However, new plays with exaggerated heroes who mouth impossibly high-sounding moral sentiments and accomplish impossibly extravagant actions continued to be written through to the 1740s ( see, for example, Henry Carey's Chrononhotonthologos ).

Carey's 10 contested marks in the preliminary final were an all time AFL record at the time, and his finals performances were made more impressive by the fact that he played both games with a torn calf muscle.

Rebecca of Sunnybrook Farm became an immediate bestseller ; both it and Mother Carey's Chickens ( 1911 ) were adapted to drama.

Early sailors named these birds " Mother Carey's Chickens " because they were thought to warn of oncoming storms ; this name is based on a corrupted form of Mater Cara, a name for the Blessed Virgin Mary.

This practice prevailed until William Macready reintroduced the lines in 1841 in a production at Drury Lane, although they were still being removed as late as 1952, in Denis Carey's production at the Bristol Old Vic.

Carey's and Graves ' texts ( source texts ) were noticeably shorter, pithier and simpler in structure while Condon's and King's texts relied on ' purple ' devices, extending the existing text and flourish their language significantly.

Amongst the losses were many irreplaceable manuscripts, including much of Carey's translation of Sanskrit literature and a polyglot dictionary of Sanskrit and related languages, which would have been a seminal philological work had it been completed.

Proops also appeared in every episode of the short-lived Drew Carey's Green Screen Show, where the performers would play improv games ( some of which were taken from the show's main influence Whose Line Is It Anyway?

Although Carey complained that his enemies were calling him " Ballad-maker ," the work was praised later by Charles Burney, and in the 19th century opinion of Carey's clear, simple, and memorable ballad tunes went even higher.

At the same time, Carey's productions were noted in his own day for their political acuity and bravery ( if not foolhardiness ).

By all accounts, fans agree that the time Fields and Carey worked together were some of the best shows during Carey's tenure as host and Carey seemed to be the happiest.

The creation of the video involved some of Carey's fans: two weeks prior to filming, they were invited via her website to send in video clips of themselves, telling her of the hardships in their lives and how the song had inspired them to look at life differently, and had given them strength.

There were also continuity errors during the rainy balcony scene, as Carey's shirt would alternate between being soaking wet and dry.

Archbishop Carey's comments from his final address to the Anglican Consultative Council in 2002 were:

The Daily Unions David Germain felt the song's composition, as well as Carey's vocal performance were " simple and reserved ", with Carey in " complete control " of her voice.

During the recital, images of newspaper headlines describing Carey's breakdown were projected on a large curtain behind her, with one reading " When you fall down, you get back up.

The song's lyrics and video were directly connected to Carey's personal life at the time.

Although several remixes were commissioned for the song, the C + C remix became the most notable, being produced by C + C Music Factory's David Cole and Robert Clivillés, and the first of Carey's remixes to feature her on production credits.

Aside from the seven songs taken from Carey's demo tape, four other tracks were written and produced by the former and an array of famed record producers.

Their plans were to tone down Carey's vocals, and soften the album's production, leaving a more contemporary pop record.

Though a Carey spokesperson maintained the copyright infringement allegations were false, McCord said he had turned down settlement offers from Carey's camp.

On Carey's Charmbracelet and The Adventures of Mimi Tours, three male backup dancers were featured on stage, with the three female background vocalists behind them.

Their plans were to tone down Carey's vocals, and soften the album's production, leaving a more contemporary pop record.

Prior to the song's recital at Carey's concert at Madison Square Garden on December 10, 1993 during her Music Box Tour, she announced that the proceeds from the stateside sales of the single were to be donated to the families of the victims of the Long Island Rail Road ( LIRR ) shootings.

In the meantime, Carey's wife, who had by now given birth, agreed to accompany him provided her sister came as well.

It was released as the album's second single in October of 2001, and was Carey's first radio airplay-only release in the U. S. after 1998 when Billboard magazine had given chart eligibility to singles that weren't released in a physical format.

Additionally, fans were given the opportunity to request different songs from Carey's catalog, further adding to its positive reception.

Music Box received mixed critical response from contemporary critics, who suggested that in lowering Carey's vocal bombast, her energy level decreased and felt the album had an " absence of passion.

" While calling it " undeniably strong ", David Browne from Entertainment Weekly gave the song a mixed review, writing "' Anytime You Need a Friend ' feature gospel-inflected choirs seemingly intended to demonstrate that Carey has soul — which she doesn't — but they're beautifully arranged, and they serve as a nice counterpoint to Carey's own lapses into show-offy vocal gymnastics.

