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Critic John Krewson lauded the work of Ida Lupino, and wrote, " As a screenwriter and director, Lupino had an eye for the emotional truth hidden within the taboo or mundane, making a series of B-styled pictures which featured sympathetic, honest portrayals of such controversial subjects as unmarried mothers, bigamy, and rape ... in The Hitch-Hiker, arguably Lupino's best film and the only true noir directed by a woman, two utterly average middle-class American men are held at gunpoint and slowly psychologically broken by a serial killer.
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Critic and John
Critic John Clute wrote of M. John Harrison's early writing that it "... reveals its New-Wave provenance in narrative discontinuities and subheads after the fashion of J. G. Ballard ".
Critic John Sutherland ( 1989 ) described the work as " the most sensationally successful of all the sensation novels.
Critic Bosley Crowther, film critic for The New York Times, liked the screenplay, the message of the film, and John Ford's direction, and wrote, " John Ford has truly fashioned a modern Odyssey — a stark and tough-fibered motion picture which tells with lean economy the never-ending story of man's wanderings over the waters of the world in search of peace for his soul ... it is harsh and relentless and only briefly compassionate in its revelation of man's pathetic shortcomings.
Critic John R. Elliott Jr. notes that this particular history play can be distinguished from the other history plays because it contains an ulterior political purpose.
Critic Frederic and Mary Ann Brussat wrote, " Here's a nice little movie about the baby boom generation ... Novelist John Sayles wrote, directed, and edited this movie.
Pattison was at this time a Puseyite, and greatly under the influence of John Henry Newman, for whom he worked, helping in the translation of Thomas Aquinas's Catena Aurea, and writing in the British Critic and Christian Remembrancer.
Critic John Leonard called Northern Exposure " the best of the best television in the past 10 years.
131 and a Lost Lactantius of John of Salisbury: Evidence in Search of a French Critic of Thomas Becket.
Critic John Simon remarked that it " must have arrived in garbage rather than in film cans ".
Critic John Litweiler has written that " In New York Loft Jazz meant Free Jazz in the Seventies " and Studio Rivbea was " the most famous of the lofts ".
Critic John G. Palfrey also praised Holmes, referring to him as " a man of genius ... His manner is entirely his own, manly and unaffected ; generally easy and playful, and sinking at times into ' a most humorous sadness '".
) Critic and author John Clute writes that "… his early stories and novels display considerable intellectual complexity, and do not shirk the downbeat implications of their anthropological treatment of aliens and alienating milieux …" In his major essay on these early novels, author Ian Watson writes " Michael Bishop is both an exoticist and a moralist.
Critic Joachim Berendt wrote that " Since Ponty, the jazz violin has been a different instrument ", of his " style of phrasing that corresponds to early and middle John Coltrane " and his " brilliance and fire ".
Critic John Eyles writes, " Just as such labels as Blue Note, ECM, and Incus have captured and defined the zeitgeist at various points in the past, Erstwhile is now doing so.
Critic and scholar John Sutherland says that of all the books Gardner published, " it's the one that most deserves to survive.
Critic Dave Marsh would call it one of the " two best records Dylan has made since John Wesley Harding " and gave it a four-star review in the 1979 Rolling Stone Record Guide.
In August 2005, PC leader John Tory appointed Hudak to the lead role of Official Opposition Finance Critic.
Critic John Heilpern wrote that Look Back in Anger expressed such " immensity of feeling and class hatred " that it altered the course of English theater.
Critic John Simon revealed on the air to the home audience that during the most recent commercial break, fellow guest Mort Sahl had threatened to punch him in the mouth.
Critic John Neal, who was a friend of Poe's cousin George Poe, responded to Poe's claim in his review of " Al Aaraaf " for the Yankee and Boston Literary Gazette.
The book is Praise, Vilification & Sexual Innuendo, or How to Be a Critic: The Selected Writings of John L. Wasserman, 1964-1979.
* Joseph Wood Krutch as a Cultural Critic by John Margolis
Critic and lauded
Critic Roger Ebert lauded the film in his film review, writing, " The Official Story is part polemic, part thriller, part tragedy.
Critic Dennis Schwartz lauded the film and wrote, " This is Joseph H. Lewis's second feature and one that has the same intense energy as his The Big Combo ( 1955 ) and My Name is Julia Ross ( 1945 ).
