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Bernstein's and score
Guare also commented that Bernstein's score, which was supposed to be light, was heavily influenced by Bernstein's feeling he needed to make a major musical statement.
In 1994 James Sedares conducted a re-recording of the score performed by The Phoenix Symphony Orchestra ( which also included a suite from Bernstein's score for The Hallelujah Trail, issued by Koch Records ; Bernstein himself conducted the Royal Scottish National Orchestra for a performance released by RCA in 1997, but the original film soundtrack was not released until the following year by Rykodisc ( Varèse Sarabande reissued this album in 2004 ).
Elmer Bernstein's score has frequently been quoted in the media and popular culture.
It is Leonard Bernstein's only original film score not adapted from a stage production with songs.
They wrote the screenplays for Good News and The Barkleys of Broadway ( which reunited Fred Astaire and Ginger Rogers ), and then adapted On the Town for Frank Sinatra and Gene Kelly, scrapping most of Bernstein's music at the request of Arthur Freed, who did not care for the Bernstein score.
The film score was composed by Elmer Bernstein, and is notable for its use of ondes Martenot ( a staple of Bernstein's 1980s work ) and also the Yamaha DX-7 synthesizer.
However, he notes that there are exceptions to this, namely Ray Parker Jr .' s title track " Ghostbusters ", Mick Smiley's " Magic ", and the two inclusions from Elmer Bernstein's score.
Bernstein's music has some stylistic similarities to Copland's music, most notably in his western scores, particularly sections of Big Jake, in the Gregory Peck film Amazing Grace and Chuck, and in his spirited score for the 1958 film adaptation of Erskine Caldwell's novel God's Little Acre.
He explained to Bernstein that he thought that Bernstein's score, playing it straight as if the comedic Delta frat characters were actual heroes, would emphasize the comedy further.
The heroine's first aria has a wistful melancholy reminiscent of Aaron Copland's earlier vernacular works and of Bernstein's later writing in West Side Story, while the jazzy interludes harken back to the score Bernstein wrote for On the Town.
Dot Records then began to release soundtrack albums, including Elmer Bernstein's score for The Ten Commandments ( 1956 ), a 2-LP set that played longer than the usual record album.
The film also eschewed quoting Richard Markowitz's theme music in Elmer Bernstein's score, except for one brief cue ( Markowitz was not included in the film's music credits ; ironically, this was one area where the film was true to the series ).
Far From Heaven won widespread critical acclaim and a slew of film awards, including four Academy Award nominations for Moore's lead performance, Haynes ' original screenplay, Elmer Bernstein's score, and the film's cinematography.
* An excerpt of Charles Bernstein's score appears in Quentin Tarantino's Inglourious Basterds.
The release was known simply as Ewoks, and also contained cues from Bernstein's score to Ewoks: The Battle for Endor.
The script employs over-the-top, melodramatic dialogue, and Elmer Bernstein's score is reminiscent of those he had composed 40 and 50 years earlier.
Studio one saw the recording of The Grifters and My Left Foot, both by Elmer Bernstein and Bernstein's rejected score to A River Runs Through It.
He studied under the renowned film score composer Elmer Bernstein at the USC Thornton School of Music, during which time he reconstructed and re-orchestrated Bernstein's 1963 score for Kings of the Sun.

