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Both and video
Both Desilu, Too and Lucille Ball Productions work hand-in-hand with MPI Home Video in the home video re-issues of the Ball / Arnaz material not currently owned by CBS ( successor-in-interest to Paramount Television, which in turn succeeded the original Desilu company ).
Both Paramount and CIC entered the video market with Paramount Home Video ( now Paramount Home Entertainment ) and CIC Video, respectively.
Both these claims are however often rigorously disputed because the first Sony Portapak, the Videorover did not become commercially available until 1967, first in the US ( Fred Forest does not contradict this, saying it was provided to him by the manufacturers ) and that Andy Warhol is credited with showing underground video art mere weeks before Paik's papal procession screening, but here probably made on a pre-portable mains deck.
Both 1996's Spy Hard and 1998's Wrongfully Accused, a parody of James Bond films and The Fugitive, respectively, received more popularity on home video but were not well received by critics.
Both films were reissued again by Walt Disney Studios Home Entertainment in November 2010 separately, as a two-disc DVD / Blu-ray set and a combined DVD and Blu-ray four-disc ( named the " Fantasia 2 Movie Collection ") set that featured 1080p high-definition video and 7. 1 surround sound.
Both a standard receiver and a receiver with built-in digital video recorder ( DVR ) are available to subscribers.
Both a standard receiver and a DVR ( digital video recorder ) are available to subscribers for an upgrade fee.
In 1974 the band Sparks filmed a promo video for their single " This Town Ain't Big Enough for Both of Us " from the album Kimono My House.
Both games were created for Sony's PlayStation video game console.
Both of these claims are controversial as the term's common definition as used by gamers ( to describe a video game match in which players kill each other over and over, respawning after each time they die ) predates both titles by over a decade.
Both of these sketches can be seen on the video website YouTube.
Both events were released for home video.
Both films were directed by Adam Mason who first worked with him on the Mortiis video for Decadent & Desperate.
Both Tim and Chris had worked in arcade game development and claimed to be " the most experienced arcade video game design team in Britain ", until tiring of working for others and leaving to start ACG.
Both were broadcast over French radio, resulting in bootleg recordings of decent quality ; video of the second show also exists.
Both animation fans and the UCLA Film and Television Archive have worked to give the classic Fleischer cartoons the credit they deserve, and high-quality restored editions of the Fleischer cartoons have also been made available on pay-cable, home video and DVD.
Both home video formats contain no special features with a non-anamorphic widescreen transfer of the film.
Both are films, but are also books, video games, cartoons, and action figures.
Both GameSpot and IGN noted several bugs causing video and sound problems, as well as alt-tabbing causing the game to crash.
Both the video and the DVD contained all the five episodes.
Both the Blu-ray Disc format and the now-discontinued HD DVD format include the H. 264 / AVC High Profile as one of 3 mandatory video compression formats.
Both used a 2 inch tape transport design adapted from the video recording division.
Both were similar to the D1 and D2 VTR formats, using a 19 mm ( 3 / 4 ") width, with the DCT format using DCT ( discrete cosine transform ) video compression, also its namesake.
Both parts of the stage show were featured in the " Just Like Paradise " music video.

Both and sound
Both these popular methods are used to analyze sound and better understand the acoustic phenomenon.
Both governments failed to implement sound social policies.
Both Eric and Brian tended to play technical solos at fast speeds and with overlapping riffs, which gave Deicide the definitive heavy sound and complex song structures.
Both simulation and experimental measurement show that during the critical final stages of collapse, the bubble wall velocity exceeds the speed of sound of the gas inside the bubble.
Both ' on ' ( respelled ' one ' by the Normans ) and ' an ' survived into Modern English, with ' one ' used as the number and ' an ' (' a ', before nouns that begin with a consonant sound ) as an indefinite article.
Both compositions feature the same " timeless " sound in that they do not employ any of the musical techniques of the period in which they were composed, with the intent that they be difficult to define as belonging to a particular era.
Both were made with locally developed sound-on-film systems, two of the two hundred or so movie sound systems then available somewhere in the world.
Both languages have soft and hard consonants such as c and g, and combine s and h to make the sh sound.
Both Liquid Architecture and What Is Music are annual festivals of modern music and sound art.
Both Segovia and Miguel Llobet ( who taught Segovia several of his transcriptions of Granados ' piano works ) plucked the strings with a combination of his fingernails and fingertips, producing a sharper sound than many of his contemporaries.
Both of these classic sound effects were performed by Ed Ludes and Virgil Rhymer, Hollywood-based NBC staff sound effects creators.
Both of these versions contain a play on words, the tef sound which forms the first syllable of the name Tefnut also constitutes a word meaning ' to spit ' or ' to expectorate '.
Both of these standards are capable of broadcasting audio of significantly greater fidelity than that of standard AM with current bandwidth limitations, and a theoretical frequency response of 0 – 16 kHz, in addition to stereo sound and text data.
Both versions also had lower sound fidelity and a number of minor changes.
Both Harries and Genockey were interested in experimenting with the band's sound, and they helped re-energise the other members ' interest in Steeleye.
Both albums, Abominog and Head First, updated the band's sound and generated a brief, newfound interest in Uriah Heep among younger heavy metal fans.
Both in classical Ancient Greek and in Modern Greek, the letter Ξ represents the sound.
Both of their new amplifiers included distortion / fuzz and tremolo ; these two effects were key components of Spacemen 3's signature sound.
Both have been used for musical purposes: as sound effects, raw material for further processing by other synthesis or digital signal processing effects, or as complete musical works in their own right.
Both digital and analog mixers rely on analog microphone preamplifiers, a high-gain circuit that is the origin of much of the perceived character of sound quality in an audio mixer.
Both projects emphasize the importance of preserving the authentic sound of the SID chip.

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