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Critic and Dave
Critic Dave Marsh categorizes Orbison's ballads into themes reflecting pain and loss, and dreaming.
Critic Dave Marsh suggests it is this moment that gives the recording greatness: " went for it so avidly you'd have thought he'd spotted the jugular of a lifelong enemy, so crudely that, at that instant, Ely sounds like Donald Duck on helium.
Critic Dave Marsh called it " one of the best live albums ever made.
Critic Dave Marsh, in The Rolling Stone Record Guide ( 1979 ), called Zevon " one of the toughest rockers ever to come out of Southern California ".
Critic Dave Kehr wrote of the film, " Gloria Grahame, at her brassiest, pleads with Glenn Ford to do away with her slob of a husband, Broderick Crawford ... A gripping melodrama, marred only by Ford's inability to register an appropriate sense of doom.
Critic Dave Thompson wrote, " Few records are this perfect.

Critic and would
Critic Jon Savage would later say that their singer Ian Curtis wrote " the definitive Northern Gothic statement ".
Critic Danél Griffin remarked, " Romero freely admits that his film was a direct rip-off of Matheson's novel ; I would be a little less harsh in my description and say that Romero merely expanded the author's ideas with deviations so completely original that of the Living Dead is expelled from being labeled a true ' rip-off '".
Short films such as The Critic, Bambi Meets Godzilla, Lupo the Butcher, and many others were almost unknown to mainstream audiences ; however, these independent animated films continued to keep the yearly category of the Academy Award for Animated Short Film alive, as well as introducing a number of new names into the field of animation — names that would begin to bring change to the industry in the 1980s.
Critic Charles Champlin would later describe Kramer as " a guy who fought some hard battles.
The principles of what would be known as the Aesthetic Movement were partly traceable to him, and his effect was particularly felt on one of the movement's leading proponents, Oscar Wilde, who paid tribute to him in The Critic as Artist ( 1891 ).
He hoped Brooks would pull the episode because " articles began to appear in several newspapers around the country saying that created The Critic ," and removed his names from the credits.
Critic Nick Schager wrote, " It would be no surprise to learn that Richard Widmark was a big ' Batman ' fan, as his star-making screen debut in Kiss of Death as grinning, cackling psychopath Tommy Udo ( for which he received an Academy Award nomination ) seems heavily indebted to the Caped Crusader's arch-nemesis The Joker.
Critic Alexei Korotyukov remarked: " Paradjanov made films not about how things are, but how they would have been had he been God.
Critic Glenn Erickson recently echoed the New York Times review, writing, " Although biographies on both Ib Melchior and Sid Pink would have you believe that The Angry Red Planet is an outer-space classic, it simply isn't so.
Critic Tom Shales, reviewing the show for the Washington Post, opined that " kids may be impressed " by the heroics and special effects, but the show lacked " adult appeal " and that the plot lines would " soon wear thinner than water ".
Critic Steve Blance, in his Top Ten Worst Movies Review, called the film " the worst I have ever witnessed " and also noted that he would " rather be tortured for twenty-years with searing iron than have to sit through even a minute of this again.
Poet Jordan Davis, writing for The Constant Critic, suggested that Wright's collection was so accomplished it would have to be kept " out of the reach of impulse kleptomaniacs.
Critic Roger Ebert said, on At the Movies, that Pauly Shore was the " cinematic equivalent of long fingernails, drawn very slowly and quite loudly over a gigantic blackboard " and noted that although his co-host, Gene Siskel, extremely disliked Chris Farley, he would " rather attend a dusk-to-dawn Chris Farley film festival than sit through any 5 minutes of Jury Duty.
" Critic Scott Mendelson said, " To say that these two are the most astonishingly racist caricatures that I've ever seen in a mainstream motion picture would be an understatement.

Critic and call
Critic Michael Billington recalled: " In Redgrave's Vanya you saw both a tremulous victim of a lifetime's emotional repression and the wasted potential of a Chekhovian might-have-been: as Redgrave and Olivier took their joint curtain call, linked hands held triumphantly aloft, we were not to know that this was to symbolise the end of their artistic amity.
* The Critic – Jay answered a different phone call and was later shown reviewing a different movie parody clip in each episode.
Critic Brian Olewnick describes the album as " A staggering achievement, one is tempted to call The Hands of Caravaggio the first great piano concerto of the 21st century.

