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Chaplin's and film
The film was re-cut and expanded by the studio without Chaplin's consent, leading the star to seek an injunction in May 1916.
The Kid ( 1921 film ) | The Kid ( 1921 ), with Jackie Coogan, combined comedy with drama and was Chaplin's first film to exceed an hour.
The event seems to have influenced Chaplin's work, as he planned a film that turned the Tramp into the carer of a young boy.
Dealing with issues of poverty and parent – child separation, The Kid is thought to be influenced by Chaplin's own childhood and was the first film to combine comedy and drama.
It contains some of Chaplin's most famous gags, such as the Tramp eating his shoe and the " Dance of the Rolls ", and he later said it was the film he would most like to be remembered for.
It is often referred to as Chaplin's finest accomplishment, and film critic James Agee believed the closing scene to be " the greatest piece of acting and the highest moment in movies ".
Chaplin's performance of a gibberish song did, however, give the Tramp a voice for the only time on film.
Today, the film is seen by the British Film Institute as one of Chaplin's " great features ", while David Robinson says it shows the star at " his unrivalled peak as a creator of visual comedy.
Although some of Chaplin's critics have claimed that credit for his film music should be given to the composers who worked with him, for example Raksin, who worked with Chaplin on Modern Times, has stressed Chaplin's creative position and active participation in the composing process.
* From 1917 to 1918, silent film actor Billy West made more than 20 films as a comedian precisely imitating Chaplin's tramp character, makeup and costume.
* John Woo directed a parody film of Chaplin's " The Kid " called Hua ji shi dai ( 1981 ), also known as " Laughing Times.
Richard Attenborough directed a film on Chaplin's life, Chaplin ( 1992 ), which starred Robert Downey, Jr. as Chaplin and also included Chaplin's oldest daughter Geraldine Chaplin playing his mother, Hannah Chaplin.
Although the film had originally been released in 1952, due to Chaplin's political difficulties at the time, it did not play for one week in Los Angeles, and thus did not meet the criterion for nomination until it was re-released in 1972.
In addition to composing new film scores, Timothy Brock has restored many of Charlie Chaplin's scores.
An early notable war film is Charlie Chaplin's Shoulder Arms made in 1918.
Among Loren's best-known films of this period are Samuel Bronston's epic production of El Cid ( 1961 ) with Charlton Heston, The Millionairess ( 1960 ) with Peter Sellers, It Started in Naples ( 1960 ) with Clark Gable, Vittorio De Sica's triptych Yesterday, Today, and Tomorrow ( 1963 ) with Marcello Mastroianni, Peter Ustinov's Lady L ( 1965 ) with Paul Newman, the 1966 classic Arabesque with Gregory Peck, and Charlie Chaplin's final film, A Countess from Hong Kong ( 1967 ) with Marlon Brando.
Having been the only Hollywood film maker to continue to make silent films well into the period of sound films, this was Chaplin's first true talking picture as well as his most commercially successful film.
Chaplin's film followed only a few months after Hollywood's first parody of Hitler, the short subject You Nazty Spy by the Three Stooges, although Chaplin had been planning it for years before.
It is suspected Chaplin's decision to go ahead with making The Great Dictator was finalized by his viewing of Riefenstahl's film.

Chaplin's and controversial
Making a comedy about Hitler was seen as highly controversial, but Chaplin's financial independence allowed him to take the risk.
Moe's impersonation of Adolf Hitler highlighted these shorts, the first of which preceded Charlie Chaplin's controversial film satire, The Great Dictator, by months.

Chaplin's and Adolf
The film was inspired by the noted similarity between Chaplin's appearance ( most notably his small mustache ) and that of German dictator Adolf Hitler.
Chapulín was a hero of undetermined geographic and temporal location: his adventures could unfold in the American Old West, in ancient China, in London, in the Swiss Alps, during the Spanish Inquisition, in pirate ships, in Nazi Germany ( an episode in which Chespirito played a double role as Chapulín and as Adolf Hitler himself, in the style of Charles Chaplin's The Great Dictator ) or outer space, and his enemies range from the Yeti to Egyptian mummies, including his interaction, in some occasions, with literary characters such as Romeo and Juliet (" Juleo y Rumieta ", or literally " Juleo and Rumiet ").

Chaplin's and Hitler
It was widely noted that Hitler wore the same toothbrush moustache as the Tramp, and it was this physical resemblance that formed the basis of Chaplin's story.
As Hitler and his Nazi Party rose to prominence, Chaplin's popularity throughout the world became greater than ever ; he was mobbed by fans on a 1931 trip to Berlin, which annoyed the Nazis, who published a book in 1934 titled The Jews Are Looking at You, in which the comedian was described as " a disgusting Jewish acrobat " ( despite the fact that Chaplin was not Jewish ).
Charlie Chaplin's son Charles Chaplin, Jr. describes how his father was haunted by the similar backgrounds of Hitler and himself.
The original idea behind his 2009 show, Hitler Moustache, was to see if he " could reclaim the toothbrush moustache for comedy – it was Chaplin's first, then Hitler ruined it.
In 2009, British comedian Richard Herring created a stand-up show titled Hitler Moustache, to see if he " could reclaim the toothbrush moustache for comedy — it was Chaplin's first, then Hitler ruined it.

Chaplin's and whom
Like Chaplin's various incarnations, all of whom bear some resemblance to the Little Tramp, these characters, though singular and independent creations, must undoubtedly have struck their audiences as Pierrot-like.

Chaplin's and with
Chaplin's childhood was fraught with poverty and hardship, prompting biographer David Robinson to describe his eventual trajectory as " the most dramatic of all the rags to riches stories ever told.
Chaplin's speciality with the company was a burlesque of Dick Turpin and the music hall star " Dr. Bodie ".
Chaplin's most successful role with the Karno company was a drunk called the Inebriate Swell, a character recognised by Robinson as " very Chaplinesque ".
Chaplin's second American tour with the Karno company was not particularly successful, as cast members fell sick and audiences failed to grasp the troupe's burlesque humour.
They had been there six months when Chaplin's manager received a telegram, asking " Is there a man named Chaffin in your company or something like that " with the request that that this comedian contact the New York Motion Picture Company.
Mutual were patient with Chaplin's decreased rate of output, and the contract ended amicably.
Chaplin's unhappiness with the union was matched by his dissatisfaction with First National.
It earned less at the box office than his previous features and received mixed reviews ; some viewers were displeased with Chaplin's politicising.
Chaplin's brief involvement with Barry caused him much trouble and controversy.
Chaplin's second wife, Lita Grey, later asserted that Chaplin had paid corrupt government officials to tamper with the blood test results.
Hoover learned of the trip and negotiated with the Immigration and Naturalization Service to revoke Chaplin's re-entry permit.
After she refused to pay the ransom, they started to threaten Chaplin's youngest children with violence.
Chaplin's years with the Fred Karno company had a formative effect on him as an actor and filmmaker ; Simon Louvish writes that the company was his " training ground ".
The concept of mixing pathos with comedy was likely learnt from Karno: Stan Laurel, Chaplin's co-performer at the company, remembered that Karno's sketches regularly inserted " a bit of sentiment right in the middle of a funny music hall turn ".
Chaplin's 100th birthday anniversary in 1989 was celebrated with several events.
The honour had already been proposed in 1931 and 1956, but was vetoed after a Foreign Office report raised concerns over Chaplin's political views and private life ; it was felt that honouring him would damage both the reputation of the British honours system and relations with the United States.

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