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Page "Al Capp" ¶ 45
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Capp's and has
He remains the only cartoonist to be embraced by TV ; no other comic artist to date has come close to Capp's televised exposure.
The fictional Elbonia has some visual and thematic similarities to the fictional country of Lower Slobbovia in Al Capp's long-running strip Li ' l Abner, where the impoverished citizens, who suffered under corrupt government, were perpetually seen in waist-deep snow.
No other cartoonist to date has come close to Capp's televised exposure.
Examples of other media which take part in metafictiveness are Al Capp's Fearless Fosdick in Li ' l Abner, the Tales of the Black Freighter in Watchmen, or the Itchy and Scratchy Show within The Simpsons, as well as the computer game Myst in which the player represents a person who has found a book named Myst and been transported inside it.
The actual origin of Capp's word " shmoo " has been the subject of debate by linguists for decades, leading to the misconception that the term was derived from " schmo " or " schmooze.
... Mr. Kidd has caught the spirit of Dogpatch civilization brilliantly enough to suggest that ballet is a more suitable medium than words for animating Al Capp's cartoon drawings ".

Capp's and eclipsed
The Capp-Fisher feud was well known in cartooning circles, and it grew more personal as Capp's strip eclipsed Joe Palooka in popularity.
The Capp-Fisher feud was well known in cartooning circles, and it became personal and vitriolic as Capp's strip eclipsed Joe Palooka in popularity.

Capp's and work
This work was collected by Dark Horse Comics in a four-volume hardcover series entitled Al Capp's Li ' l Abner: The Frazetta Years.
In 1968, a theme park called Dogpatch USA opened at Marble Falls, Arkansas, based on Capp's work and with his support.
* Dogpatch USA: In 1968, an $ 35 million theme park called Dogpatch USA opened at Marble Falls, Arkansas, based on Capp's work and with his support.

Capp's and Li
( Leviticus was actually much closer to Capp's later villains Lem and Luke Scragg, than to the much more appealing and innocent Li ' l Abner.
" Just about anything could be a target for Capp's satire — in one storyline Li ' l Abner is revealed to be the missing link between ape and man.
Li ' l Abner: A Study in American Satire by Arthur Asa Berger ( Twayne, 1969 ) contained serious analyses of Capp's narrative technique, his use of dialogue, self-caricature and grotesquerie, the place of Li ' l Abner in American satire, and the significance of social criticism and the graphic image.
" One of the few strips ever taken seriously by students of American culture ," wrote Professor Berger, " Li ' l Abner is worth studying ... because of Capp's imagination and artistry, and because of the strip's very obvious social relevance.
Fisher submitted examples of Li ' l Abner to Capp's syndicate and to the New York courts, in which Fisher had identified pornographic images that were hidden in the background art.
Although Capp's endorsement activities never rivaled Li ' l Abner's or Fearless Fosdick's, he was a celebrity spokesman in print ads for Sheaffer Snorkel fountain pens ( along with colleagues and close friends Milton Caniff and Walt Kelly ), and — with an irony that would become apparent later — a brand of cigarettes, ( Chesterfield ).
At the San Diego Comic Con in July 2009, IDW announced the upcoming publication of Al Capp's Li ' l Abner: The Complete Dailies and Color Sundays as part of their ongoing Library of American Comics project.
* Capp, Al, Al Capp's Li ' l Abner: The Frazetta Years — 4 volumes ( 2003 – 2004 ) Dark Horse Comics
With Ben Oakland and Milton Drake, Berle wrote the title song for the RKO Radio Pictures release Li ' l Abner ( 1940 ), an adaptation of Al Capp's comic strip, featuring Buster Keaton as Lonesome Polecat.
The name was taken from Al Capp's comic strip Li ' l Abner.
The term " Skunk Works " came from Al Capp's satirical, hillbilly comic strip Lil Abner, which was immensely popular in the 1940s and ' 50s.
From a recommendation, writer Jerry Caplin, a. k. a. Jerry Capp, brother of Li ' l Abner creator Al Capp, invited Adams to draw samples for Capp's proposed Ben Casey comic strip, based on the popular television medical-drama series.
Li ' l Abner Yokum: The star of Capp's classic comic strip was hardly " little.
Part of a virtual goon squad of comic mobsters that inhabited Li ' l Abner and Fearless Fosdick, the oafish Stanislouse alternated with other all-purpose underworld thugs, including " the Boys from the Syndicate " — Capp's euphemism for The Mob.
Conceptually based on Siberia, or perhaps specifically on Birobidzhan, Capp's icy hellhole made its first appearance in Li ' l Abner in April 1946.
Capp's surviving preliminary sketches of the kigmies make this apparent, as detailed in the introductory notes to Li ' l Abner Dailies 1949: Volume 15, Kitchen Sink Press, 1992 ).
Li ' l Abner: A Study in American Satire by Arthur Asa Berger ( Twayne, 1969 ) contained serious analyses of Capp's narrative technique, his use of dialogue, self-caricature and grotesquerie, the strip's overall place in American satire, and the significance of social criticism and the graphic image.
" One of the few strips ever taken seriously by students of American culture ," wrote Professor Berger, " Li ' l Abner is worth studying ... because of Capp's imagination and artistry, and because of the strip's very obvious social relevance.
Supposedly done in retaliation for Capp's " Mary Worm " parody in Li ' l Abner ( 1956 ), a media-fed " feud " commenced briefly between the rival strips.
* Al Capp's Li ' l Abner ( 1949 – 1955 ) 28 issues ( Toby )
* Al Capp's Li ' l Abner in The Mystery o ' the Cave ( 1950 ) ( Oxydol premium )