Critic and one
In 1988 the British artist and friend of Weizenbaum Brian Reffin Smith created and showed at the exhibition ' Salamandre ', in the Musée du Berry, Bourges, France, two art-oriented ELIZA-style programs written in BASIC, one called ' Critic ' and the other ' Artist ', running on two separate Amiga 1000 computers.
Critic Georg Lukács points to middling main characters like Ivanhoe in Sir Walter Scott's other novels as one of the primary reasons Scott's historical novels depart from previous historical works and better explore social and cultural history.
" Critic Robin Wood found it one of the few horror films to possess " the authentic quality of nightmare ".
Critic Stephen Thomas Erlewine describes Talking Heads as being " one of the most critically acclaimed bands of the ' 80s, while managing to earn several pop hits.
Critic Steve Huey calls it " perhaps Tom Waits's most cohesive album ... a morbid, sinister nightmare, one that applied the quirks of his experimental ' 80s classics to stunningly evocative — and often harrowing — effect ... Waits ' most affecting and powerful recording, even if it isn't his most accessible.
* Holt, Jim, Say Anything, one of his Critic At Large essays from The New Yorker, ( August 22, 2005 )
Critic W. H. Helm calls one " the French Dickens " and the other " the English Balzac ".
Critic Lloyd Goodrich praised the work as “ one of the most poignant and desolating pieces of realism .” The work is the first of a series of stark rural and urban scenes that uses sharp lines and large shapes, played upon by unusual lighting to capture the lonely mood of his subjects.
Critic Pare Lorentz wrote, " The Warner brothers have declared war on Germany with this one.
Critic Gunther Schuller declared, " On one point there is universal agreement: Tatum's awesome technique.
Critic Emerson Dameron writes that the song is " one of the most terrifying, riveting, absurd things I ’ ve ever heard.
He gave assistance to William Beloe in one or two articles in the British Critic, and probably wrote also in the Analytical Review and the Critical Review.
Critic Dennis Schwartz called the film, " A fresh smelling film noir directed with great skill by George Marshall from the screenplay of Raymond Chandler ( the only one he ever wrote for the screen, his other films were adapted from novels of others and, ironically, film adaptations of his novels were all written by other screenwriters ).
Critic Roger Ebert wrote in his review, " The best shot in this film is the first one.
Critic David Shipman thought Novak's performance " little more than competent ", while David Thomson described it as " one of the major female performances in the cinema ".
Critic Ned Chaillett has described Sink the Belgrano !, a critical take on the Falklands War, which premiered at the Half Moon Theatre, in Stepney, on 2 September 1986, as " a diatribe in punk-Shakespearean verse "; and Berkoff himself described it as " even by my modest standards ... one of the best things I have done ".
Critic Leonard Maltin observed that Disney Studios made several attempts to recreate the appeal and success of Mary Poppins ( 1964 ), and that this was one of their least successful endeavors.
Critic Andrew Dickos wrote that " the touchstone of Preston Sturges ' screenwriting lies in the respect paid to the play and density of verbal language " and " establishes the standard of eloquence as one of poetry, of a cacophony of Euro-American vernacularisms and utterances, peculiarly -- and appropriately -- spoken with scandalous indifference.
Critic Christopher Null wrote of the film, " One of the ' 70s juiciest entries into the horror genre, The Abominable Dr. Phibes is Vincent Price at his campy best, a former doctor and concert organist ( go figure that one out yourself ) who is exacting revenge on the nine doctors he blames for botching his wife's surgery, which ended with her death.
Critic Thomas Ward called this recording " one of the most astonishing accomplishments in all of twentieth century music.
Critic Peter Marrow wrote: " As it stands, the story's ending makes no sense – forcing one to try to look for something left unsaid.
Critic Fred Patten is one of the main supporters of the strip.

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