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Cocteau's and films
Jean Cocteau was one of the artists who exerted significant influences on Godard's films, and parallels between Alphaville and Cocteau's 1950 film Orpheus are evident.
Grave of Georges AuricEspecially notable among his film music is the lavishly impressionistic score that he wrote for Jean Cocteau's Beauty and the Beast ( 1946 ); other films include Passport to Pimlico ( 1948 ), Silent Dust ( 1949 ), The Lavender Hill Mob ( 1951 ), Moulin Rouge ( 1952 ), The Titfield Thunderbolt ( 1953 ), Roman Holiday ( 1953 ), The Wages of Fear ( 1953 ), The Divided Heart ( 1954 ), Lola Montes ( 1955 ), Rififi ( 1956 ), The Hunchback of Notre Dame ( 1956 ), Bonjour Tristesse ( 1958 ), The Night Heaven Fell ( 1958 ), Goodbye Again ( 1961 ), and Therese and Isabelle ( 1968 ).

Cocteau's and most
However, his most important, career-defining role came in 1934, when Jean Cocteau's play, La Machine infernale ( The Infernal Machine ), was released.

Cocteau's and which
In Jean Cocteau's 1946 film La Belle et la Bête it is Diana's power which has transformed and imprisoned the beast.
Five of the members jointly composed the music for Cocteau's ballet Les mariés de la tour Eiffel, which was produced by the Ballets suédois, the rival to the Ballet Russes.
The publication of Jean Cocteau's manifesto Le coq et l ' Arlequin resulted in Henri Collet's media articles that led to instant fame for the group, of which Tailleferre was the only female member.
West made his London stage debut in February 1989 at the Orange Tree Theatre, playing Michael in Cocteau's Les Parents Terribles, of which critic John Thaxter wrote: " He invests the role with a warmth and validity that silences sniggers that could so easily greet a lesser performance of this difficult role, and he lets us share the tumbling emotions of a juvenile torn between romantic first love and filial duty.
The latter film, based on Jean Cocteau's play about a woman desperately trying to salvage a relationship over the telephone, is remarkable for the ways in which Magnani's powerful moments of silence segue into cries of despair.
This film is the central part of Cocteau's Orphic Trilogy, which consists of The Blood of a Poet ( 1930 ), Orpheus ( 1950 ) and Testament of Orpheus ( 1960 ).

Cocteau's and wrote
In 1994, Philip Glass wrote an opera, " La Belle et la Bête ", based on Cocteau's film.
After Cocteau's death, Marais wrote a memoir of Cocteau, L ' Inconcevable Jean Cocteau, attributing authorship to " Cocteau-Marais.

Cocteau's and directed
Law went on to appear as Michael in the West End production of Jean Cocteau's tragicomedy Les Parents terribles, directed by Sean Mathias.

Cocteau's and were
In the 1930s, Cocteau had an affair with Princess Natalie Paley, the daughter of a Romanov grand duke and herself a sometime actress, model, and former wife of couturier Lucien Lelong .. Cocteau's longest-lasting relationships were with the French actors Jean Marais and Édouard Dermit, whom Cocteau formally adopted.
The disembodied torch-carrying arms, for example, recall those in Cocteau's La Belle et La Bête, the dragon suggests that in Walt Disney's Sleeping Beauty, and Pendragon's witches and demons were probably inspired by the banshees in Disney's Darby O ' Gill and the Little People.

Cocteau's and avant-garde
As a young student of at the Paris Conservatory in 1920, and, considered avant-garde, Auric became part of Satie and Cocteau's famous group Les Six, and was friends with the artist Jean Hugo.

Cocteau's and French
In the 1950s, Simon was romantically involved with the French banker and racehorse owner / breeder Alec Weisweiller whose wife Francine was one of Jean Cocteau's patrons.

Cocteau's and New
She then returned to the West End ( briefly returning to the Old Vic to play Emilia in their 1938 Othello ), notably playing Edith Gunter in Dodie Smith's Autumn Crocus ( Lyric, 1931 ), the Countess of Rousillon in All's Well That Ends Well ( Arts, 1932 ), Lady Strawholme in Ivor Novello's Fresh Fields ( Criterion, 1933 ), Liz Frobisher in John Van Druten's The Distaff Side ( Apollo, 1933 ), Barbara Dawe in Clemence Dane's Moonlight is Silver ( Queen's, 1934 ), Theodora in Elmer Rice's Not for Children ( Fortune, 1935 ), Masha in Chekhov's The Seagull ( New Theatre, 1936 ), the Mother in an English-language version of Garcia Lorca's Bodas de sangre entitled Marriage of Blood ( Savoy, 1939 ), Léonie in Jean Cocteau's Les Parents terribles ( Gate, 1940 ), Mrs Cheveley in Oscar Wilde's An Ideal Husband ( Westminster, 1943 ), and Cornelia in John Webster's The White Devil ( Duchess, 1947 ).

