Critic Lisa Zeidner argues that the artist's " loyalty and love " involved with creating originality counters Bigend ’ s assertion that everything is a reflection of something else and that the creative process no longer rests with the individual.

Critic Richard Lehan says that " Balzac was the bridge between the comic realism of Dickens and the naturalism of Zola.

The sketch was parodied on the animated show The Critic when the main character watches " Yesterday Night Live " and the Australian host comes out and says, " She's a girl mate, I saw her backstage ," and pulls her wig off with her saying, " You ruined my career!

" Critic Richard Delap writes " There is an abundance of exploitable elements in Bishop's story, so it is astonishing to see how the author keeps them under strict rein, always with a highly keyed visual sense but also with a literary flair that says more by implication than by direct description.

Critic and scholar John Sutherland says that of all the books Gardner published, " it's the one that most deserves to survive.

Critic Opal Moore says about Caged Bird: "...

Critic Henry Prunières wrote, “ From the opening measures, we are plunged into a world in which Ravel has but rarely introduced us .”

Critic Adam Roberts said of the novel: “ It is really quite hard to respond to this masterful book, except by engaging with its political content ; and yet we need to make the effort to see past the ideological to the formal and thematic if we are fully to appreciate the splendour of Heinlein's achievement here .”

Critic Lloyd Goodrich praised the work as “ one of the most poignant and desolating pieces of realism .” The work is the first of a series of stark rural and urban scenes that uses sharp lines and large shapes, played upon by unusual lighting to capture the lonely mood of his subjects.

* A Commentary of Kant's “ Critic of Pure Reason ” ( trans.

" Critic Giovanni Grazzini, reviewing for the Italian newspaper Corriere della Sera, described Fellini as " an artist at his peak " and the film as the work of a mature, more refined director whose “ autobiographical content shows greater insight into historical fact and the reality of a generation.

Art Critic Guillaume Apollinaire praised those works of the exhibition and proclaimed Delaunay as “ an artist who has a monumental vision of the world .”

Critic William Winter said, “ He was followed as a marvel.

Anthony Violanti, “ Journalists Like to be Spoon-fed, Critic Says ,” Buffalo News, 26 March.

Anthony DiMaggio, “ Interview: Media Critic Robert McChesney ,” indy ( Bloomington-Normal, Ill .), Vol.

Brian Sarzynski, “ Thinking Outside the Vox ( Populi ): An Interview with Outspoken Media Critic Robert McChesney ,” mountainx. com, Vol.

Prior to reVisions, Isserlis recorded Schumann ’ s music for cello and piano ( Dénes Várjon ), and the complete Solo Cello Suites by Bach, which has won many awards, including Listeners ’ Disc of the Year on BBC Radio 3 ’ s CD Review, Gramophone ’ s Instrumental Disc of the Year, and “ Critic ’ s Choice ” at the 2008 Classical Brits.

* Micha Odenheimer, A “ Connected Critic ”, Micha Odenheimer speaks with an individual who has carved out a space for himself as a left-wing supporter of Israel, Eretz Acheret Magazine

* Hagan, Kenneth J., “ The Critic Within ” in Naval History ( December 1998 ): 20-25

British Art Critic Adrian Searle wrote that “ Downtown 81 captures that New York moment when punk, emerging rap, art school cool and the East Village art and music scenes were at their creative best .”

On November 28, 1828 a contest was posted in the New York Critic by American actor, Edwin Forrest, offering a prize of 500 dollars for an original play which met such criteria as, “ a tragedy, in five acts, of which the hero, or principal character, shall be an aboriginal of this country .” Forrest, looking to produce a play suiting his strengths, created the contest as an opportunity to boost his acting career.

Critic Tzvetan Todorov described Bénichou ’ s special interest as “ the thought of poets .” More generally, though, Paul Bénichou ’ s work contributed to the understanding of the creative writer's place in modernity, and illuminated the role of writers in legitimating the institutions and values of modern society.

Samir Farid ( prominent Film Critic ) in his book “ New Realism in Egyptian Cinema ”, 1991.

First, The Audio Critic chose a Mark Levinson ML-2 which Bob acoustically copied ( transfer function duplication ) and sold as his M1. 5t amplifier ( the “ t ” stood for transfer function modified ).

Yale ’ s The New Englander while complimenting Emerson's abilities, criticized the book as depicting “ a universe bereft of its God ” and described its author as writing “ with the air of a man who is accustomed to be looked up to with admiring and unquestioning deference .” Littell's Living Age found the book to contain the “ weakest kind of commonplace elaborately thrown into unintelligible shapes ” and claimed it to read in parts like an “ emasculate passage of Walt Whitman .” Others were no less critical, proclaiming that Emerson “ has come to the end of what he had to say, and is repeating himself ” ( Athenaeum ) or even calling him a “ phrasemonger ” and “ second-hand writer ” ( Critic ).