Bernstein's and for
* 1971 – In Washington, D. C., the John F. Kennedy Center for the Performing Arts is inaugurated, with the opening feature being the premiere of Leonard Bernstein's Mass.
" The album Blue Valentine ( 1978 ) displayed Waits's biggest musical departure to date, with much more focus on electric guitar and keyboards than on previous albums and hardly any strings ( with the exception of album-opener " Somewhere " — a cover of Leonard Bernstein's song from West Side Story — and " Kentucky Avenue ") for a darker, more blues-oriented sound.
It has been rumored that while Bernstein was off trying to fix the musical Candide, Sondheim wrote some of the music for West Side Story, and that Bernstein's co-lyricist billing mysteriously disappeared from the credits of West Side Story during the tryout, presumably as a trade-off.
However, Suskin states in Show Tunes that " As the writing progressed and the extent of Bernstein's lyric contributions became less, the composer agreed to rescind his credit ... Contrary to rumor, Sondheim did not write music for the show ; his only contribution came on " Something's Coming ", where he developed the main strain of the chorus from music Bernstein wrote for the verse.
* September 8 – In Washington, DC, the John F. Kennedy Center for the Performing Arts is inaugurated, with the opening feature being the premiere of Leonard Bernstein's Mass.
His creations include such masterpieces as Sergei Prokofiev's Symphony-Concerto, Dmitri Shostakovich's two cello concertos, Benjamin Britten's Cello-Symphony ( which emphasizes, as its title suggests, the equal importance of soloist and orchestra ), Henri Dutilleux ' Tout un monde lointain, Witold Lutosławski's cello concerto, Dmitri Kabalevsky's two cello concertos, Aram Khachaturian's Concerto-Rhapsody, Arvo Pärt's Pro et Contra, Alfred Schnittke, André Jolivet and Krzysztof Penderecki second cello concertos, Sofia Gubaidulina's Canticles of the Sun, Luciano Berio's Ritorno degli Snovidenia, Leonard Bernstein's Three Meditations, James MacMillan's cello concerto and Olivier Messiaen's Concert à quatre ( a quadruple concerto for cello, piano, oboe, flute and orchestra ).
A basic reed part usually has three or four instruments ( flutes, clarinets and saxophones being the most common ), but can include up to eight instruments, such as the " Reed 3 " part in Bernstein's West Side Story, which calls for the player to use piccolo, flute, oboe, English horn, clarinet, bass clarinet, and tenor and baritone saxophones.
Although the original specification was written specifically for Bernstein's qmail, it is general enough to be implemented in many programs.
For Deutsche Grammophon, Ozawa and the orchestra recorded William Russo's " Three Pieces for Blues Band and Symphony Orchestra " with the Siegel-Schwall Blues Band, and Bernstein's Orchestral Dances from West Side Story.
This was another coup for Fleischmann, who had to overcome Bernstein's scorn for the inadequate rehearsal facilities endured by London orchestras.
" Bernstein claimed " MF " was short for " My Friend ", but Ephron believed correctly that the initials stood for Mark Felt, whom some suspected to be Bernstein's source.
Routledge won a Laurence Olivier Award in 1988 for her portrayal of the Old Lady in Leonard Bernstein's Candide in the London cast of the critically acclaimed Scottish Opera production.
As president of the Young Musicians Foundation, Bernstein became acquainted with classical guitarist Christopher Parkening and wrote a Concerto for Guitar and Orchestra, which Parkening recorded with the London Symphony Orchestra under Bernstein's baton for the Angel label in 1999.

Bernstein's and musical
Likewise, some of Leonard Bernstein's works he designated as operas ( e. g., Trouble in Tahiti ) are categorized as operettas, and his operetta Candide is sometimes considered a musical.
He provided lyrics to several songs in Leonard Bernstein's 1956 musical, Candide, including the famous " Glitter and Be Gay " and " Make Our Garden Grow.
Another good example is The Songs of West Side Story, a compilation of 1990s style covers of songs from Leonard Bernstein's musical West Side Story that was released by RCA Victor and features prominent artists of the time, such as Salt-n-Pepa, Michael McDonald, Chick Corea, and even non-musical guests such as The Jerky Boys.
In 1961, Moreno landed the role of Anita in Robert Wise's and Jerome Robbins ' film adaptation of Leonard Bernstein's and Stephen Sondheim's groundbreaking Broadway musical, West Side Story, which was played by Chita Rivera on Broadway.
On the Town is a musical with music by Leonard Bernstein and book and lyrics by Betty Comden and Adolph Green, based on Jerome Robbins ' idea for his 1944 ballet Fancy Free, which he had set to Bernstein's music.
Books, films, and songs about sailors on shore leave include Jean Genet's 1953 novel, Querelle of Brest ; Gene Kelly and Stanley Donen's 1949 film musical of Leonard Bernstein's On the Town ; and Belgian singer-songwriter Jacques Brel's 1964 ballad " Amsterdam ".
The late-night show's 45-minute midpoint would always be signaled by the musical piece " Glitter and Be Gay " from Leonard Bernstein's Candide.

Bernstein's and ",
The concert was held at East Pyongyang Grand Theatre, with a program including the national anthems of both North Korea ( Aegukka ) and the United States ( The Star-Spangled Banner ), the Prelude to Act III of Lohengrin by Richard Wagner, Antonín Dvořák's Symphony No. 9 " From the New World ", George Gershwin's An American in Paris, Georges Bizet's Farandole, Leonard Bernstein's Overture to Candide, and the popular Korean folk song Arirang.
Jason Ankeny describes the Original Motion Picture Score as " epic in both sound and scale ", noting that it " ranks among Bernstein's most dazzling and entertaining efforts, evoking the widescreen wonder of its source material ", concluding that " his melodies beautifully complement the wit and creativity of the onscreen narrative.
Patel supported the plaintiff's argument that computer source code was indeed protected speech, and that the blanket requirements imposed by the AECA and ITAR regulations, ( which required licences for " export ", which Bernstein contended essentially amounted to " publication ", of cryptographic algorithms or technologies ) amounted to an impermissible prior restraint of Bernstein's Free Speech rights under the First Amendment.

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