Others had also pointed out that as Finance Critic, he had been outspoken in his attacks on Paul Martin who was Finance Minister ; Brison was criticized as an opportunist for switching parties and accepting a position as parliamentary secretary.

Critic and sf historian Thomas Clareson has commented that " Planet seemed to look backward towards the 1930s and earlier ", an impression that was strengthened by the extensive use of interior artwork by Frank Paul, who had been the cover artist for the early Gernsback magazines in the 1920s.

Critic Tzvetan Todorov described Bénichou ’ s special interest as “ the thought of poets .” More generally, though, Paul Bénichou ’ s work contributed to the understanding of the creative writer's place in modernity, and illuminated the role of writers in legitimating the institutions and values of modern society.

" in Edward Said and the Work of the Critic: Speaking Truth to Power., Edited by Paul A. Bové.

In 2010, Sherri, along with Paul Rugg, Tom Ruegger, Nathan Ruegger & John P. McCann appeared in The Nostalgia Critic's Animaniacs Tribute and was interviewed by The Critic.

Critic Paul Brenner of Rotten Tomatoes. com cited the film as " treacly ," whilst many others on the site have stated that a sequel was not necessary.

* Paul Ross ( TV Presenter And Film Critic )

* Doherty, Paul C., " Words as Idols: The Epiphany in James Joyce's ' The Sisters ,'" CEA Critic, vol.

Critic Rex Reed noted that " The score of ' Night Music ' ... contains patter songs, contrapuntal duets and trios, a quartet, and even a dramatic double quintet to puzzle through.

Critic W. S. Di Piero noted " Whatever the occasion, childhood, farm life, politics and culture in Northern Ireland, other poets past and present, Heaney strikes time and again at the taproot of language, examining its genetic structures, trying to discover how it has served, in all its changes, as a culture bearer, a world to contain imaginations, at once a rhetorical weapon and nutriment of spirit.

Critic James Agee noted that " the Hays office must have been raped in its sleep " to allow the film to be released.

Critic Robert Trussell noted, " Little effort was made to hide the ( California ) mountains in the background.

Critic Bosley Crowther noted that its " striking and authentic documentary quality has been imported to the whole film in every detail, attitude and word.

Critic Andy Sawyer has noted that such fragments seem to arise naturally from the " barbarically sophisticated " worlds Eddison has created.

Critic Steve Blance, in his Top Ten Worst Movies Review, called the film " the worst I have ever witnessed " and also noted that he would " rather be tortured for twenty-years with searing iron than have to sit through even a minute of this again.

Critic Anne Midgette of the New York Times has noted that Argento's operas tend to be very well received upon their premieres, but they lack an " easy popular hook " and are rarely revived.

Critic Vladimir Stasov noted that a " sorrowful note sensibly resounds in the general physological array of the work ".

Critic Roger Ebert said, on At the Movies, that Pauly Shore was the " cinematic equivalent of long fingernails, drawn very slowly and quite loudly over a gigantic blackboard " and noted that although his co-host, Gene Siskel, extremely disliked Chris Farley, he would " rather attend a dusk-to-dawn Chris Farley film festival than sit through any 5 minutes of Jury Duty.

Critic Steve Huey calls it " perhaps Tom Waits's most cohesive album ... a morbid, sinister nightmare, one that applied the quirks of his experimental ' 80s classics to stunningly evocative — and often harrowing — effect ... Waits ' most affecting and powerful recording, even if it isn't his most accessible.

Critic Ron Wynn describes Parker as " mong Europe's most innovative and intriguing saxophonists ... his solo sax work isn't for the squeamish.

Critic Glenn Erickson recently echoed the New York Times review, writing, " Although biographies on both Ib Melchior and Sid Pink would have you believe that The Angry Red Planet is an outer-space classic, it simply isn't so.

Critic Jay Seaver gave the film a mixed review, writing, " Nightfall isn't worried about purity of genre ; it occasionally threatens to become an almost light-hearted caper movie ... The storytelling is more than a bit cumbersome.

Critic Adam Roberts said of the novel: “ It is really quite hard to respond to this masterful book, except by engaging with its political content ; and yet we need to make the effort to see past the ideological to the formal and thematic if we are fully to appreciate the splendour of Heinlein's achievement here .”

Critic Roger Ebert of the Chicago Sun-Times remarked that " Here, using big movie stars and asking them to play each other, Woo and his writers find a terrific counterpoint to the action scenes: All through the movie, you find yourself reinterpreting every scene as you realize the ' other ' character is ' really ' playing it.

Critic Vincent Leo praised Penn's performance, noting, " While Oldman gets the accolades for his energetic performance, it is really Penn's inner demons that provides the film with the right amount of conflict, always letting us be aware that fine lines are the difference between life and death, as well as right and wrong, out in the streets of New York.

Critic and Beefheart biographer Mike Barnes has offered that the album was " ponderous ... it really just lumbers along.

The Video Game Critic gave the game an A-stating " David Crane clearly pulled out all the stops with this one, and the result is an exciting adventure that really pushes the limits of the system.

By an authority so high as the London Critic, this essay was subsequently pronounced a fair refutation of Lord Mahon's charge.

Critic David Ansen gave the film a mixed review, writing, " Taylor Hackford's thriller Proof of Life leaves a lot to be desired, but it's got its hands on a fascinating subject ... To be fair, Tony Gilroy's screenplay keeps the romance on the back burner ... Thorne is the most compelling aspect of Proof of Life, thanks to Crowe's quiet, hard-bitten charisma.

Critic Georg Lukács points to middling main characters like Ivanhoe in Sir Walter Scott's other novels as one of the primary reasons Scott's historical novels depart from previous historical works and better explore social and cultural history.

* Jay Sherman, the main character in The Critic

Critic Fred Patten is one of the main supporters of the strip.

Critic Alfred Habegger has claimed that the main character of Portrait was inspired by Christie Archer, the protagonist from Anne Moncure Crane's novel, Reginald Archer ( 1871 ).

The sketch was parodied on the animated show The Critic when the main character watches " Yesterday Night Live " and the Australian host comes out and says, " She's a girl mate, I saw her backstage ," and pulls her wig off with her saying, " You ruined my career!

* One episode of the short lived TV series, The Critic, features main character Jay Sherman reviewing a movie titled Dennis the Menace II Society, in which Dennis the Menace pulls out two machine guns and shoots up George Wilson's house.

" Critic Ian Lace said of her theme: " One has to suppose that the main character of this new game, Manon, inspired by the exploits of Hélène Déschamps is French.

Bart Simpson is watching the film The Flintstones Meet the Jetsons and after he criticizes the " cheap " crossover, Jay Sherman, the main character of the animated TV show The Critic, introduces himself to Bart.

Almost every episode title alliteratively alludes to how the victim is discovered in said episode, like " The Critic in the Cabernet " and " The Dwarf in the Dirt ", or to the main plot device of the episode, like " The Hero in the Hold " and " The Change in the Game ".

Critic Roger Ebert said of the film that it " somehow does succeed in treating the awesome and scary subject of sexual initiation with some of the dignity it deserves.

Critic Taran Adarsh described the subject matter as a delicate one which could have easily been disastrous and praised the way in which director Karan's boldly constructed the film, citing it has his finest work to date.

Critic Frank Rich wrote: "... this play can be taken as an indirect treatment of the same subject.