Capp's and Abner
After about 40 years, however, Capp's interest in Abner waned, and this showed in the strip itself ," according to Don Markstein's Toonopedia.
In Capp's satirical and often complex plots, Abner was a country bumpkin Candide — a paragon of innocence in a sardonically dark and cynical world.
Drawn by cartoonist Steve Stiles, the new Abner was approved by Capp's widow and brother, Elliott Caplin, but Al Capp's daughter, Julie Capp, objected at the last minute and permission was withdrawn.

Capp's and day
To this day the label features Capp's characters Hairless Joe and Lonesome Polecat.

Capp's and .
Capp's parents were both natives of Latvia whose families had migrated to New Haven in the 1880s.
" It was the prevailing opinion among his friends that Capp's Swiftian satire was, to some degree, a creatively channeled, compensatory response to his disability.
Capp's father, a failed businessman and reportedly an amateur cartoonist, introduced him to drawing as a form of therapy.
According to Capp's brother Elliot, Alfred had finished all of Shakespeare and George Bernard Shaw by the time he turned 13.
During one of Fisher's extended vacations, Capp's Joe Palooka story arc introduced a stupid, coarse, oafish mountaineer named " Big Leviticus ," a crude prototype.
Capp peopled his comic strip with an assortment of memorable characters, including Marryin ' Sam, Hairless Joe, Lonesome Polecat, Evil-Eye Fleegle, General Bullmoose, Lena the Hyena, Senator Jack S. Phogbound ( Capp's caricature of the anti-New Deal Dixiecrats ), the ( shudder!
Perhaps Capp's most popular creations were the Shmoos, creatures whose incredible usefulness and generous nature made them a threat to civilization as we know it.
Situations often take the characters to other destinations, including New York City, Washington, D. C., Hollywood, tropical islands, the Moon, Mars, and some purely fanciful worlds of Capp's invention.
" Yet though Capp's storylines often wandered far afield, his hillbilly setting remained a central touchstone, serving both as a microcosm and a distorting carnival mirror of broader American society.
Fearless Fosdick — and Capp's other spoofs like " Little Fanny Gooney " ( 1952 ) and " Jack Jawbreaker "— were almost certainly an early inspiration for Harvey Kurtzman's Mad Magazine, which began in 1952 as a comic book that specifically parodied other comics in the same distinctive style and subversive manner.
The gag was often at his own expense, as in the above 1951 sequence showing Capp's interaction with " fans " ( see excerpt ), or in his 1955 Disneyland parody, " Hal Yappland.
The controversy, as reported in Time, centered on Capp's portrayal of the United States Senate.
) Two years later, Capp's studio issued Martin Luther King and the Montgomery Story, a 1958 biographical comic book distributed by The Fellowship of Reconciliation.
But in 1952, when General Motors president Charles E. Wilson, nominated for a cabinet post, told Congress "... what was good for the country was good for General Motors and vice versa ," he inspired one of Capp's greatest satires — the introduction of General Bullmoose, the robust, ruthless, and ageless business tycoon.
" This character, along with the Shmoos, helped cement Capp's favor with the Left, and would increase their outrage a decade later when Capp, a former Franklin D. Roosevelt liberal, switched targets.
It wasn't the setting that made Capp's strip such a huge success.
Fisher hired away Capp's top assistant, Moe Leff.

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