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Contemporary and engraving
Contemporary engraving of the conclusion of the peace at Breda Castle.
Contemporary engraving of Marseille during the Great Plague of Marseille | Great Plague of 1720.
Contemporary wood engraving depicting the Kaiserdeputation
Contemporary engraving of the conclusion of the peace at Breda Castle
Contemporary engraving of Henry Gray by Wenceslas Hollar
In the 1950s the museum increased its didactic performance, creating the Institute of Contemporary Art ( offering workshops of engraving, drawing, painting, sculpture, dance and industrial design ), the Publicity School ( presently Superior School of Propaganda and Marketing ), organizing debates about cinema and literature and creating a juvenile orchestra and a ballet company.
Contemporary, colored wood engraving.
: Contemporary engraving from a photograph by Elliott & Fry
Contemporary engraving of Philips van Almonde
The exhibition, which featured specially built in-gallery screening rooms for Conner's films as well as selected assemblages, felt-tip pen and inkblot drawings, engraving collages, photograms, and conceptual pieces, was seen at the Walker, the Modern Art Museum in Fort Worth, the de Young in San Francisco, and the Museum of Contemporary Art in Los Angeles.
Contemporary engraving.
Contemporary 18th-century engravings present different variations of the type ( notably, Alexey Zubov's 1711 engraving showing troops marching through seven different gates ).

Contemporary and Daniel
* Daniel Breazeale and Thomas Rockmore ( eds ) Fichte: Historical Contexts / Contemporary Controversies.
The article was originally published in 1974 in The Philosophical Review, and has been reprinted several times, including in The Mind's I ( edited by Daniel Dennett and Douglas Hofstadter ), Readings in the Philosophy of Psychology ( edited by Ned Block ), Nagel's Mortal Questions ( 1979 ), The Nature of Mind ( edited by David M. Rosenthal ), and Philosophy of Mind: Classical and Contemporary Readings ( edited by David J. Chalmers ).
* Marowski, Daniel G. and Stine, Jean C. “ John W ( ood ) Campbell, Jr. ( 1910-1971 ).” Contemporary Literary Criticism.
Contemporary compatibilists range from the philosopher and cognitive scientist Daniel Dennett, particularly in his works, Elbow Room ( 1984 ), and Freedom Evolves ( 2003 ); to the existentialist philosopher Frithjof Bergmann.
Contemporary philosophers who have argued for this sort of account include J. J. C. Smart and Daniel Dennett.
* The Dead Sea Scrolls in the Historiography and Self-Image of Contemporary Karaites ( Daniel J. Lasker ) Dead Sea Discoveries, Nov 2002, Vol.
* 1993: Contributor: " Canto IV ", Dante's Inferno: Translations by Twenty Contemporary Poets edited by Daniel Halpern, Harper Perennial
* Breaking Open the Head: A Psychedelic Journey into the Heart of Contemporary Shaminism by Daniel Pinchbeck
* Breaking Open the Head: A Psychedelic Journey into the Heart of Contemporary Shaminism by Daniel Pinchbeck
" I Need An Angel " is the title of a song by singer Daniel DeBourg released on his Tell the World album in 2002, that made # 30 on the Billboard Hot Adult Contemporary Tracks chart.
*" The Twin-Sisters "-" Der Tsvilingl " Text: Avrum Sutzkever, Music: Daniel Galay, Narrator ( Yiddish ) Micahel Ben-Avraham, The Israeli String Quartet for Contemporary Music ( Violin, Viola, Cello ) Percussion, piano.
Breaking Open the Head: A Psychedelic Journey into the Heart of Contemporary Shamanism is a book written by author and journalist Daniel Pinchbeck, founding editor of the literary journal Open City.
Similar examples are the Imperial War Museum North ( 2002 ), Greater Manchester, UK, by Daniel Libeskind, the Kiasma Museum of Contemporary Art, Helsinki, Finland, by Steven Holl, and the Seattle Central Library ( 2004 ), Washington state, United States, by OMA.
< li > Xavier, Ismail ( 2000 ), " Cinema Novo ", in Balderston, Daniel ; Gonzalez, Mike ; Lopez, Ana M., Encyclopedia of Contemporary Latin American and Caribbean Cultures, London: Routledge.
* Daniel Hoffman ’ s " Harvard Guide to Contemporary American Writing " ( 1979 )

