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Charles H. Lippy ( 2006 ) defines the term as follows: " the term " mainline Protestant " is used along with " mainstream Protestant " and " oldline Protestant " to categorize denominations that are affiliated with the National Council of Churches and have deep historic roots in and long-standing influence on American society.
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Common meter hymns were interchangeable with a variety of tunes ; more than twenty musical settings of " Amazing Grace " circulated with varying popularity until 1835 when William Walker assigned Newton's words to a traditional song named " New Britain ", which was itself an amalgamation of two melodies (" Gallaher " and " St. Mary ") first published in the Columbian Harmony by Charles H. Spilman and Benjamin Shaw ( Cincinnati, 1829 ).
Throughout the 1970s and early 1980s, De Palma worked repeatedly with actors Jennifer Salt, Amy Irving, Nancy Allen ( his wife from 1979 to 1983 ), Gary Sinise, John Lithgow, William Finley, Charles Durning, Gerrit Graham, cinematographers Stephen H. Burum and Vilmos Zsigmond ( see List of noted film director and cinematographer collaborations ), set designer Jack Fisk, and composers Bernard Herrmann, John Williams and Pino Donaggio.
Eliade and his student, Charles H. Long, developed a classification based on some common motifs that reappear in stories the world over.
Charles H. Long writes, " The beings referred to in the myth -- gods, animals, plants -- are forms of power grasped existentially.
* Charles H. Lippy, The Christadelphians in North America Studies in American Religion Volume 43 ( Lewiston / Queenston: Edwin Mellen Press, 1989 ISBN 0-88946-647-5 ).
Soon enough, as Charles H. Baker, Jr. points out in his Gentlemen's Companion of 1934, the Cuba Libre " caught on everywhere throughout
Forth evolved from Charles H. Moore's personal programming system, which had been in continuous development since 1958.
After a brief sojourn in Germany, Bopp travelled to London where he made the acquaintance of Sir Charles Wilkins and H. T. Colebrooke.
In an autobiographical piece that Orwell sent to the editors of Twentieth Century Authors in 1940, he wrote: " The writers I care about most and never grow tired of are: Shakespeare, Swift, Fielding, Dickens, Charles Reade, Flaubert and, among modern writers, James Joyce, T. S. Eliot and D. H. Lawrence.
* Andrew Migliore and John Strysik's Lurker in the Lobby: The Guide to the Cinema of H. P. Lovecraft and Charles P. Mitchell's The Complete H. P. Lovecraft Filmography both discuss films containing Lovecraftian elements.
Chicago: Charles H. Kerr Publishing Co., 1907, contains an early defense of the materialist conception of history against its critics of the day
* Boalch, Donald H. ( 1995 ) Makers of the Harpsichord and Clavichord, 1440 – 1840, 3rd ed., with updates by Andreas H. Roth and Charles Mould, Oxford University Press, ISBN 0-19-318429-X.
He boasted of having Democratic friends such as William H. Gray III, Charles B. Rangel and Robert Garcia.
Charles and .
Just then Charles Lever yelled, `` Hey, Jack '', from the quarry road which ran behind the Carter house, and Jack grabbed the lunch from the table and darted out the kitchen door, yelling `` Good-bye, Mom '' over his shoulder.
Charles, also fifteen, was tall and skinny, scraggly, with straight black hair like an Indian's and sharp brown eyes.
Charles said as they picked their way over the rocky road which led up the hill away from the Dixie Highway, through a corn field and a patch of woods to the school.
He said, lapsing into the profanity he often used when away from his parents and especially when he was with Charles.
He could think of nothing else save his mental image of her nude figure and what Charles had said that morning about Margaret Rider.
Occasionally he would look across the aisle at Margaret, fourteen and demure in a fresh green organdy dress, sitting in the sixth-grade row, and he could hardly believe she would do what Charles had said she did.
At noontime, remembering what the teacher had said about maybe playing with the kids, Jack stayed close to the schoolhouse while all the other big boys, except Charles, went off out the road to play ball.
He asked Charles suspiciously as they sat in the well-house shade, watching the girls congregate in front of the schoolhouse.
An approach that has appealed to some choreographers is reminiscent of Charles Olson's statement of the process of projective verse: `` one perception must immediately and directly lead to a further perception ''.
With the first of a group of historical novels, The Charles Men ( Karolinerna ), published in 1897-8, he achieved the masterpiece of his career.
Though it centers around the brilliant and enigmatic figure of Charles 12,, the true hero is not finally the king himself.
The Charles Men consists not of a connected narrative but of a group of short stories, each depicting a special phase of the general subject.
The Charles Men has a tremendous range of characters, of common folk even more than of major figures.
The first half of The Charles Men, ending on the climax of the battle of Poltava in 1709, is more dramatically coherent than the second.
In `` The King's Ride '', Charles breaks out of a long period of petulance and inertia, regains his old self, escapes from Turkey, and finally reaches his own land after an absence of eighteen years.
The guns are fired, the hymns are sung, and the body of Charles is carried down to the vault and laid beside the tombs of his ancestors.
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