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Britpop and groups
Britpop groups brought British alternative rock into the mainstream and formed the backbone of a larger British cultural movement called Cool Britannia.
The music press viewed the scene around Camden Town as a musical centre ; frequented by Britpop groups like Blur, Elastica, and Menswear, Melody Maker declared " Camden is to 1995 what Seattle was to 1992, what Manchester was to 1989, and what Mr Blobby was to 1993.
Category: Britpop groups
The " Britpop movement pre-empted by The Stone Roses and spearheaded by groups like Oasis, Suede and Blur, drew heavily from Morrissey's portrayal of and nostalgia for a bleak urban England of the past.
Category: Britpop groups
Category: Britpop groups
Category: Britpop groups
Category: Britpop groups
Category: Britpop groups
In the early 1990s, shoegazing groups were pushed aside by the American grunge movement and early Britpop acts such as Suede, forcing the relatively unknown bands to break up or reinvent their style altogether.
Category: Britpop groups
Category: Britpop groups
Category: Britpop groups
Britpop groups brought British alternative rock into the mainstream and formed the backbone of a larger British cultural movement called Cool Britannia.
Post-Britpop bands like The Verve, Radiohead, Travis, Stereophonics, Feeder, and particularly Coldplay, achieved much wider international success than most of the Britpop groups that had preceded them, and were some of the most commercially successful acts of the late 1990s and early 2000s.
Category: Britpop groups
Category: Britpop groups
Category: Britpop groups
Category: Britpop groups
Category: Britpop groups
Category: Britpop groups
Category: Britpop groups
Category: Britpop groups
Category: Britpop groups

Britpop and were
Britpop bands were influenced by British guitar music of the past, particularly movements and genres such as the British Invasion, glam rock, and punk rock.
Alternative rock acts from the 1980s and early 1990s indie scene were the direct ancestors of the Britpop movement.
Stylistically, Britpop bands relied on catchy hooks and wrote lyrics that were meant to be relevant to British young people of their own generation.
Journalist John Harris has suggested that Britpop began when Blur's single " Popscene " and Suede's " The Drowners " were released around the same time in the spring of 1992.
The NME wrote about the phenomenon, " Yes, in a week where news leaked that Saddam Hussein was preparing nuclear weapons, everyday folks were still getting slaughtered in Bosnia and Mike Tyson was making his comeback, tabloids and broadsheets alike went Britpop crazy.
These two bandsin particular Radiohead — showed considerably more esoteric influences from the 1960s and 1970s, influences that were uncommon among earlier Britpop acts.
Post-Britpop bands like Travis, Stereophonics and Coldplay, influenced by Britpop acts, particularly Oasis, with more introspective lyrics, were some of the most successful rock acts of the late late 1990s and early 2000s.
" Britpop artists were vocal about their disdain for grunge.
Yet even while leading bands from the Britpop movement were influenced by The Smiths, they were at odds with the " basic anti-establishment philosophies of Morrissey and The Smiths ", since Britpop " was an entirely commercial construct.
Jarvis Cocker and the band became major figures in the Britpop movement, and were nominated for the Mercury Music Prize in 1994 for His ' n ' Hers ; they won the prize in 1996 for Different Class.
Here the group were at their most commercial and at their most attuned with the growing Britpop movement.
By the end of the year Blur and Oasis were the two biggest bands in the UK and sales of the NME were increasing thanks to the Britpop effect.
According to John Harris's Britpop history The Last Party, the final words Butler uttered to Anderson were " you're a fucking cunt ".
The Boo Radleys were an English alternative rock band of the 1990s who were associated with the shoegazing and Britpop movements.
Despite critical acclaim and a cult fanbase, the Boo Radleys were still largely unknown to the general public by the time the Britpop phenomenon broke into the mainstream in 1995.
By the time the band set to work on their third album, Magic Hour, released May 1999 the Britpop movement was faltering-a number of Cast's contemporaries, such as Kula Shaker and The Seahorses had disbanded, Suede and Mansun were experiencing a drop in record sales from their previous efforts and label mates Shed Seven and Medal had been dropped by Polydor.
Success was not immediate, as labels such as Domino, who were releasing more established American rock and unusual British music, were marginalised during the Britpop era, but a steady stream of new signings gave the label increasing credibility.

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