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Critic and described
Critic Alexander Woollcott wrote of Bogart's early work that he " is what is usually and mercifully described as inadequate.
Critic Simon Reynolds described this movement as " a rash of blurry, neo-psychedelic bands ".
Critic Stephen Thomas Erlewine has described Francis's writing as containing " bizarre, fragmented lyrics about space, religion, sex, mutilation, and pop culture ".
Critic John Sutherland ( 1989 ) described the work as " the most sensationally successful of all the sensation novels.
Critic Stephen Farber has described the film as " One of the most skillful and entertaining summaries of Marilyn's endlessly fascinating rise and fall.
Critic Louis Vauxcelles described the work with the phrase " Donatello parmi les fauves!
Critic Henry Sheehan described the film as a retelling of Peter Pan from the perspective of a Lost Boy ( Elliott ): E. T.
Critic and artist Roger Fry did something to restore it in the 1930s, when he described Lawrence as having a " consummate mastery over the means of artistic expression " with an " unerring hand and eye ".
Critic Billy Stevenson described the film as Moore's " most astonishing ", arguing that it represents an effort to conflate film-making and labor, and that " it's this fusion of film-making and work that allows Moore to fully convey the desecration of Flint without ever transforming it into a sublime or melancholy poverty-spectacle, thereby distancing himself from the retouristing of the town-as-simulacrum that occupies the last and most intriguing part of the film.
" Critic Giovanni Grazzini, reviewing for the Italian newspaper Corriere della Sera, described Fellini as " an artist at his peak " and the film as the work of a mature, more refined director whose “ autobiographical content shows greater insight into historical fact and the reality of a generation.
Critic David Shipman thought Novak's performance " little more than competent ", while David Thomson described it as " one of the major female performances in the cinema ".
Critic Ned Chaillett has described Sink the Belgrano !, a critical take on the Falklands War, which premiered at the Half Moon Theatre, in Stepney, on 2 September 1986, as " a diatribe in punk-Shakespearean verse "; and Berkoff himself described it as " even by my modest standards ... one of the best things I have done ".
Critic and poet Kenneth Rexroth described Ciardi as ".
Critic William Lawrence Schroeder described Holmes's prose style as " attractive " in that it " made no great demand on the attention of the reader.
As Conservative Health Critic, Fletcher described himself as a supporter of the Canada Health Act but also indicated a willingness to permit greater private-sector involvement.
NDP Justice Critic Joe Comartin argued that this change addressed the legitimate concerns of Canadians, while removing what he described as " the radical, extreme over-reaction " of the Conservatives.
Film Critic David Robinson described Linder's screen persona as " no grotesque: he was young, handsome, debonair, immaculate ... in silk hat, jock coat, cravat, spats, patent shoes, and swagger cane.
Critic Stephen Thomas Erlewine described the hair metal – leaning album as " unbearable ".
Critic Nathan Morley described " Accidents " as the band's masterpiece.
Critic Tzvetan Todorov described Bénichou ’ s special interest as “ the thought of poets .” More generally, though, Paul Bénichou ’ s work contributed to the understanding of the creative writer's place in modernity, and illuminated the role of writers in legitimating the institutions and values of modern society.
Critic Marc Bernardin described the episode as Star Treks " smartest time-travel experiment " and a fan favorite.
" Critic Andre Meyer of CBS News thought the material on the album was " stronger " than on Charmbracelet, and described it as a move in Carey's long-term plan for pop domination, while giving off the " jittery R & B vibe that made Destiny's Child so potent.
Joe Bob Briggs, The Drive-In Movie Critic, described Wishman as, " The greatest female exploitation film director in history.

Critic and horror
" Critic Robin Wood found it one of the few horror films to possess " the authentic quality of nightmare ".
Critic Christopher Sharrett argues that since Alfred Hitchcock's Psycho ( 1960 ) and The Birds ( 1963 ), the American horror film has been defined by the questions it poses " about the fundamental validity of the American civilizing process ", concerns amplified during the 1970s by the " delegitimation of authority in the wake of Vietnam and Watergate ".
Critic Christopher Null wrote of the film, " One of the ' 70s juiciest entries into the horror genre, The Abominable Dr. Phibes is Vincent Price at his campy best, a former doctor and concert organist ( go figure that one out yourself ) who is exacting revenge on the nine doctors he blames for botching his wife's surgery, which ended with her death.
Critic Roger Ebert called it " one of the best horror films ever made ".

