Clement Greenberg, for instance, argued in 1960 that each artistic medium should seek that which makes it unique among the possible mediums and then purify itself of anything other than expression of its own uniqueness as a form.

* Greenberg, Clement ( 1960 ), " Modernist Painting ", The Collected Essays and Criticism 1957-1969, The University of Chicago Press, 1993, 85-92.

* Clement Greenberg

The critic Clement Greenberg, with Jackson Pollock, saw Sobel's work there in 1946, and in his essay " American-Type ' Painting " Greenberg cited those works as the first instance of all-over painting he had seen, stating that " Pollock admitted that these pictures had made an impression on him ".

He became friends with Louis, and after being introduced by Clement Greenberg to Helen Frankenthaler and seeing her new paintings at her studio in New York City in 1953 he and Louis adopted her “ soak-stain ” technique of allowing thinned paint to soak into unprimed canvases.

In 1964 he was included in the exhibition Post-Painterly Abstraction curated by Clement Greenberg which traveled the country and helped to firmly establish Color Field painting as an important new movement in the contemporary art of the 1960s.

* Clement Greenberg

" On the other hand Clement Greenberg called Immanuel Kant ( 1724 – 1804 ) " the first real Modernist ", though he also wrote, " What can be safely called Modernism emerged in the middle of the last century — and rather locally, in France, with Baudelaire in literature and Manet in painting, and perhaps with Flaubert, too, in prose fiction.

< http :// www. oxfordreference. com > 27 October 2011 </ ref > Clement Greenberg sees modernism ending in the 1930s, with the exception of the visual and performing arts, but with regard to music, Paul Griffiths notes that, while modernism " seemed to be a spent force " by the late 1920s, after World War II, " a new generation of composers-Boulez, Barraqué, Babbitt, Nono, Stockhausen, Xenakis " revived modernism .< ref > Paul Griffiths " modernism " The Oxford Companion to Music.

Clement Greenberg became the voice of post-painterly Abstraction when he curated an influential exhibition of new painting that toured important art museums throughout the United States in 1964.

The art critic Clement Greenberg expounded this theory of modernism in his essay Avant-Garde and Kitsch.

By the Second World War, the taste of the American avant-garde in New York City swung decisively towards Abstract Expressionism with the support of key taste makers, including Peggy Guggenheim, Leo Steinberg and Clement Greenberg.

The assertion that the Cubist depiction of space, mass and volume supports ( rather than contradicts ) the flatness of the canvas was made by Daniel-Henry Kahnweiler ( as early as 1920 ,) but it was subject to criticism in the 1950s and 1960s, especially by Clement Greenberg.

Bürger's essay also greatly influenced the work of contemporary American art historians such as Benjamin H. D. Buchloh, while older critics like Bürger continue to view the postwar neo-avant-garde as the empty recycling of forms and strategies from the first two decades of the twentieth century, others like Clement Greenberg view it, more positively, as a new articulation of the specific conditions of cultural production in the postwar period.

Many writers, critics and theorists made assertions about vanguard culture during the formative years of modernism, although the initial definitive statement on the avant-garde was the essay Avant-Garde and Kitsch by New York art critic Clement Greenberg, published in Partisan Review in 1939.

Trying to strike a balance between the insights of Renato Poggioli and the claims of Clement Greenberg, Rosenberg suggested that from the mid-1960s onward progressive culture ceased to fulfill its former adversarial role.

The word, kitsch, was popularized in the 1930s by the art theorists Theodor Adorno, Hermann Broch, and Clement Greenberg, who each sought to define avant-garde and kitsch as opposites.

* Greenberg, Clement ( 1978 ).

* Avant-Garde and Kitsch — essay by Clement Greenberg

While New York and the world were yet unfamiliar with the New York avant-garde by the late 1940s, most of the artists who have become household names today had their well established patron critics: Clement Greenberg advocated Jackson Pollock and the color field painters like Clyfford Still, Mark Rothko, Barnett Newman, Adolph Gottlieb and Hans Hofmann.

Strangely the person thought to have had most to do with the promotion of this style was a New York Trotskyite Clement Greenberg.

Clement Greenberg proclaimed abstract expressionism and Jackson Pollock in particular as the epitome of aesthetic value.

Meyer Schapiro, and Leo Steinberg along with Clement Greenberg and Harold Rosenberg were important art historians of the post-war era who voiced support for abstract expressionism.

