Critic David Hurwitz offers an alternative explanation for the piece's structure: that " Jupiter " is the centrepoint of the suite and that the movements on either side are in mirror images.

Critic David Shipman said his personal notices for his performance in The Secretary Bird ( 1968 ) " must be among the best accorded any light comedian during this century ".

In early November 2000, Conservative Defence Critic David Price stated that JTF2 had been deployed to Kosovo, however, this was denied by Prime Minister Jean Chrétien and Defence Minister Art Eggleton.

Richard E. Geis has won 6 of 14 nominations for his work on Science Fiction Review, Psychotic, and The Alien Critic ; Mike Glyer has won 6 of 29 for editing File 770 ; David Langford has won 5 of 12 for work on Ansible and Twil-Ddu ; and Richard Lynch and Nicki Lynch have both won 6 of 14 nominations for Mimosa.

" Opposition parliamentarians dismissed the report as a scare tactic, while Liberal Environment Critic David McGuinty argued that the study was misleading, saying that it did not properly examine international emission trading and ignored jobs to be created through the " green economy ".

* David Edelstein 1977 – Film Critic, New York Magazine, NPR's Fresh Air, CBS Sunday Morning, Slate, the New York Post, the Village Voice, and the Boston Phoenix.

* Scott of Amwell, Dr. Johnson's Quaker Critic ( 2001 ) David Perman

Film Critic David Robinson described Linder's screen persona as " no grotesque: he was young, handsome, debonair, immaculate ... in silk hat, jock coat, cravat, spats, patent shoes, and swagger cane.

He first entered the public eye as one of the Brunching Shuttlecocks in 1997 along with David Neilsen ( the Self-Made Critic ) and a number of other, minor contributors.

He soon left Bell Labs to write for David Letterman and subsequently for various sitcoms, including several episodes of Wings, The Simpsons, Futurama, and The Critic, as well as the short-lived Fox claymation show The PJs.

Critic David Thomson in his April 2007 review of the film in the British Film Institute's Sight & Sound magazine draws attention ( in the Listen to Britain section of the article ) to the music that was used in the film, in particular " at the end of the film ... that mackerel sky and Sir Arthur Sullivan's ' The Long Day Closes ' itself " ( which was sung by Pro Cantione Antiqua ).

Critic David Frum has argued that the influence of conservative talk radio and Fox News has harmed American conservatism, turning it from " a political philosophy into a market segment " for extremism and conflict making " for bad politics but great TV.

Critic David Ansen gave the film a mixed review, writing, " Taylor Hackford's thriller Proof of Life leaves a lot to be desired, but it's got its hands on a fascinating subject ... To be fair, Tony Gilroy's screenplay keeps the romance on the back burner ... Thorne is the most compelling aspect of Proof of Life, thanks to Crowe's quiet, hard-bitten charisma.

The Video Game Critic gave the game an A-stating " David Crane clearly pulled out all the stops with this one, and the result is an exciting adventure that really pushes the limits of the system.

* David Edelstein ( Film and Television Critic )

Critic Dennis Schwartz liked the film and wrote, " Splendid adaptation by Stirling Silliphant of David Goodis's 1947 novel.

Critic Kyle Smith has argued that White " simply has a different aesthetic from that of the herd ", while critic David Chen suggested that he "( perhaps too ) vehemently believes in the integrity of his art and longs for the golden era when the mainstream still cared what film critics thought ".

Critic Dave Marsh suggests it is this moment that gives the recording greatness: " went for it so avidly you'd have thought he'd spotted the jugular of a lifelong enemy, so crudely that, at that instant, Ely sounds like Donald Duck on helium.

Critic Stephen Thomas Erlewine of Allmusic speculated that the alternate persona and elaborate marketing scheme backfired, writing, " When Brooks ' new persona and his album were revealed to the public, they were unforgiving-they didn't think he was playing a role, they simply thought he'd lost his mind.

Critic Tzvetan Todorov described Bénichou ’ s special interest as “ the thought of poets .” More generally, though, Paul Bénichou ’ s work contributed to the understanding of the creative writer's place in modernity, and illuminated the role of writers in legitimating the institutions and values of modern society.

" Critic Andre Meyer of CBS News thought the material on the album was " stronger " than on Charmbracelet, and described it as a move in Carey's long-term plan for pop domination, while giving off the " jittery R & B vibe that made Destiny's Child so potent.

Critic Janet Maslin of The New York Times wrote that the film was the greatest adaptation of the novel and remarked on Dunst's performance, " The perfect contrast to take-charge Jo comes from Kirsten Dunst's scene-stealing Amy, whose vanity and twinkling mischief make so much more sense coming from an 11-year-old vixen than they did from grown-up Joan Bennett in 1933.

