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Brecht's and Life
* September 9 – Bertolt Brecht's play Life of Galileo () receives its first theatrical production at the Zurich Schauspielhaus.
In 1975, Losey realized a long-planned adaptation of Brecht's Galileo ( aka Life of Galileo ).
Among the many theatres that Papp supported ( often with funds from successful Broadway transfers, such as A Chorus Line ) were Theatre for a New Audience, which presented several productions at the NYSF, and the Riverside Shakespeare Company, for whom Papp took a special interest, beginning with the sponsorship of the New York premiere of Brecht's The Life of Edward II of England
A beloved figure in the German Democratic Republic, he is best remembered for his performance in the title role of Brecht's Life of Galileo and his stirring recordings of workers songs, including many written by Hanns Eisler.
Feuchtwanger soon became a figure in the literary world, and was sought out by the young Bertolt Brecht, with whom he collaborated on drafts of Brecht's early work, The Life of Edward II of England, in 1923-24.
Dan Johnson ( left ), Larry Attille ( centre ), and Will Lampe ( right ) in the Riverside Shakespeare Company | Riverside Shakespeare Company's 1982 production of Bertolt Brecht's and Lion Feuchtwanger's The Life of Edward II of England | Edward II ( 1924 ).
The German premiere took place in 1924 under Brecht's direction at the Munich Kammerspiele with Erwin Faber and Hans Schweikart as Edward and Baldock ; the New York premiere of Brecht's The Life of Edward II of England took place in 1982, staged by W. Stuart McDowell by the Riverside Shakespeare Company, sponsored by Joseph Papp and the New York Shakespeare Festival at The Shakespeare Center on Manhattan's Upper West Side.
Life improved for Stander when he moved to London in 1964 to act in Bertolt Brecht's Saint Joan of the Stockyards, directed by Tony Richardson, for whom he'd acted on Broadway, along with Christopher Plummer, in a stillborn 1963 production of Brecht's The Resistible Rise of Arturo Ui.
The play was based on Bertolt Brecht's 1938 work The Private Life of the Master Race.

Brecht's and Galileo
In the U. S., Laughton worked with Bertolt Brecht on a new English version of Brecht's play Galileo.
" History of changes of Brecht's Galileo ".
Heflin made her Broadway debut in her teens and was later featured in the original productions of The Skin of Our Teeth ( 1942 ), I Remember Mama ( 1944 ), and the U. S. premiere of Bertolt Brecht's Galileo on July 30, 1947 in Los Angeles.

Brecht's and premiered
In 1969 he premiered in the UK in the title role of Brecht's The Resistible Rise of Arturo Ui.
In August, 2006, Campino starred as Mack the Knife in Brecht's The Threepenny Opera at Berlin's Admiralspalast, a short distance from the theatre where the play premiered in 1928.

Brecht's and on
* त ी न प ै श ां च ा तम ा श ा ( Teen Paishancha Tamasha ) – 1978 ... based on Bertolt Brecht's The Three Penny Opera '
* 1929 Der Tod ( aka Totentanz, from Brecht's The Baden-Baden Lesson on Consent ), director
The play, inspired by Bertolt Brecht's Baal, centers on the life of a dissolute songwriter in 1990s New York.
Its Aldwych repertory combined the usual Stratford transfers with Nichol's Privates on Parade, Ibsen's Pillars of the Community and Brecht's The Days of the Commune.
* April 30-Theatrical première of Bertolt Brecht's Saint Joan of the Stockyards, originally performed on radio in 1932.
There was also a musical, La verdadera historia de Pedro Navaja, based on the Kurt Weill and Bertolt Brecht's play The Threepenny Opera, staged in Lima, Peru, starring, among other, Camila Mac Lennan, and in San Juan, Puerto Rico, where Luis Vigoreaux played the title character.
While the French playwright Jean Genet articulates a very different world view in his dramas to that found in Brecht's, in a letter to the director Roger Blin on the most appropriate approach to staging his The Screens in 1966, he advises an epic approach to its production:
Pravachakante Maranam, ( 1993 ) includes an early piece on the absurd ( 1972 ), an essay on Bertolt Brecht's theatre, an introduction to Brecht's Threepenny Novel, a study of Ambikasuthan Mangad's story and an essay on the politics of deconstruction.
Hangmen was Brecht's only screen credit for an American film, although he supposedly worked on other scripts during his time in Hollywood, without receiving credit.
The music for Hangmen Also Die was composed by Hanns Eisler, Brecht's collaborator on a number of plays with music.
By being thus " distanced " emotionally from the characters and the action on stage, the audience could be able to reach such an intellectual level of understanding ( or intellectual empathy ); in theory, while alienated emotionally from the action and the characters, they would be empowered on an intellectual level both to analyze and perhaps even to try to change the world, which was Brecht's social and political goal as a playwright and the driving force behind his dramaturgy.
Subsequently he built on this concept a comprehensive theory of drama in its anthropological and social role that he intended to go beyond Brecht's theories on political drama.