Kardec's own introductory book on Spiritism, What is Spiritism ?, published only two years after The Spirits Book, includes a long dialogue between his persona and three idealized critics, " The Critic ", " The Skeptic ", and " The Priest ", which as a whole summed up most of the criticism Spiritism has received since then: of being charlatanism, pseudoscience, heresy, anti-Catholic, witchcraft, and / or a form of Satanism.

On the Board of NeWest Press ( Edmonton ) since 1981, she is the founder and editor of The Writer as Critic series, which includes, among others, Douglas Barbour's Lyric / Anti-lyric: Essays on Contemporary Poetry, Frank Davey's Canadian Literary Power, Daphne Marlatt's Readings from the Labyrinth, Fred Wah's Faking It: Poetics and Hybridity, Phyllis Webb's Nothing But Brush Strokes, and, most recently, Di Brandt's So This Is the World & Here I Am in It.

* Eric Miles Williamson ( Novelist / Literary Critic / Professor, McAllen, Texas )

* Stephen Goranson, " Celsus of Pergamum: Locating a Critic of Early Christianity ," in D. R. Edwards and C. T. McCollough ( eds ), The Archaeology of Difference: Gender, Ethnicity, Class and the " Other " in Antiquity: Studies in Honor of Eric M. Meyers ( Boston: American Schools of Oriental Research, 2007 ) ( Information Annual of the American Schools of Oriental Research, 60 / 61 ).

Broadcasting: Linda Marigliano ( Triple J ); Nathan Sapsford ( Video Hits, Channel 10 ); Jaimie Leonarder / Jay Katz ( former SBS Film Critic ), Triple J and former SBS Film Critic Marc Fennell ; comedian / filmmaker Dan Ilic ( The Ronnie Johns Half Hour, Channel 10 ), Dom Alessio ( Triple J ); Dan Buhagiar ( Triple J )

Critic / novelist Jonathan Barnes writes of encountering the story as a child and finding it " one of the richest and most singular investigations of Holmes ’ s long career – an opinion which I have had no reason to change ... Revisited in adulthood, the story reveals itself as a sour parable about the endurance of lust, a lurid treatment of the question that is put to Falstaff as Doll Tearsheet fidgets on his knee: ' is it not strange that desire should so many years outlive performance ?'.

Critic Alex Henderson describes the band's music as a " mildly avant-garde blend of jazz, rock and funk draws on a wide variety of influences ... Often quirky, eccentric and abstract, JFJO favors an inside / outside approach but is usually more inside than outside.

** Jay Sherman, the New York film critic from the season six crossover episode " A Star is Burns " and the ABC / FOX animated sitcom The Critic.

* EFilm Critic Online Film Magazine, Interview: Tom Atkins Thrills Us: http :// efilmcritic. com / feature. php? feature = 2652 ( Date Unknown ) with Peter Sobczynski

Critic Annette Kuhn explains that “ a glamorous / glamourised image then is one manipulated, falsified perhaps, in order to heighten or even to idealise.

Critic Patrick Legare wrote of the film: " Originating during the science-fiction / Red-Scare boom of the ' 50s, Invaders From Mars is an entertaining little picture that holds up reasonably well.

The third Beer City release was called " The Great Lakes of Beer " in 2001 and had two exclusive songs, The Great Lakes of Beer and The Critic !, both written on the road and recorded live / drunk.

Robin Pierson of The TV Critic gave the episode a mixed review, rating the episode a 67 / 100, stating that it is one of the most densely packed pilots on television, he mentioned that it is entertaining but he said that there are many jokes that follow the quality does not win out over quantity saying.

Critic Roger Ebert gave the film 4 / 4 stars, stating that it " creates a portrait that is deep, sympathetic, perceptive and yet finally leaves Dylan shrouded in mystery, which is where he properly lives ".

Critic Rita Kempley from the Washington Post called it an “ amateurish directorial debut, a smutty sexual sideshow most safely viewed in a full body condom ”.

* Starks, Lisa S. 1999.

Lisa S. Starks reads the film as a revisionist horror movie and feels that Taymor is herself part of the process of twentieth century re-evaluation of the play ; " in adapting a play that has traditionally evoked critical condemnation, Taymor calls into question that judgement, thereby opening up the possibility for new readings and considerations of the play within the Shakespeare canon.

* Starks, Lisa S. " Cinema of Cruelty: Powers of Horror in Julie Taymor's Titus ", in Lisa S. Starks and Courtney Lehmann ( editors ) The Reel Shakespeare: Alternative Cinema and Theory ( London: Associated University Press, 2002 ), 121 – 142