The gradual evolution of consensus about the meaning of Carl Andre's art can be found in About Carl Andre: Critical Texts Since 1965, published by Ridinghouse in 2008. The most significant essays and exhibition reviews have been collated into one volume, including texts written by some of the most influential art historians and critics: Clement Greenberg, Donald Kuspit, Lucy R. Lippard, Robert C. Morgan, Barbara Rose and Roberta Smith.

" Even Thatcher herself wrote in her 1995 memoirs, which charted her beginnings in Grantham to her victory in the 1979 General Election, that she admired Attlee, writing: " Of Clement Attlee, however, I was an admirer.

In 211, Alexander of Jerusalem wrote a letter commending him to the Church of Antioch, which may imply that Clement was living in in Cappadocia at that time.

In this fragment, Clement of Alexandria explains that Mark, during Peter's stay in Rome wrote an account of the life of Jesus.

Clement of Rome wrote in a letter to the Corinthians, c. 96 about the persecution of Christians in Rome as the " struggles in our time " and presented to the Corinthians its heroes, " first, the greatest and most just columns ", the " good apostles " Peter and Paul.

St. Ignatius of Antioch wrote shortly after Clement and in his letter from the city of Smyrna to the Romans he said he would not command them as Peter and Paul did.

Clement I at the end of the 1st century wrote an epistle to the Church in Corinth intervening in a major dispute, and apologizing for not having taken action earlier.

He shows familiarity with Proclus, which indicates he wrote no earlier than the 5th century, as well as influence from Saint Clement of Alexandria, the Cappadocian Fathers, Origen of Alexandria, and others.

Finally, in February 1311, Philip IV wrote to Clement V abandoning the process to the future council of Vienne.

In 1530, he wrote The Practyse of Prelates, opposing Henry VIII's planned divorce from Catherine of Aragon, in favour of Anne Boleyn, on the grounds that it was unscriptural and was a plot by Cardinal Wolsey to get Henry entangled in the papal courts of Pope Clement VII.

It also states that he wrote two letters ( though the second letter, 2 Clement, is no longer ascribed to him ) and that he died in Greece in the third year of Emperor Trajan's reign, or 101 AD.

As a result, these bishops wrote to Clement IX, arguing that the infallibility of the Church applied only to matters of revelation, and not to matters of fact.

Ever since the 2nd century, some bishoprics in the Eastern Roman Empire had counted years from the birth of Christ, but there was no agreement on the correct epoch — Clement of Alexandria () and Eusebius of Caesarea () wrote about these attempts.

The Yorkshire branch later threatened a strike over the Government's plans for Wentworth, and Joe Hall wrote personally to Clement Attlee in a futile attempt to stop the mining.

Also buried there is poet Clement Clark Moore, who wrote "' Twas the Night Before Christmas ".

The American historian Henry Charles Lea wrote: " Even in distant Germany Philippe's death was spoken of as a retribution for his destruction of the Templars, and Clement was described as shedding tears of remorse on his death-bed for three great crimes, the poisoning of Henry VI, Holy Roman Emperor, and the ruin of the Templars and Beguines ".

* Clement of Alexandria: Theologian and apologist who wrote on Greek philosophy, using ideas from pagan literature, Stoic and Platonic philosophy, and Gnosticism to argue for Christianity

Beethoven wrote the concerto for his colleague Franz Clement, a leading violinist of the day, who had earlier given him helpful advice on his opera Fidelio.

By the second and third centuries, such Church Fathers as Clement of Alexandria, Origen, and Tertullian wrote of the practice of Morning and Evening Prayer, and of the prayers at terce, sext, and none.

Cohen brought on board strong editors who themselves wrote important essays, including Irving Kristol ; art critic Clement Greenberg ; film and cultural critic Robert Warshow ; and sociologist Nathan Glazer.

During this period he wrote, among other treatises, monographs on Clement of Alexandria, Hilary of Poitiers and Martin of Tours.

Auf Wiedersehen, Pet was created by Franc Roddam, and was mostly written by Dick Clement and Ian La Frenais, who also wrote The Likely Lads, Whatever Happened to the Likely Lads?

The influential critic Clement Greenberg wrote enthusiastically about him, but it was not until the end of his life that he began to be taken really seriously.

* At about the same time, St. Clement of Alexandria ( about 150 — 215 ), wrote: " Yea, I say, the Word of God became a man so that you might learn from a man how to become a god.

The National Law Journal wrote, " turn of events leaves unanswered a myriad of questions about the status of Clement's other cases and clients, and the future of King & Spalding's D. C. appellate practice, which was built around Clement.