Cocteau's and .
There is disagreement over Cocteau's reaction to Radiguet's sudden death in 1923, with some claiming that it left him stunned, despondent and prey to opium addiction.
Cocteau's opium use and his efforts to stop profoundly changed his literary style.
Cocteau's experiments with the human voice peaked with his play La Voix humaine.
Reviews varied at the time and since but whatever the critique, the play represents Cocteau's state of mind and feelings towards his actors at the time: on the one hand, he wanted to spoil and please them ; on the other, he was fed up by their diva antics and was ready for revenge.
Biographer James S. Williams describes Cocteau's politics as " naturally Right-leaning.
" During the Nazi occupation of France, Cocteau's friend Arno Breker convinced him that Adolf Hitler was a pacifist and patron of the arts with France's best interests in mind.
In 1940, Le Bel Indifférent, Cocteau's play written for and starring Édith Piaf, was enormously successful.
Cocteau's illness and 1963 death put an end to this project.
The film was shot by the 77 year-old cinematographer Henri Alekan, who had worked on Jean Cocteau's La Belle et la Bête.
Jean Cocteau's Orphée, a film central to his Orphic Trilogy, starred Jean Marais and was released in 1950.
When Alpha 60 is destroyed, for instance, people stagger down labyrinthine corridors or cling blindly to the walls like the inhabitants of Cocteau's " Zone de la mort ", and, at the end of the film, Caution tells Natasha not to look back.
This work was followed by La voix humaine ( 1958 ), a lyric tragedy based on Cocteau's play.
In 1923, Poulenc was " unable to do anything " for two days after the death from typhoid fever of twenty-year-old novelist Raymond Radiguet, Jean Cocteau's lover.
The furor was so great that the premiere of another film financed by the de Noailles, Jean Cocteau's The Blood of a Poet, had to be delayed for over two years until outrage over L ' Age d ' Or had died down.

films and most
Moreover, the most artistically successful of the nonfiction films have invariably borrowed the narrative form from the fiction feature.
Of the two, Porter is justly the better known, for he went far beyond the vital finding of fiction for films to take the first step toward fashioning a language of film, toward making the motion picture the intricate, efficient time machine that it has remained since, even in the most inept hands.
Regarded as one of the most important and influential filmmakers in the history of cinema, Kurosawa directed 30 films in a career spanning 57 years.
In the last of Kurosawa's films as an assistant director, Horse ( Uma, 1941 ), Kurosawa took over most of the production, as Yamamoto was occupied with the shooting of another film.
Howard Hawks legitimized this style in his films, allowing characters to act, even when not talking, when most of the audience would not be paying attention.
The most investigated example is represented by thin multicrystalline silicon films, where such as the unoriented molecule. An initial amorphous layer was observed in many studies.
For many film-goers, De Palma's gangster films, most notably Scarface and Carlito's Way, pushed the envelope of violence and depravity, and yet greatly vary from one another in both style and content and also illustrate De Palma's evolution as a film-maker.
He also includes Ed Wood's claim that one of his films made a profit and surmises that it was most likely Bride of the Monster, but that Wood had oversold the film and could not reimburse the backers.
He became the most famous film star in the world before the end of World War I. Chaplin used mime, slapstick and other visual comedy routines, and continued well into the era of the talkies, though his films decreased in frequency from the end of the 1920s.
From the April 1914 one-reeler Twenty Minutes of Love onwards he was writing and directing most of his films, by 1916 he was also producing them, and from 1918 he was even composing the music for them.
This is one reason why Chaplin took so much longer to complete his films than most other filmmakers at the time.
Although most of Chaplin's films are characterised as comedies, most of them also employ strong elements of drama and even tragedy.
Sci-fi comedy films, like most hybrid genre of comedy use the elements of science fiction films to over the top extremes and exaggerated science fiction stereotypical characters.
One of the most successful of the 1990s generation of cult films was the Australian drag queen road saga The Adventures of Priscilla, Queen of the Desert ( 1994 ).
The most common use of cutaway shots in dramatic films are to adjust the pace of the main action, to conceal the deletion of some unwanted part of the main shot, or to allow the joining of parts of two versions of that shot.
Rather " loose " plots and a lack of continuity editing made most early films rife with such errors.
Among his best-known films are Cleopatra ; Samson and Delilah ; The Greatest Show on Earth, which won the Academy Award for Best Picture ; and The Ten Commandments, which was his last and most successful film.
Marker then began work on one of his most ambitious films, A Grin Without a Cat, released in 1977.
One of the most famous cyborgs is Darth Vader from the Star Wars films.
While " animation " designates any style of illustrated images seen in rapid succession to give the impression of movement, the word " cartoon " is most often used in reference to TV programs and short films for children featuring anthropomorphized animals, superheroes, the adventures of child protagonists and related genres.
He is most widely known in Hollywood for having written, directed and starred in several improvisational " mockumentary " films that feature a repertory-like ensemble cast.
Charles Martin " Chuck " Jones ( September 21, 1912 – February 22, 2002 ) was an American animator, cartoon artist, screenwriter, producer, and director of animated films, most memorably of Looney Tunes and Merrie Melodies shorts for the Warner Bros. Cartoons studio.
It is considered important by film historians as one of the first feature length American films ( most previous films had been less than one hour long ), and it changed the industry's standard in a way still influential today .< ref >

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