" After Bridwell returned it with extensive editorial changes Beck attempted to draw the rewritten version but became so dissatisfied with it that he tore up the artwork he had drawn thus far and returned the Bridwell draft to DC.

Following Mort Weisinger's retirement from DC, the Legion was passed to the oversight of editor Murray Boltinoff and began appearing occasionally as a backup in Superboy, starting with # 172 ( March 1971 ), with writers E. Nelson Bridwell and Cary Bates and artist George Tuska.

On the 1967 Filmation CBS Superman animated series, it was pronounced as mix-yez-PITTLE-ik ; sources indicate that was the official DC Comics version of the time, furnished to the show's writers through DC Comics editor / writer E. Nelson Bridwell.

Angel and the Ape was a humor comic book created by E. Nelson Bridwell published by DC Comics.

DC writer-editor E. Nelson Bridwell credits Binder as creating the first " Imaginary Tale, for Lois Lane ," and of writing " most of the early " Bizarro stories, including at least the first " Tales of the Bizarro World " feature.

After writing a few stories for Mad and for Katy Keene, Bridwell began working for DC Comics in 1965 as an assistant to editor Mort Weisinger, " on the Superman titles, eventually becoming an editor himself ( Lois Lane, and later Superman Family ).

Concurrent with his duties for DC, Bridwell " was submitting material as a freelancer to Mad ", some of which was illustrated by Joe Orlando, who would later be suggested by Bridwell as artist for The Inferior Five.

Bridwell was also an early advocate of the theory that the Marvel and DC characters " exist in the same universe ", citing early inter-company crossovers such as Superman vs. the Amazing Spider-Man and a cross-company interlocking storyline ( with real-world crossover characters ) between Justice League of America # 103, Thor # 207 and Amazing Adventures # 16.

Dubbed " Kryptonese ", Bridwell established the 118-character alphabet, which was used by DC until John Byrne's 1986 " reboot " of the Superman universe.

Bridwell wrote for several other DC titles, including Action Comics, Adventure Comics, Shazam !, Superman, Superman Family, World's Finest Comics and The Legion of Super-Heroes.

As an editor, Bridwell compiled a number of issues of DC 100 Page Super Spectacular, collecting out-of-print stories from the DC archive, often under new covers featuring a Bridwell-created character key.

In a story written by E. Nelson Bridwell for World's Finest Comics # 262 ( cover date April / May 1980 ), Shazam's origins are further explored.

Their first comic book appearance was in Super Friends # 7 ( October 1977 ), by E. Nelson Bridwell and Ramona Fradon.

It was first published in 1963 and was written by Norman Bridwell.

Bridwell " was one of the first ' comics fans ' hired in the industry after the long, bleak 1950's ,".

In 1962, while still residing in Oklahoma City, Bridwell submitted to the Magazine of Fantasy & Science Fiction his first idea for a Feghoot adventure, a specific type of shaggy dog story that ends in a humorous and unexpected play on words.

Bridwell and artist Frank Springer co-created the Secret Six in the first issue of the team's eponymous series in May 1968.

With the score tied and two outs in the bottom of the ninth inning, the Giants had Moose McCormick on third base and Fred Merkle on first base ; Al Bridwell smashed a single to center to drive home McCormick with the apparent winning run, but Merkle failed to touch second base.

Recalling an early interest in comic book continuity, Bridwell " remembered getting a bit perturbed at times when I was a kid by having things that didn't fit ", particularly over the wide range of Martian races in evidence in the adventures of DC's Atom, Wonder Woman, and Superman characters.

The series did not, in fact, depict a conflict between the Land of Oz and Wonderland, which plotter E. Nelson Bridwell considered antithetical to Ozite politics, but rather depicted the Nome King retrieving the magic belt and using his powers against both Oz and Wonderland, with the Zoo Crew coming in as reinforcements against him.