Contemporary and left
Gregory appealed to the Normans Contemporary illustration of Henry IV ( left ) and Anti-pope Clement III ( center ).
Contemporary authors severely criticised this treaty, which was considered shameful to the Romans and left the deaths of Sabinus and Fuscus unavenged.
Two of the major institutions dealing with political science-the Institute of Contemporary Social Theories and the Institute of International Affairs-were disbanded, and most of their members were actually left without jobs and had to look for new professional careers.
From left to right: György Ligeti, Lucas Ligeti, Mrs. György Ligeti, Conlon Nancarrow, and Michael Daugherty at the International Society for Contemporary Music | ISCM World Music Days in Graz, Austria, 1982
Contemporary left communist theory defends that Lenin was mistaken on his definition of imperialism ( although how grave his mistake was and how much of his work on imperialism is valid varies from groups to groups ) and Rosa Luxemburg to be basically correct on this question, thus accepting capitalism as a world epoch similarly to Lenin, but a world epoch from which no capitalist state can oppose or avoid being a part of.
In 1870 he succeeded Dean Alford as editor of the Contemporary Review, but left it in 1877 owing to the objection of the proprietors to the insertion of articles ( by W. K. Clifford notably ) attacking Theism and founded the Nineteenth Century ( to the title of which, in 1901, were added the words And After ).
" Archbishop Manning in the chair was flanked by two Protestant bishops right and left ; on my right was Hutton, editor of the Spectator, an Arian ; then came Father Dalgairns, a very able Roman Catholic priest ; opposite him Lord A. Russell, a Deist ; then two Scotch metaphysical writers, Freethinkers ; then Knowles, the very broad editor of the Contemporary ; then, dressed as a layman and looking like a country squire, was Ward, formerly Rev.
Rook and several of the on air personalities left in the early-1980s with KFI softening to a more Adult top 40 format ( sort of in between Top 40 and adult Contemporary ).
Anointed is a Contemporary Christian music duo from Columbus, Ohio, known for their strong vocals and harmonies, featuring siblings Steve Crawford and Da ' dra Crawford Greathouse, along with former members Nee-C Walls ( who left the group in 2001 ) and Mary Tiller ( who left in 1995 ).
On nights where the temperature drops below freezing, the trains will be parked inside the Contemporary Resort ; but in practice, trains can be left in any station ( even on the express side of a resort station ).
mima's founding director was Godfrey Worsdale, who left in 2008 to become director of the Baltic Centre for Contemporary Art.
| align =" left "| US Billboard Adult Contemporary
| align =" left "| US Billboard Adult Contemporary
By the end of the year, KDLE flipped the format to Urban Contemporary, filling the void that was left by the previous incarnations of KBUZ, which resided at 106. 5 and 99. 1 respectively.
The shift almost left Portland without a hip-hop-based station ( and possibly The Playhouse ), and as a result, would leave Portland listeners with only two choices: Top 40 Mainstream KKRZ, whose playlist include many hip-hop songs, and KVMX, the market's Rhythmic Adult Contemporary station.
The show was hosted by Bob Craig and ended in October 1988 when Craig left the radio station, though Craig returned to the station in the spring of 1990, and again hosted a Contemporary Jazz show, this one running on both Saturday and Sunday nights from 7 pm to midnight.
The move left Baton Rouge without a beautiful music station ( WQXY was a Schulke Radio affiliate, using SRN tapes for its easy listening programming ) for the first time in decades, and it bitterly angered a large portion of the station's traditional base while failing, in successive years, to attract a considerable share of what was already a heavily saturated Adult Contemporary radio market in Baton Rouge at the time.
In 1980 she left academia to become Director of Talks and Seminars at the Institute of Contemporary Arts in London, where she stayed for ten years and helped the ICA talks programme gain a reputation as " an intellectual hothouse ".

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