" Critic Richard Delap writes " There is an abundance of exploitable elements in Bishop's story, so it is astonishing to see how the author keeps them under strict rein, always with a highly keyed visual sense but also with a literary flair that says more by implication than by direct description.

There were some calls for him to resign as Justice Critic, but nothing came of this.

* There is also some programming seen on all Newfoundland systems, such as One Chef One Critic ( produced in St. John's ), hosted by Central Dairies chef Steve Watson and The Telegram food critic ( and former CBNT weather personality ) Karl Wells.

As Critic Walter Kerr points out: `` Adaptations, so long as they are good, still qualify as creative ''.

Critic Henry Prunières wrote, “ From the opening measures, we are plunged into a world in which Ravel has but rarely introduced us .”

Critic David Hurwitz offers an alternative explanation for the piece's structure: that " Jupiter " is the centrepoint of the suite and that the movements on either side are in mirror images.

Critic Adam Roberts said of the novel: “ It is really quite hard to respond to this masterful book, except by engaging with its political content ; and yet we need to make the effort to see past the ideological to the formal and thematic if we are fully to appreciate the splendour of Heinlein's achievement here .”

Critic John Krewson lauded the work of Ida Lupino, and wrote, " As a screenwriter and director, Lupino had an eye for the emotional truth hidden within the taboo or mundane, making a series of B-styled pictures which featured sympathetic, honest portrayals of such controversial subjects as unmarried mothers, bigamy, and rape ... in The Hitch-Hiker, arguably Lupino's best film and the only true noir directed by a woman, two utterly average middle-class American men are held at gunpoint and slowly psychologically broken by a serial killer.

Critic, Stephen Erlewine of AllMusic wrote that Dion's vocals " are back at top of their game " and that she was " getting back to pop basics and performing at a level unheard in a while.

Critic Carmen Birkle wrote: " Her multicultural self is thus reflected in a multicultural text, in multi-genres, in which the individual cultures are no longer separate and autonomous entities but melt into a larger whole without losing their individual importance ".

Critic William Burrill dismissed the game's visuals as " Dim Boy graphics are nothing to write home about ".

Critic Zack Handlen remarked, " This is still early Dick, which means that while interesting concepts are introduced, and there ’ s some play with identity -- Jennings develops an overwhelming faith in the prescience of his past self, a faith which most people can ’ t ever have in their present versions, and by the end he ’ s even referring to that past guy as a separate person -- the primary focus is nabbing you and keeping you entertained.

Critic Barbara Russano Hanning writes that Striggio's verses are less subtle than those of Rinuccini, although the structure of Striggio's libretto is more interesting.

" Critic Janet Maslin wrote of Terence Stamp's work, " Stamp plays the title role furiously, with single-minded intensity, wild blue eyes and a stentorian roar shown off in the film's early moments ... Glimpses of young, dreamily beautiful Stamp and his no less imposing latter-day presence are used by Soderbergh with touching efficacy.

Critic Luke Y. Thompson of The New Times stated that " defenders of the film have argued that it's actually pro-woman, due to the fact that the female lead wins in the end, which is sort of like saying that cockfights are pro-rooster because there's always one left standing ".

Critic Alexei Korotyukov remarked: " Paradjanov made films not about how things are, but how they would have been had he been God.

Critic Janet Maslin was dismissive of the film, and wrote, " Today, in the dazzling, superficial style that Mr. Friedkin has so thoroughly mastered, it's the car chases and shootouts and eye-catching settings that are truly the heart of the matter ".

Critic Vincent Leo praised Penn's performance, noting, " While Oldman gets the accolades for his energetic performance, it is really Penn's inner demons that provides the film with the right amount of conflict, always letting us be aware that fine lines are the difference between life and death, as well as right and wrong, out in the streets of New York.

Critic Roger Ebert gave the movie three stars out of four, saying " Gibson gives an interesting performance, showing a man trying to think his way out of a crisis, and Sinise makes a good foil: Here are two smart men playing a game with deadly stakes.

" Top Critic Roger Ebert went further, saying of the film " In a genre where a lot of movies are retreads of the predictable, ' Deep Blue Sea ' keeps you guessing.

