetta Candide in honor of Leonard Bernstein's 50th birthday.

The Electronic Frontier Foundation sued the U. S. government on Bernstein's behalf ; the court ruled that source code was free speech, protected by the First Amendment.

Sondheim's big break came when he wrote the lyrics to West Side Story, lyricizing Leonard Bernstein's music and Arthur Laurents's book.

Guare also commented that Bernstein's score, which was supposed to be light, was heavily influenced by Bernstein's feeling he needed to make a major musical statement.

One was published by Marc Blitzstein in the 1950s and first staged under Leonard Bernstein's baton at Brandeis University in 1952.

Elmer Bernstein's score has frequently been quoted in the media and popular culture.

It has been rumored that while Bernstein was off trying to fix the musical Candide, Sondheim wrote some of the music for West Side Story, and that Bernstein's co-lyricist billing mysteriously disappeared from the credits of West Side Story during the tryout, presumably as a trade-off.

However, Suskin states in Show Tunes that " As the writing progressed and the extent of Bernstein's lyric contributions became less, the composer agreed to rescind his credit ... Contrary to rumor, Sondheim did not write music for the show ; his only contribution came on " Something's Coming ", where he developed the main strain of the chorus from music Bernstein wrote for the verse.

** After fourteen years, the last of Leonard Bernstein's Young People's Concerts is telecast by CBS.

It will make Bernstein's name a household word, and the most famous conductor in the U. S.

More modern American operettas include Leonard Bernstein's Candide.

The Postlude to Act I of Leonard Bernstein's opera Quiet Place received its New York premiere at the 1985 concert.