Critic and work
The Athenaeum reviewer praised Ellis Bell's work for its music and power, and the Critic reviewer recognized " the presence of more genius than it was supposed this utilitarian age had devoted to the loftier exercises of the intellect.
Critic Leonard Maltin labeled Hawks " the greatest American director who is not a household name ," noting that, while his work may not be as well known as Ford, Welles, or DeMille, he is no less a talented filmmaker.
Critic Alexander Woollcott wrote of Bogart's early work that he " is what is usually and mercifully described as inadequate.
Critic Billy Altman, whose work has appeared in many publications including Entertainment Weekly and The New York Times, wrote the following for Amazon. com: " One of rock's most overlooked masterpieces, this third album by the L. A. folk-rock outfit led by inscrutable singer-songwriter Arthur Lee sounds as fresh and innovative today as it did upon its original release in 1968.
Critic Louis Vauxcelles described the work with the phrase " Donatello parmi les fauves!
Critic Lloyd Goodrich praised the work as “ one of the most poignant and desolating pieces of realism .” The work is the first of a series of stark rural and urban scenes that uses sharp lines and large shapes, played upon by unusual lighting to capture the lonely mood of his subjects.
* The Critic and the Heart ( 1957 )-Bolt's first professionally produced work, it involves Winifred Blazer, a middle-aged spinster whose life is ruined by the arrival of a mean-spirited art critic.
Critic Billy Stevenson described the film as Moore's " most astonishing ", arguing that it represents an effort to conflate film-making and labor, and that " it's this fusion of film-making and work that allows Moore to fully convey the desecration of Flint without ever transforming it into a sublime or melancholy poverty-spectacle, thereby distancing himself from the retouristing of the town-as-simulacrum that occupies the last and most intriguing part of the film.
In addition to her work on The Simpsons, Cartwright has voiced many other characters on several animated series, including Chuckie Finster in Rugrats and All Grown Up !, Margo Sherman in The Critic, Mindy in Animaniacs and Rufus the naked mole rat in Kim Possible.
*" Critic At Large ", where Gilbert Smythe Bite-Me ( Abbott ), an entertainment critic, gives negative reviews, and takes regular potshots at the Women's Television Network, describing them as ' a bunch of scrotally-deprived, estrogen-sodden non-males ', and ' not just because three of ( his ) ex-wives work there.
" Critic Giovanni Grazzini, reviewing for the Italian newspaper Corriere della Sera, described Fellini as " an artist at his peak " and the film as the work of a mature, more refined director whose “ autobiographical content shows greater insight into historical fact and the reality of a generation.
Critic Walter Addiego considers Nava's work a worshipful biography of her.
Critic Harold Bloom cites Myra Breckinridge as a canonical work in his book The Western Canon.
Critic Brooks Atkinson, in his review for The New York Times wrote of the original 1949 Broadway production that Maxwell Anderson and Mr. Weill had encountered " obvious difficulty " in transforming " so thoroughly a work of literary art " into theatre, and was sometimes " skimming and literal where the novel is rich and allusive.
" Critic Janet Maslin wrote of Terence Stamp's work, " Stamp plays the title role furiously, with single-minded intensity, wild blue eyes and a stentorian roar shown off in the film's early moments ... Glimpses of young, dreamily beautiful Stamp and his no less imposing latter-day presence are used by Soderbergh with touching efficacy.
Richard E. Geis has won 6 of 14 nominations for his work on Science Fiction Review, Psychotic, and The Alien Critic ; Mike Glyer has won 6 of 29 for editing File 770 ; David Langford has won 5 of 12 for work on Ansible and Twil-Ddu ; and Richard Lynch and Nicki Lynch have both won 6 of 14 nominations for Mimosa.
Critic Ron Wynn describes Parker as " mong Europe's most innovative and intriguing saxophonists ... his solo sax work isn't for the squeamish.
Critic Mauro Souza Ventura released De Karpfen a Carpeaux, a study in the life and work of Carpeaux.
* Critic: Cornel Robu ( for critical edition of Victor Anestin's work )
Critic William Ruhlman agreed, writing that the album " is a highly referential work from an artist who started where most end and has been earnestly seeking the right direction ever since.
Critic Tzvetan Todorov described Bénichou ’ s special interest as “ the thought of poets .” More generally, though, Paul Bénichou ’ s work contributed to the understanding of the creative writer's place in modernity, and illuminated the role of writers in legitimating the institutions and values of modern society.
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