Critic and story
Critic Bosley Crowther, film critic for The New York Times, liked the screenplay, the message of the film, and John Ford's direction, and wrote, " John Ford has truly fashioned a modern Odyssey — a stark and tough-fibered motion picture which tells with lean economy the never-ending story of man's wanderings over the waters of the world in search of peace for his soul ... it is harsh and relentless and only briefly compassionate in its revelation of man's pathetic shortcomings.
" Critic Richard Delap writes " There is an abundance of exploitable elements in Bishop's story, so it is astonishing to see how the author keeps them under strict rein, always with a highly keyed visual sense but also with a literary flair that says more by implication than by direct description.
" Critic Joe Morgenstern of The Wall Street Journal stated that the film " does almost everything right with a story about everything going wrong " and that it " works up a major comic delirium on the theme of Murphy's Law ", concluding that " Meet the Parents is the funniest movie of the year.
The Museum of Contemporary Art ( MCA ) Chicago was created as the result of a 1964 meeting of 30 critics, collectors and dealers at the home of Critic Doris Lane Butler to bring the long-discussed idea of a museum of contemporary art to complement the city's Art Institute of Chicago, according to a grand opening story in Time.
Critic Robert van Gelder called it " perhaps the most sentimental story that ever has achieved the dignity of a Borzoi imprint of publisher Knopf imprint.
Critic / novelist Jonathan Barnes writes of encountering the story as a child and finding it " one of the richest and most singular investigations of Holmes ’ s long career – an opinion which I have had no reason to change ... Revisited in adulthood, the story reveals itself as a sour parable about the endurance of lust, a lurid treatment of the question that is put to Falstaff as Doll Tearsheet fidgets on his knee: ' is it not strange that desire should so many years outlive performance ?'.
Critic Marianne Evett shared Karamu's success story as the Theatre began to recover from past hardships.
" Critic Laura Miller, writing on Salon. com, described Hellhound as a " meticulous yet driving account that is in essence a true-crime story and a splendid specimen of the genre.
Critic Greil Marcus, listing it at # 10 of his Real-Life Rock Top Ten 1979, said, " Singer Tom Gray told his story in a strangled voice, as if he were trying to explain, but instead he laid a curse.

Critic and nightmare
Critic Steve Huey calls it " perhaps Tom Waits's most cohesive album ... a morbid, sinister nightmare, one that applied the quirks of his experimental ' 80s classics to stunningly evocative — and often harrowing — effect ... Waits ' most affecting and powerful recording, even if it isn't his most accessible.

Critic and you'll
Critic Josip Novakovich, who compared One of the Guys to A Confederacy of Dunces, has said, " If you read the book in public, you will laugh so much and go through so many facial expressions that you'll run the risk of having the police called to check you out.

Critic and never
Critic William Kuhn argued that much of his fiction can be read as " the memoirs he never wrote ", revealing the inner life of a politician for whom the norms of Victorian public life appeared to represent a social straitjacket – particularly with regard to his allegedly " ambiguous sexuality.
Critic and author Eddie Muller wrote, " Joseph H. Lewis's direction is propulsive, possessed of a confident, vigorous simplicity that all the frantic editing and visual pyrotechnics of the filmmaking progeny never quite surpassed.
Critic Charles Shaar Murray wrote, " Bob Dylan has never seemed more perfect and more impressive than on this album.
Critic Dennis Schwartz liked the film and acting in the drama and wrote, " A schematic film noir by Nicholas Ray ( They Live by Night ) that overcomes its artificial contrivances to become a touching psychological drama about despair and loneliness -- one of the best of this sort in the history of film noir ... Robert Ryan's fierce performance is superb, as he's able to convincingly assure us he has a real spiritual awakening ; while Lupino's gentle character acts to humanize the crime fighter, who has walked on the " dangerous ground " of the city and has never realized before that there could be any other kind of turf until meeting someone as profound and tolerant as Mary.
It stands on its own even if ' The Critic ' never existed.
Critic Sam Adams wrote about Fritz Lang directorial style, " Restraint was never Fritz Lang's problem.

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