Critic Roger Ebert wrote in the Chicago Sun-Times: " The film is a masterful achievement on all the technical levels -- it does an especially good job of convincing us with its Asian locations -- but the best moments are the human ones, the conversations, the exchanges of trust, the waiting around, the sudden fear, the quick bursts of violence, the desperation.

Critic Roger Ebert said that " Pedro Almodóvar's films are an acquired taste, and with High Heels I am at last beginning to acquire it.

Critic Richard Skorman wrote, " Forsyth does a good job of making light of the tender part in teenage psyche, and his friends and little sister in particular are quirky and lovable.

* Maneker, Marion, " The King James Version: Critic James Wolcott, the reigning monarch of the literary put-down, is about to publish his first novel, and legions of his victims are already sharpening their knives ", New York magazine, June 11, 2001

Critic Adrian Denning, in his review of the album, compliments, " Both the vocals and guitar are utterly beautiful.

They are Natasha and Crispin Critic, two high brow art critics from London.

Critic Anne Midgette of the New York Times has noted that Argento's operas tend to be very well received upon their premieres, but they lack an " easy popular hook " and are rarely revived.

The Athenaeum reviewer praised Ellis Bell's work for its music and power, and the Critic reviewer recognized " the presence of more genius than it was supposed this utilitarian age had devoted to the loftier exercises of the intellect.

Critic Janet Maslin of The New York Times wrote that the film was the greatest adaptation of the novel and remarked on Dunst's performance, " The perfect contrast to take-charge Jo comes from Kirsten Dunst's scene-stealing Amy, whose vanity and twinkling mischief make so much more sense coming from an 11-year-old vixen than they did from grown-up Joan Bennett in 1933.

The Nostalgia Critic, in his review of The Room, performed a more over-the-top parody of the sketch near the end of the video.

Critic Robin Roberts opines that this character " is shaped more by her femininity than by her medical, scientific training.

Critic and musicologist Robert Palmer said their endurance and relevance stems from being " rooted in traditional verities, in rhythm-and-blues and soul music " while " more ephemeral pop fashions have come and gone ".

Critic Graham Young claims that Maoists see Joseph Stalin as the last true socialist leader of the Soviet Union, but allows that the Maoist assessments of Stalin vary between the extremely positive and the more ambivalent.

Critic Steve Huey of Allmusic writes that the album's influence " was felt more in spirit than in direct copycatting, as a catalyst rather than a literal musical starting point.

Critic Roger Ebert wrote an article entitled, " Attacks on ' Roger & Me ' completely miss point of film " that defends Moore's manipulation of his film's timeline as an artistic and stylistic choice that has less to do with his credibility as a filmmaker and more to do with the flexibility of film as a medium to express a viewpoint using the same methods that satirists have used.

Critic Johnny Loftus writes, " Rock critics usually reserve a special place for Deftones above or at least away from the rest of the turn-of-the-century metal movement Deftones have always seemed more curious, more willing to incorporate traditionally revered sounds like D. C. hardcore and dream pop into their Northern California alt-metal.

Critic Joshua Klein said that " the emphasis this time sounds less on unfocused experimentation and more on melody ... a breezy and welcome return to form for the British band.

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" Critic Giovanni Grazzini, reviewing for the Italian newspaper Corriere della Sera, described Fellini as " an artist at his peak " and the film as the work of a mature, more refined director whose “ autobiographical content shows greater insight into historical fact and the reality of a generation.

Critic David Shipman thought Novak's performance " little more than competent ", while David Thomson described it as " one of the major female performances in the cinema ".

Critic Michael Billington believes this version is more suggestive of Middleton than Shakespeare.

Critic R. L. Shurter has gone as far as to argue that " Looking Backward is actually a fictionalized version of The Co-operative Commonwealth and little more ".

Critic Charles Shaar Murray wrote, " Bob Dylan has never seemed more perfect and more impressive than on this album.

Critic Roger Ebert of the Chicago Sun-Times called the film "... quite an improvement on Cooper's all but unreadable book, and a worthy successor to the Randolph Scott version ," going on to say that " The Last of the Mohicans is not as authentic and uncompromised as it claims to be — more of a matinee fantasy than it wants to admit — but it is probably more entertaining as a result.

After his reelection, he was appointed Associate Critic for National Defense, and more recently Associate Critic for Treasury Board.