Critic Pauline Kael warmly embraced Topol's performance, and he has appeared in several stage revivals of the show.

Critic James Agee praised her performance in The Nation:

Critic Jitesh Pillai analyzed, " Ultimately your heart leaps out to the magical Shah Rukh Khan, who unarguably gives his career's finest performance.

Critic Stephanie Zacharek wrote in her review " Rising star Samantha Morton shines in this charming, finely crafted film from Woody Allen " and that " Her performance is like nothing I ’ ve seen in recent years.

Critic Ned Raggett describes Over the Edge as " the longest-running block of free-form radio in the history of radio ... essentially live performance art.

He became a leading spokesperson for the Liberal Party's left wing, and gained particular praise for his performance as the party's Environment Critic from 1996 to 1999.

Critic Taran Adarsh wrote of his performance in the film, " he's sure to win the hearts of millions of moviegoers with a terrific portrayal in this film.

Critic, Taran Adarsh wrote, " Raveena Tandon delivers a bravura performance.

Critic Vincent Leo praised Penn's performance, noting, " While Oldman gets the accolades for his energetic performance, it is really Penn's inner demons that provides the film with the right amount of conflict, always letting us be aware that fine lines are the difference between life and death, as well as right and wrong, out in the streets of New York.

Critic Roger Ebert gave the movie three stars out of four, saying " Gibson gives an interesting performance, showing a man trying to think his way out of a crisis, and Sinise makes a good foil: Here are two smart men playing a game with deadly stakes.

Critic Christopher Null of the AMC Network praised Dutronc's performance, commenting that:

Critic / novelist Jonathan Barnes writes of encountering the story as a child and finding it " one of the richest and most singular investigations of Holmes ’ s long career – an opinion which I have had no reason to change ... Revisited in adulthood, the story reveals itself as a sour parable about the endurance of lust, a lurid treatment of the question that is put to Falstaff as Doll Tearsheet fidgets on his knee: ' is it not strange that desire should so many years outlive performance ?'.

Critic Roger Ebert said of his performance that he " seems to have become the latter-day version of Christopher Walken – not all the time, but when you need him, he's your go-to guy for weirdness.

Critic Dennis Schwartz liked the film and acting in the drama and wrote, " A schematic film noir by Nicholas Ray ( They Live by Night ) that overcomes its artificial contrivances to become a touching psychological drama about despair and loneliness -- one of the best of this sort in the history of film noir ... Robert Ryan's fierce performance is superb, as he's able to convincingly assure us he has a real spiritual awakening ; while Lupino's gentle character acts to humanize the crime fighter, who has walked on the " dangerous ground " of the city and has never realized before that there could be any other kind of turf until meeting someone as profound and tolerant as Mary.

Critic Dennis Schwartz wrote, " The unwell Bogie's last film is not a knockout, but his hard-hitting performance is terrific as a has-been sports journalist out of desperation taking a job as a publicist for a fight fixer in order to get a bank account ... The social conscience film is realistic, but fails to be shocking or for that matter convincing.

Critic and author Vijay Nair described her performance as " a masterful interpretation of the modern Draupadi ".

Critic Tony Stewart praised the episodes in which Steve discovered that Lloyd and Liz were having a fling, calling it " pure comedy gold, full of wicked laugh-out-loud one-liners ..." Ian Wylie has been very impressed with Simon Gregson's performance as Steve saying, " his on screen performance remains as fresh as the day he started ".

Critic Danél Griffin remarked, " Romero freely admits that his film was a direct rip-off of Matheson's novel ; I would be a little less harsh in my description and say that Romero merely expanded the author's ideas with deviations so completely original that of the Living Dead is expelled from being labeled a true ' rip-off '".

Critic Frederic and Mary Ann Brussat wrote, " Here's a nice little movie about the baby boom generation ... Novelist John Sayles wrote, directed, and edited this movie.

: Critic: " I certainly have, my little friend.

Critic R. L. Shurter has gone as far as to argue that " Looking Backward is actually a fictionalized version of The Co-operative Commonwealth and little more ".

Critic Richard Skorman wrote, " Forsyth does a good job of making light of the tender part in teenage psyche, and his friends and little sister in particular are quirky and lovable.

Critic Robert Weston also hailed the film and wrote, " Niagara is a good movie for noir fans who crave something a little different.

Critic Patrick Legare wrote of the film: " Originating during the science-fiction / Red-Scare boom of the ' 50s, Invaders From Mars is an entertaining little picture that holds up reasonably well.

) Critic and author Greg Kot wrote in Wilco: Learning How to Die that " Tweedy's voice and personality are as modest as the arrangements ; there's little sense of drama, and virtually no hint of risk.