Brecht's and ),
In the late 1920s, the young and short () actor moved to Berlin, where he worked with German playwright Bertolt Brecht, including a role in Brecht's Mann ist Mann and as Dr. Nakamura in the musical Happy End ( music by composer Kurt Weill ), alongside Brecht's wife Helene Weigel and co-stars Carola Neher, Oskar Homolka and Kurt Gerron.
One of Littlewood's most famous productions was the British première of Bertolt Brecht's Mother Courage and Her Children ( 1955 ), which she directed and also starred in the lead role.
1981 ), an adaptation of both John Gay's The Beggar's Opera and Bertolt Brecht's The Threepenny Opera ; most of his characters as well as some of the arias are from the two earlier plays.
The first production was a version of Bertolt Brecht's " The Threepenny Opera " ( autumn 1994 and September 1995 ), followed by the Greek play " Penthesilea " ( March 1996 ), " We can't pay?
Many of the Fluxus editions share characteristics with both ; George Brecht's Water Yam ( 1963 ), for instance, involves a series of scores collected in a box, whilst similar scores are collected together in a bound book in Yoko Ono's Grapefruit ( 1964 ).
She has recorded songs in Spanish (' Hasta Siempre Comandante Che Guevara '), Italian, and English (" Joe Hill " and Brecht's " Alabama Song ' from Rise and Fall of the City of Mahagonny ), as well as works by Greek composers Manos Hatzidakis, Eleni Karaindrou and Mikalis Bourboulis (' San Elektra ' and ' Tora Xero ') in which she realized a special fusion of vocal and instrumental beauty with musical accompaniment by Vangelis.
Besides these compositions, Tsegaye translated Shakespeare ( Hamlet and Othello being the most popular of these works ), as well as Molière's " Tartouffe " and " Doctor Despite Himself ", as well as Bertolt Brecht's " Mother Courage ".
Michael Nyman, the interviewer, responded that in Brecht's work " sound-producing instruments the Event-Scores have been made mute ( the violin, in Solo for Violin Viola Cello or Contrabass, is polished, not played ), and non-sounding instruments, or non-instruments, for instance a comb ( Comb Music, 1962 ) are made sounding.
Shaban was nominated Best Actor in Scottish theatre in 2005, by the Critics ' Awards for Theatre in Scotland ( CATS ), for his role as Mack the Knife in Bertolt Brecht's Threepenny Opera, a Theatre Workshop ( Edinburgh ) production.
* Antigone ( Brecht play ), Bertolt Brecht's play
Since then, Shange has written a number of successful plays, including an adaptation of Bertolt Brecht's Mother Courage and Her Children ( 1980 ), which won an Obie Award.
The group's early productions were mainly adaptations of non-Indian plays, like Natyakarer Sandhane Chhati Charitra ( Luigi Pirandello's Six Characters in Search of an Author ), Manjari Amer Manjari ( Chekhov's Cherry Orchard ), Jokhan Eka ( Arnold Wesker's Roots ), Sher Afgan ( Pirandello's Henry IV ) and Tin Poyshar Pala ( Bertolt Brecht's Threepenny Opera ).
* Baal ( EP ), a 1981 EP by David Bowie, featuring incidental music written for Brecht's play

Brecht's and by
** The premiere of Bertolt Brecht's play In the Jungle ( Im Dickicht ) at the Residenztheater in Munich is interrupted by Nazi demonstrators.
He joined the Bristol Old Vic and was there for two years 1959 – 1961, time he described as ' the bedrock of his career ', followed by much other stage work: as Brecht's Arturo Ui, The Strange Case of Martin Richter, Disabled, The Heretic, The Caretaker and Semi-Detached ( in New York ).
He was strongly influenced by Brecht's Verfremdungseffekt ( alienation effect ) and the French New Wave cinema, particularly Godard's Pierrot le fou ( 1965 ) and Week End ( 1967 ).
* December 10-First performance of Bertolt Brecht's play The Decision, with music by Hanns Eisler.
* 1963: George Brecht's collection of Event-Scores, Water Yam, is published as the first Fluxkit by George Maciunas.
After 1933, Eisler's music and Brecht's poetry were banned by the Nazi Party.
Mallika Sarabhai in Bertolt Brecht's play The Good Person of Szechwan directed by Arvind Gaur.
In 2009 Mallika Sarabhai acted in Bertolt Brecht's Indian adaptation of The Good Person of Szechwan ( Ahmedabad ki Aurat Bhali-Ramkali ) directed by Arvind Gaur in 34th Vikram Sarabhai International Art Festival.
He completed translation / adaptations of Brecht's and Weill's musical play Rise and Fall of the City of Mahagonny and of Brecht's play Mother Courage and Her Children with music by Paul Dessau.
She also regularly performs songs by Kurt Weill, Hans Eisler and Paul Dessau set to Brecht's texts.
He starred in the original 1928 production of Bertolt Brecht's Threepenny Opera, as well as the subsequent 1931 film by Georg Wilhelm Pabst.
TES also staged works by Romanian playwrights such as Victor Eftimiu, Victor Ion Popa, Tudor Arghezi, and Lucia Demetrius, and but also a vast array of works from world theater: Bertholt Brecht's Threepenny Opera, Reginald Rose's Twelve Angry Men, Georg Büchner's Woyzeck, Lion Feuchtwanger's Raquel, The Jewess of Toledo, and Friedrich Dürrenmatt's Frank V. More recent additions to their repertoire include works by Israel Horovitz and Ray Cooney, and an adaptation by Dorel Dorian of Saul Bellow's Herzog.
" Müller adopted Brecht's notion of Kopien ( German for " copying "), the practice of regarding texts by others as material to be used, imitated, and rewritten.
After four very important theatrical productions in Switzerland and Germany from 1941 to 1952 — the last three supervised and / or directed by Brecht — the play was filmed several years after Brecht's death in 1959 / 1960 with Brecht's widow and leading actress, Helene Weigel.

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