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Page "The Moon Is a Harsh Mistress" ¶ 54
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Critic and Adam
*" Dining Out: The Food Critic at Table " A review of food writing and writers by Adam Gopnick that examines the genre.
Critic Adam Begley of the Chicago Tribune called the novel: " A bitter and loving and damning tribute to the American family ....
" Critic Adam Strohm writes that she " founded a new world for the instrument, taking it far beyond backing rhythms and robotic fills.
*" Social Critic, Essayist Harold Cruse Dies "-Washington Post obituary by Adam Bernstein, Tuesday, March 29, 2005.

Critic and Roberts
Critic Robin Roberts opines that this character " is shaped more by her femininity than by her medical, scientific training.

Critic and said
The visitor was supposed to help them converse by typing in to ' Artist ' what ' Critic ' said, and vice versa.
Critic and musicologist Robert Palmer said their endurance and relevance stems from being " rooted in traditional verities, in rhythm-and-blues and soul music " while " more ephemeral pop fashions have come and gone ".
Critic Joshua Klein said that " the emphasis this time sounds less on unfocused experimentation and more on melody ... a breezy and welcome return to form for the British band.
Critic Mike Gee of iZINE said of this time, " The Verve, as he ( Richard Ashcroft ) promised, had become the greatest band in the world.
Critic Roger Ebert said of the film that it " somehow does succeed in treating the awesome and scary subject of sexual initiation with some of the dignity it deserves.
" Critic Howard Halle said of it that " Using distance and attendant shifts of scale within the very fabric of the city, Horizon creates a metaphor for urban life and all the contradictory associations – alienation, ambition, anonymity, fame – it entails.
Critic Dale Krueger said that the system is difficult to implement, and that companies often wind up overemphasizing control, as opposed to fostering creativity, to meet their goals.
Critic William Winter said, He was followed as a marvel.
Critic David Shipman said his personal notices for his performance in The Secretary Bird ( 1968 ) " must be among the best accorded any light comedian during this century ".
Critic Northrop Frye said that Menippean satire moves rapidly between styles and points of view.
Critic Joe Balthai wrote she was " the darling of the 1998 Sundance Film Festival " and Internet movie writer Harry Knowles said she was the " discovery of the fest ", but the film was not commercially released in the U. S. and went direct-to-video.
Critic James Dafforne, writing in 1871 in The Art Journal said of Leader's style:
" Critic Ian Lace said of her theme: " One has to suppose that the main character of this new game, Manon, inspired by the exploits of Hélène Déschamps is French.
Critic, Taran Adarsh said, " Raveena Tandon lends credibility to the role of a battered wife and walks away with the honours.
" Critic Robert Christgau said that Young " was born to lumber, and Pearl Jam wasn't.
Critic Harry Sumrall of the San Jose Mercury News said that Rabbitt was " like a hot corn dog: nothing fancy, nothing frilly.
Critic Roger Ebert said that " Pedro Almodóvar's films are an acquired taste, and with High Heels I am at last beginning to acquire it.
Critic Roger Ebert said of his performance that he " seems to have become the latter-day version of Christopher Walken – not all the time, but when you need him, he's your go-to guy for weirdness.
Critic Leonard Feather once said, " It is almost indisputable that Dr. Billy Taylor is the world's foremost spokesman for jazz.
Critic Tony Rayns describes The Spirit of the Beehive as " a haunting mood piece that dispenses with plot and works its spells through intricate patterns of sound and image " and of El Sur it has been said that " Erice creates his film as a canvas, conjuring painterly images of slow dissolves and shafts of light that match Caravaggio in their power to animate a scene of stillness, or freeze one of mad movement.
" said Autumn Bartsch of Everyone's a Critic.
In one of its highest scoring reviews, The Video Game Critic gave the game an A-and said it's " hard to put down.
Critic Josip Novakovich, who compared One of the Guys to A Confederacy of Dunces, has said, " If you read the book in public, you will laugh so much and go through so many facial expressions that you'll run the risk of having the police called to check you out.
Critic Robert Christgau said of the record: " Beefheart's famous five-octave range and covert totalitarian structures have taken on a playful undertone, repulsive and engrossing and slapstick funny.

Critic and novel
Critic Janet Maslin of The New York Times wrote that the film was the greatest adaptation of the novel and remarked on Dunst's performance, " The perfect contrast to take-charge Jo comes from Kirsten Dunst's scene-stealing Amy, whose vanity and twinkling mischief make so much more sense coming from an 11-year-old vixen than they did from grown-up Joan Bennett in 1933.
Critic Danél Griffin remarked, " Romero freely admits that his film was a direct rip-off of Matheson's novel ; I would be a little less harsh in my description and say that Romero merely expanded the author's ideas with deviations so completely original that of the Living Dead is expelled from being labeled a true ' rip-off '".
Critic Brooks Atkinson, in his review for The New York Times wrote of the original 1949 Broadway production that Maxwell Anderson and Mr. Weill had encountered " obvious difficulty " in transforming " so thoroughly a work of literary art " into theatre, and was sometimes " skimming and literal where the novel is rich and allusive.
Dowson collaborated on two unsuccessful novels with Arthur Moore, worked on a novel of his own, Madame de Viole, and wrote reviews for The Critic.
Critic Alfred Habegger has claimed that the main character of Portrait was inspired by Christie Archer, the protagonist from Anne Moncure Crane's novel, Reginald Archer ( 1871 ).
Critic Roger Ebert had read the novel and believed the film is true to its themes.
Critic Daniel D. Shade outlined the book's buried messages when he reviewed the novel in 2001:
* Maneker, Marion, " The King James Version: Critic James Wolcott, the reigning monarch of the literary put-down, is about to publish his first novel, and legions of his victims are already sharpening their knives ", New York magazine, June 11, 2001
Critic Jack Sommersby's comments typified the contemporary criticism directed at non-political matters such as character development and the changes made when the film was transferred from a novel to a film :< ref >
Critic Dennis Schwartz liked the film and wrote, " Splendid adaptation by Stirling Silliphant of David Goodis's 1947 novel.
Critic Pamela Clemit resists a purely autobiographical reading and argues that Mathilda is an artfully crafted novel, deploying confessional and unreliable narrations in the style of her father, as well as the device of the pursuit used by Godwin in his Caleb Williams and by Mary Shelley in Frankenstein.
Critic Harold Bloom, in his only attempt at fiction writing, wrote a sequel to this novel, entitled The Flight to Lucifer, but has since disowned the book and will not associate his name with the novel.

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