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Critic and Bosley
Critic Bosley Crowther, film critic for The New York Times, liked the screenplay, the message of the film, and John Ford's direction, and wrote, " John Ford has truly fashioned a modern Odyssey — a stark and tough-fibered motion picture which tells with lean economy the never-ending story of man's wanderings over the waters of the world in search of peace for his soul ... it is harsh and relentless and only briefly compassionate in its revelation of man's pathetic shortcomings.
Critic Bosley Crowther liked the acting in the picture, and wrote, " As gangster pictures go, this one has everything — speed, excitement, suspense and that ennobling suggestion of futility which makes for irony and pity.
Critic Bosley Crowther was not impressed with the atmospherics of the film and panned the film due to its screenplay, writing, " We wish we could recommend it as a perfect combination of the styles of the eminent Mr. Hitchcock and the old German psychological films, for that is plainly and precisely what it tries very hard to be.
Frank Beaver wrote in Bosley Crowther: Social Critic of the Film, 1940-1967 that Crowther opposed displays of patriotism in films and believed that a movie producer " should balance his political attitudes even in the uncertain times of the 1940s and 1950s, during the House Un-American Activities Committee.
* Bosley Crowther: Social Critic of the Film, 1940-1967 by Frank Eugene Beaver, Ayer Publishing, 1974.
Critic Bosley Crowther gave the drama a mixed review, and wrote, " Therefore, The Sniper develops, as it casually gets along, into nothing more forceful or impressive than a moderately fascinating " chase.

Critic and noted
Critic Rex Reed noted that " The score of ' Night Music ' ... contains patter songs, contrapuntal duets and trios, a quartet, and even a dramatic double quintet to puzzle through.
Critic W. S. Di Piero noted " Whatever the occasion, childhood, farm life, politics and culture in Northern Ireland, other poets past and present, Heaney strikes time and again at the taproot of language, examining its genetic structures, trying to discover how it has served, in all its changes, as a culture bearer, a world to contain imaginations, at once a rhetorical weapon and nutriment of spirit.
Critic James Agee noted that " the Hays office must have been raped in its sleep " to allow the film to be released.
Critic Robert Trussell noted, " Little effort was made to hide the ( California ) mountains in the background.
Critic Andy Sawyer has noted that such fragments seem to arise naturally from the " barbarically sophisticated " worlds Eddison has created.
Critic Steve Blance, in his Top Ten Worst Movies Review, called the film " the worst I have ever witnessed " and also noted that he would " rather be tortured for twenty-years with searing iron than have to sit through even a minute of this again.
" Critic Paul Tatara noted that " It isn't really fair to suggest that the movie's main subject is dance, though.
Critic Anne Midgette of the New York Times has noted that Argento's operas tend to be very well received upon their premieres, but they lack an " easy popular hook " and are rarely revived.
Critic Vladimir Stasov noted that a " sorrowful note sensibly resounds in the general physological array of the work ".
Critic Roger Ebert said, on At the Movies, that Pauly Shore was the " cinematic equivalent of long fingernails, drawn very slowly and quite loudly over a gigantic blackboard " and noted that although his co-host, Gene Siskel, extremely disliked Chris Farley, he would " rather attend a dusk-to-dawn Chris Farley film festival than sit through any 5 minutes of Jury Duty.

Critic and its
The Athenaeum reviewer praised Ellis Bell's work for its music and power, and the Critic reviewer recognized " the presence of more genius than it was supposed this utilitarian age had devoted to the loftier exercises of the intellect.
Critic Billy Altman, whose work has appeared in many publications including Entertainment Weekly and The New York Times, wrote the following for Amazon. com: " One of rock's most overlooked masterpieces, this third album by the L. A. folk-rock outfit led by inscrutable singer-songwriter Arthur Lee sounds as fresh and innovative today as it did upon its original release in 1968.
Critic Dana D. Nelson believes presidents over the past thirty years have worked towards " undivided presidential control of the executive branch and its agencies.
Critic John Clute wrote of M. John Harrison's early writing that it "... reveals its New-Wave provenance in narrative discontinuities and subheads after the fashion of J. G. Ballard ".
Critic Adam Roberts said of the novel: “ It is really quite hard to respond to this masterful book, except by engaging with its political content ; and yet we need to make the effort to see past the ideological to the formal and thematic if we are fully to appreciate the splendour of Heinlein's achievement here .”
Critic Dennis Schwartz appreciated the acting ensemble in the film and wrote, " The film was too stagebound to be effective cinema, but it scores points in its unsentimental portrait of the loser life of the lonely and desperate merchant seamen.
* The Pre-Raphaelite Critic is a collection of full-text and excerpted 19th century reviews of the movement and its individual members.
" Critic Rufus Wilmot Griswold reviewed Leaves of Grass in the November 10, 1855, issue of The Criterion, calling it " a mass of stupid filth " and categorized its author as a filthy free lover.
During the broadcast run of The Adventures of Brisco County, Jr., TV Guide featured a positive review of the show in its Couch Critic column and wrote, " It's as funny as it is exciting, which is not an easy combo to pull off ... it's fresh and funny and different, and that's why we like it.
After contributing for some time to the British Critic, its periodical, Mozley succeeded Newman as editor in July 1841.
Critic Chris Anderson claims that the genre can be understood best by splitting it into two subcategories — the personal essay and the journalistic essay — but the genre is currently defined by its lack of established conventions.
Critic Peter Craven writes that " Two Friends is arguably the most accomplished piece of screenwriting the country has seen and it is characterised by a total lack of condescension towards the teenage girls at its centre ".
" Critic Robert Christgau commented that " Anybody who thinks rock and roll is alive and well in the infinite variety of its garage-boy permutations had better figure out how these Hitler Youth rejects could crush the competition and quit simultaneously.
Critic Mark Holborn has written that butoh is defined by its very evasion of definition.
Groening felt that the episode was a thirty-minute advertisement for Brooks ' show The Critic, ( which had moved to Fox from ABC for its second season ) and was created by former The Simpsons show runners Al Jean and Mike Reiss, and whose lead character Jay Sherman appears in the episode.
The Critic was short-lived, broadcasting ten episodes on Fox before its cancellation.
" Critic Peter Bradshaw's review of the film in The Guardian concludes that Meet the Parents " is somehow less than the sum of its parts.
Brown rose to prominence as a well-spoken and moderate member of the Reform Party, becoming Canadian Heritage Critic in its shadow cabinet.
Critic Roger Ebert had read the novel and believed the film is true to its themes.
Critic Harold Hobson deemed it to be one of the best first plays of its generation.

