Cited in Nattiez ( 1987 ).

Cited in Nattiez ( 1987 ).

Cited in Nattiez ( 1987 ).

Cited in Middleton, Richard ( 1990 / 2002 ).

Cited in Middleton ( 1990 ).

* Family F, Dynamic Scaling and Phase-Transitions in Interface Growth Physica A 168 ( 1 ): 561-580 Sep 1 1990 ( Times Cited: 259 )

* Amar J, Family F, Numerical-Solution of A Continuum Equation for Interface Growth in 2 + 1 Dimensions Physical Review A 41 ( 6 ): 3399-3402 Mar 15 1990 ( Times Cited: 137 )

Cited in Bauer, Amy ( 2004 ).

Cited in Moorefield ( 2005 ).

Cited in Spadotto ( 2007 ).

Cited in Levey ( 1964 ).

This style of citations and bibliographical format uses parenthetical referencing with author-page ( Smith 395 ) or author-title-page ( Smith, Contingencies 42 ) in the case of more than one work by the same author within parentheses in the text, keyed to an alphabetical list of sources on a " Works Cited " page at the end of the paper, as well as notes ( footnotes or endnotes ).

Cited in Negus, Keith ( 1996 ).

Cited in Negus, Keith ( 1996 ).

Cited in Negus, Keith ( 1996 ).

Cited in Petersen, ( 2002 ).

* Cited as one of New Jersey's ten " architectural treasures " by New Jersey Monthly ( April 1999 ).

Recueil des Historiens des Croisades, Cited in Petersen ( 2001 ).

Cited in Petersen ( 2002 ).

Cited in Tomic, W. & Kingma, J ( 1996 ).

Cited as especially important were unequal distribution of wealth ( the explanation perhaps favored by liberals ) and family disintegration ( the explanation perhaps favored by conservatives ).

* Boldt Castle-Gift of Love: A site with many images and much information ; Cited in Malo's book ( see " References " above ).

* Cited in the Order Of The Day of the Belgian Army for action in the Ardennes ( 424th Infantry cited per DA GO 43, 1950 ).

* Cited in the Order Of The Day of the Belgian Army for action at St Vith ( 424th Infantry cited per DA GO 43, 1950 ).

Cited in Swain, Joseph P. ( 2002 ).

Cited in Middleton ( 2002 ).

* Nattiez, Jean-Jacques.

" Musicologist Jean-Jacques Nattiez summarizes the relativist, post-modern viewpoint: " The border between music and noise is always culturally defined — which implies that, even within a single society, this border does not always pass through the same place ; in short, there is rarely a consensus ... By all accounts there is no single and intercultural universal concept defining what music might be.

A more extreme view is offered by Jean-Jacques Nattiez ( 1987 ; trans.

This process of discretization or segmentation is often considered, as by Jean-Jacques Nattiez ( 1990 ), necessary for music to become accessible to analysis.

The French musicologist Jean-Jacques Nattiez contends that ‘ the narrative, strictly speaking, is not in the music, but in the plot imagined and constructed by the listeners ’.

* Nattiez, Jean-Jacques.

* Nattiez, Jean-Jacques ( 1987 ).

Jean-Jacques Nattiez writes that musical analyses are determined by analytical situations especially in regard to the tripartition, plots, and transcendent principles.

* Nattiez, Jean-Jacques ( 1990 ).

* Nattiez, Jean-Jacques ( 1987 ).

Jean-Jacques Nattiez, OC, CQ, FRSC ( born December 30, 1945, Amiens, France ) is a musical semiologist or semiotician and professor of Musicology at the Université de Montréal.

fr: Jean-Jacques Nattiez

it: Jean-Jacques Nattiez

In the opinion of Jean-Jacques Nattiez, " in the last analysis, it is a human being who decides what is and is not musical, even when the sound is not of human origin.

His students include Jean-Jacques Nattiez.

# REDIRECT Jean-Jacques Nattiez

* Nattiez, Jean-Jacques ( 1990 ).

* Nattiez, Jean-Jacques ( 1990 ).

* Nattiez, Jean-Jacques ( 1990 ).

* Nattiez, Jean-Jacques ( 1990 ).

* Nattiez, Jean-Jacques ( 1990 ).

Writers on music semiology include Kofi Agawu ( on topical theory, Schenkerian analysis ), Robert Hatten ( on topic, gesture ), Raymond Monelle ( on topic, musical meaning ), Jean-Jacques Nattiez ( on introversive taxonomic analysis and ethnomusicological applications ), Anthony Newcomb ( on narrativity ), and Eero Tarasti ( generally considered the founder of musical semiotics ).

* Nattiez, Jean-Jacques ( 1987 ).