Talking about the humorous super-hero series, Bridwell recalls that:

Editor E. Nelson Bridwell had several characters and plot concepts from Jack Kirby's " Fourth World " appear in issues # 111-119 ( July 1971-February 1972 ).

Binder also scripted what Bridwell calls the " classic ' Superman's Return to Krypton.

The route Maestri followed is now known as the Compressor route and was climbed to the summit in 1979 by Jim Bridwell and Steve Brewer.

* 1979 Jim Bridwell and Steve Brewer complete climb of Compressor Route.

Girolamo Savonarola Piety, Prophecy and Politics in Renaissance Florence Catalogue of the Exhibition ( Dallas, Bridwell Library, 1994 ).

Caricature of E. Nelson Bridwell by Dave Manak ( c. 1976 ).

Bridwell and Joe Orlando created the Inferior Five in Showcase # 62 ( June 1966 ).

He then left DC to work for Disney in setting up Touchmark, before returning with those projects to Vertigo in early 1993, when he edited debut title Enigma, and later miniseries and one-shots such as Sebastian O, The Extremist, Mercy, Rogan Gosh, The Mystery Play, and Tank Girl: The Moovy.

Peyer moved to Doom Patrol and Animal Man, which he edited during the transition from DC to Vertigo, before moving to edit the initial issues of Kid Eternity and Black Orchid as well as two " Vertigo Visions " one-shots.

After graduation in 1959, he unsuccessfully attempted to find freelance work at DC Comics, and turned then to Archie Comics, where he wanted to work on the publisher's fledgling superhero line, edited by Joe Simon.

That character was reinterpreted by Denny O ' Neil, who also edited the Batman line of comics at the time for DC.

Kubert, who also edited the DC Comics line of war comics at the time, decided that the character was interesting enough to be featured in his own series, which began some years later in Star Spangled War Stories, running from # 151 ( June – July 1970 ) to # 204 ( February 1977 ).

He later edited several titles of DC Comics ' Impact Comics imprint.

After this, only three more Bat-Mite stories were published in the pre-Crisis DC Universe: two Bat-Mite / Mr. Mxyzptlk team ups in World's Finest Comics # 152 ( August 1965 ) and # 169 ( September 1967 ) ( which were not edited by Schwartz but by Mort Weisinger ), and " Bat-Mite's New York Adventure " from Detective Comics # 482 ( February – March 1979 ), in which the imp visits the DC Comics offices and insists that he be given his own feature in a Batman comic.

The New Negro: An Interpretation ( 1925 ) is an anthology of fiction, poetry, and essays on African and African-American art and literature edited by Alain Locke, who lived in Washington, DC and taught at Howard University during the Harlem Renaissance.

During 1967 Anglo edited City Magazines Ltd's TV series-based weekly comic TV Tornado, and contributed the short-run strips Voyage to the Bottom of the Sea and Green Hornet, before returning to Top Sellers and packaging reprints of DC Comics material, including Superman, Wonder Woman and the Batman newspaper strip, for their Super DC anthology series in 1969 / 1970.

Rose has edited and co-authored graphic novels for DC Comics, including La Pacifica ( Paradox Press ) written with Amos Poe, Art by Tayyar Ozkan, and Get Jiro!

It is edited by Michael Eury, a former editor with Comico, Dark Horse Comics and DC Comics.

During the late 1980s and early 1990s Augustyn was an editor for DC Comics, where he edited The Flash, Justice League and the Impact Comics line of titles.

He also edited in DC ’ s Licensed Publishing department, overseeing such titles as MADvertising: A MAD Look at 50 Years of MADison Avenue by David Shayne, Marv Wolfman's novelization of his landmark comics series Crisis On Infinite Earths, a trilogy of Green Lantern novels by Christopher Priest, Mike Baron and Mike Ahn ( both novel and trilogy were published by iBooks ), and dozens of MAD reprints, kids storybooks, young adult novels and children ’ s color and activity books based on DC Comics properties.

Before Dooley came to DC, from 1986 to 1988 he edited Fantagraphics ' Amazing Heroes.