Critic and authentic
" Critic Robin Wood found it one of the few horror films to possess " the authentic quality of nightmare ".
Critic Roger Ebert of the Chicago Sun-Times called the film "... quite an improvement on Cooper's all but unreadable book, and a worthy successor to the Randolph Scott version ," going on to say that " The Last of the Mohicans is not as authentic and uncompromised as it claims to be — more of a matinee fantasy than it wants to admit — but it is probably more entertaining as a result.

Critic and quality
Critic Pauline Kael was impressed by its raw, documentary-like quality, and a certain poetic realism.
Robin Pierson of The TV Critic gave the episode a mixed review, rating the episode a 67 / 100, stating that it is one of the most densely packed pilots on television, he mentioned that it is entertaining but he said that there are many jokes that follow the quality does not win out over quantity saying.

Critic and has
Critic Stephen Thomas Erlewine has described Francis's writing as containing " bizarre, fragmented lyrics about space, religion, sex, mutilation, and pop culture ".
Critic Christopher Sharrett argues that since Alfred Hitchcock's Psycho ( 1960 ) and The Birds ( 1963 ), the American horror film has been defined by the questions it poses " about the fundamental validity of the American civilizing process ", concerns amplified during the 1970s by the " delegitimation of authority in the wake of Vietnam and Watergate ".
Critic Roger Ebert has included the film in his series of " Great Movies " reviews.
" Critic Stuart Byron calls his early Pink Panther films " two of the best comedies an American has ever made.
Critic Stephen Farber has described the film as " One of the most skillful and entertaining summaries of Marilyn's endlessly fascinating rise and fall.
Critic Henry Prunières wrote, “ From the opening measures, we are plunged into a world in which Ravel has but rarely introduced us .”
NDP Finance Critic Bob Rae attached a rider to a budget bill declaring that " this House has lost confidence in the government.
Critic Pauline Kael warmly embraced Topol's performance, and he has appeared in several stage revivals of the show.
Critic Roger Ebert wrote an article entitled, " Attacks on ' Roger & Me ' completely miss point of film " that defends Moore's manipulation of his film's timeline as an artistic and stylistic choice that has less to do with his credibility as a filmmaker and more to do with the flexibility of film as a medium to express a viewpoint using the same methods that satirists have used.
Cartwright has voiced dozens of animated characters, including Chuckie Finster in Rugrats and All Grown Up !, Rufus in Kim Possible, Mindy in Animaniacs, Margo Sherman in The Critic and Chip in The Kellys.
In addition to her work on The Simpsons, Cartwright has voiced many other characters on several animated series, including Chuckie Finster in Rugrats and All Grown Up !, Margo Sherman in The Critic, Mindy in Animaniacs and Rufus the naked mole rat in Kim Possible.
He has also written for The Independent, and was Restaurant Critic for Harpers & Queen magazine from 1995 to 1998.
" As an exegete and biblical Critic no less than as a grammarian he has left his abiding mark.
Kardec's own introductory book on Spiritism, What is Spiritism ?, published only two years after The Spirits Book, includes a long dialogue between his persona and three idealized critics, " The Critic ", " The Skeptic ", and " The Priest ", which as a whole summed up most of the criticism Spiritism has received since then: of being charlatanism, pseudoscience, heresy, anti-Catholic, witchcraft, and / or a form of Satanism.
M. M. Bakhtin, a Russian philosopher and Literary Critic has been credited with introducing the Dialogical process in Philosophy.
Critic Jack Sullivan has kinder words for Tiomkin's score for Strangers than does biographer Spoto: " o seamlessly and inevitably does it fit the picture's design that it seems like an element of Hitchcock's storyboards ", he writes It is a score that " goes largely uncelebrated.
Critic Ned Chaillett has described Sink the Belgrano !, a critical take on the Falklands War, which premiered at the Half Moon Theatre, in Stepney, on 2 September 1986, as " a diatribe in punk-Shakespearean verse "; and Berkoff himself described it as " even by my modest standards ... one of the best things I have done ".
Sublett has also documented the Austin music scene in his music-themed crime novels, " Rock Critic Murders ," " Tough Baby ," and " Boiled in Concrete.
Brison has served as the Liberal Party's Finance Critic since September 2010.
Art Critic Guillaume Apollinaire praised those works of the exhibition and proclaimed Delaunay as “ an artist who has a monumental vision of the world .”

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