The song received mixed reviews by contemporary music critics for its lyrical content as well as Carey's vocal performance.

It received mixed reviews from critics, with some noting it as too similar to her older ballads such as " Hero " and " Outside ", while others praised Carey's vocals in the song.

" Following the negative cloud that was ensuing Carey's personal life at the time, as well as the project's poor reception, her unprecedented $ 100 million five-album record deal with Virgin Records ( EMI Records ) was bought out for $ 50 million.

* writer Mike Carey's interview dealing with Iceman

Yet another use of the Picts in a fantasy setting comes in Jacqueline Carey's Kushiel's Legacy fantasy series concerning the Kingdom of Alba and the Picts, and their dealings with Terre D ' Ange.

Carey's mid season suspensions subdued him somewhat, before he turned it on again to dominate in the finals with two of the all time great individual finals performances.

Statistically, 2000 was shaping up as one of Carey's best years and, with just two games left of the Home and Away season, he held averages of 9 marks, 20 disposals and 3. 2 goals per game.

Carey's management later denied speculation that he had trained with the NFL's Dallas Cowboys.

2003 was most memorable for Carey's fiery encounters with his ex-North Melbourne team mates Glenn Archer and Anthony Stevens in round 6.

From 2000, she has continued to edit most of the highest-profile Vertigo titles, including almost all of Mike Carey's Lucifer ( with Mariah Huehner ) and the entirety of Ed Brubaker's Deadenders, Howard Chaykin & David Tischman's American Century, Jonathan Vankin's The Witching, Si Spencer's Books of Magick: Life During Wartime, Steven T. Seagle and Kelley Jones ' The Crusades and Bill Willingham's Fables ( to date ).

Between 2005 and 2006, Fabry fully illustrated Mike Carey's adaptation of Neil Gaiman's Neverwhere, having previously collaborated with the man himself on a story in the 2003 OGN Sandman: Endless Nights.

Though he never appeared in the series, Stiles ( along with Kaitlyn Olson ) performed in the taping of the unaired pilot episode of Drew Carey's Green Screen Show, which involved improv games similar to Whose Line?

Carey's run attempted to return John Constantine to his roots, with the title largely set back in London, and featuring many characters from former runs on the title.

During the summer of 1997, Da Brat appeared along with Dupri on a remix of Carey's " Honey ( So So Def mix )" and recorded the hit remix of " Ladies ' Night ( Not Tonight )" with Lil ' Kim, Left-Eye of TLC, Angie Martinez and Missy Elliott.

She also appeared as a guest artist with Elliott on Carey's remix of " Heartbreaker ", and on the remix of Brandy's " U Don't Know Me ( Like U Used To )".

In 2001, Brat continued her trend of being featured on other artist's remixes, reaching # 1 on the Billboard Hot R & B / Hip Hop Singles chart along with rapper Ludacris on the main remix of Mariah Carey's " Loverboy " and being featured artist on Destiny's Child's " Survivor " remix.

protest, which disrupted the Easter sermon by the Archbishop of Canterbury, George Carey, with Tatchell mounting the pulpit to denounce what he claimed was Carey's opposition to legal equality for lesbian and gay people.

However, the taping was postponed until March 25, due to host Drew Carey's bout with pneumonia.

Mariah Carey's duet with Boyz II Men " One Sweet Day " which was recorded in 1995 spent 16 weeks atop the Hot 100 and became the only single in history to do so, was pronounced song of the decade, charting at number one on the decade-end chart.

Carey's first feature film, the erotic ghost story Frost Flowers, was reported in June 2006 to be in pre-production, with filming to begin that September under the direction of Andrea Vecchiato, but the project collapsed before production began and the script is in limbo.

Here are some excerpts from Carey's work, which history shows fell upon deaf ears, as the subsequent Long Depression of 1873-96 plagued America with financial panics because of the inability of the National Banking System to provide the public with all the currency it needed:

Jermaine worked on Mariah Carey's Christmas album, Merry Christmas II You, as well as with Weezer and Lil Wayne on the song " Can't Stop Partying.

He contributed to most of Mariah Carey's albums, including her career comeback album, 2005's The Emancipation Of Mimi with the smash hit " We Belong Together ", which stayed at number one for fourteen non-consecutive weeks, becoming the second longest running number one song in US chart history, behind Carey's 1996 collaboration with Boyz II Men on " One Sweet Day ".