Critic Don D ' Ammassa reported that " The novel's undeniable charm outweighs the frequent implausibilities.

Critic Jim Harrington commented that Hansen's absence is noticeable on live performances of Stereolab's older tracks, and that their newer songs could have benefited from her backing vocals.

" Critic Hal Hinson commented that Meyer " capable of sending up his material without cheapening it or disrupting our belief in the reality of his yarn ," and called the one-liners an organic part of the film's " jocular, tongue-in-cheek spirit ".

" Critic Robert Christgau commented that " Anybody who thinks rock and roll is alive and well in the infinite variety of its garage-boy permutations had better figure out how these Hitler Youth rejects could crush the competition and quit simultaneously.

Critic Stephen Burt at the Boston Review commented: " William Carlos Williams and Emily Dickinson together taught Armantrout how to dismantle and reassemble the forms of stanzaic lyric — how to turn it inside out and backwards, how to embody large questions and apprehensions in the conjunctions of individual words, how to generate productive clashes from arrangements of small groups of phrases.

Critic and sf historian Thomas Clareson has commented that " Planet seemed to look backward towards the 1930s and earlier ", an impression that was strengthened by the extensive use of interior artwork by Frank Paul, who had been the cover artist for the early Gernsback magazines in the 1920s.

Critic Jeet Heer, who did his thesis on Gray and wrote introductions to IDW's Little Orphan Annie collections, commented:

Critic Robert Christgau also commented in a similar vein: " The difference is that Browne shouldn't be doing this ... he's a pop star who's stretching his audience and endangering his market share merely by making such a statement in 1986.

" Critic Robert Christgau commented that the best songs were the ones Browne did not write.

Critic Alan Blyth commented that in his Bunthorne, " Reed ... remains a past master of keeping the text fresh and articulated ".

Critic Ziya Us Salam praised Akhtar's direction and commented for The Hindu: " In his maiden venture, Javed Akhtar's son shows enough glimpses of his pedigree to indicate that promise will attain fulfilment sooner than later.

Critic Roger Ebert commented on his website that " Not only is the rumor untrue, it is unfair to Marisa Tomei, and Rex Reed owes her an apology.

Critic Janet Maslin of The New York Times commented: " The animation [...] has an unfortunate way of endowing the male characters with doggy-looking muzzles.

Critic Michael Billington, writing in The Guardian commented that the production " proves the prolific Morton is unjustly neglected ", praising Bell's productions.

The Stage commented that Shaw was " a delectably wide-eyed Janet ", with Critic Chris High stating " Shaw is delightful as the naive Janet and proves she has far more to offer than anything a reality TV show could ever uncover " and the British Theatre guide stating " A big surprise to me was how outstanding former Hear ' Say popstar Suzanne Shaw was: she is so at home on stage with strong voice and fabulous presence ".

At the César Awards it won Best Editing, Best Film Work, Best Production Design and Best Writing, at the European Film Awards it won Best Set Design, at Fantasporto the Audience Jury Award, at the Guild of German Art House Cinemas Best Foreign Film, at Sitges Best Actor, Best Director, Best Original Soundtrack and the Prize of Catalan Screenwriter's Critic and Writer's Association.

Las Vegas Film Critic Society award For Best Original Song and the Phoenix Film Critics Award For Best Original Song.

* 1923 Confessions of a Musical Critic ( reprinted in Testament of Music, 1962 )

*" Dining Out: The Food Critic at Table " A review of food writing and writers by Adam Gopnick that examines the genre.

Critic Roger Ebert, in a review dated January 1, 1972, did not care for the film.

Critic and humorist Louis Leroy wrote a scathing review in the newspaper Le Charivari in which, making wordplay with the title of Claude Monet's Impression, Sunrise ( Impression, soleil levant ), he gave the artists the name by which they became known.

The Nostalgia Critic, in his review of The Room, performed a more over-the-top parody of the sketch near the end of the video.

Critic Dennis Schwartz questioned the noir aspects of the film and discussed the cinematography in his review.

Critic Geoff Barton coins the term " New Wave of British Heavy Metal " in a review of the show for Sounds magazine.

During the broadcast run of The Adventures of Brisco County, Jr., TV Guide featured a positive review of the show in its Couch Critic column and wrote, " It's as funny as it is exciting, which is not an easy combo to pull off ... it's fresh and funny and different, and that's why we like it.

Critic Roger Ebert wrote in his review, " The best shot in this film is the first one.

Critic Hollis Alpert wrote in his review:

Theatre review aggregator Curtain Critic gave the production a score of 63 out of 100 based on the opinions of 18 critics.

Critic Brooks Atkinson, in his review for The New York Times wrote of the original 1949 Broadway production that Maxwell Anderson and Mr. Weill had encountered " obvious difficulty " in transforming " so thoroughly a work of literary art " into theatre, and was sometimes " skimming and literal where the novel is rich and allusive.

Critic Roger Ebert's review was four out of four stars ; at the end of the year, he named it the best film of 1999.

The film was given a negative review in The Times newspaper in the United Kingdom, in a piece published on 21 July 1966 and credited only to " Our Film Critic ".

Critic Louis Leroy, inspired by the painting's name, titled his hostile review of the show in Le Charivari newspaper, " The Exhibition of the Impressionists ", thus inadvertently naming the new art movement.

Critic Stephanie Zacharek wrote in her review " Rising star Samantha Morton shines in this charming, finely crafted film from Woody Allen " and that " Her performance is like nothing I ’ ve seen in recent years.

Critic Ed Naha, writing in Crawdaddy !, gave the album a negative review, saying, " Much of the Wonderlandish magic found on Eno ’ s first LP is lost on this rocky terrain, being replaced by a dull,

He also had a brief cameo in the Nostalgia Critic's 200th episode where he starts off chatting idly with the Critic and then leaves the room, whereupon the Critic realizes Spencer put a grenade down the Critic's pants, due to his apparent anger at the Critic's choice of movie to review ( Ponyo ).

* UK Critic review

Critic Roger Ebert lauded the film in his film review, writing, " The Official Story is part polemic, part thriller, part tragedy.

" Critic Peter Bradshaw's review of the film in The Guardian concludes that Meet the Parents " is somehow less than the sum of its parts.

Critic Dave Marsh would call it one of the " two best records Dylan has made since John Wesley Harding " and gave it a four-star review in the 1979 Rolling Stone Record Guide.

Critic Janet Maslin gave the film a positive review in The New York Times.

Critic Glenn Erickson recently echoed the New York Times review, writing, " Although biographies on both Ib Melchior and Sid Pink would have you believe that The Angry Red Planet is an outer-space classic, it simply isn't so.

Critic John Neal, who was a friend of Poe's cousin George Poe, responded to Poe's claim in his review of " Al Aaraaf " for the Yankee and Boston Literary Gazette.