The visitor was supposed to help them converse by typing in to ' Artist ' what ' Critic ' said, and vice versa.

Critic and musicologist Robert Palmer said their endurance and relevance stems from being " rooted in traditional verities, in rhythm-and-blues and soul music " while " more ephemeral pop fashions have come and gone ".

Critic Adam Roberts said of the novel: “ It is really quite hard to respond to this masterful book, except by engaging with its political content ; and yet we need to make the effort to see past the ideological to the formal and thematic if we are fully to appreciate the splendour of Heinlein's achievement here .”

Critic Joshua Klein said that " the emphasis this time sounds less on unfocused experimentation and more on melody ... a breezy and welcome return to form for the British band.

Critic Mike Gee of iZINE said of this time, " The Verve, as he ( Richard Ashcroft ) promised, had become the greatest band in the world.

Critic Roger Ebert said of the film that it " somehow does succeed in treating the awesome and scary subject of sexual initiation with some of the dignity it deserves.

" Critic Howard Halle said of it that " Using distance and attendant shifts of scale within the very fabric of the city, Horizon creates a metaphor for urban life and all the contradictory associations – alienation, ambition, anonymity, fame – it entails.

Critic Dale Krueger said that the system is difficult to implement, and that companies often wind up overemphasizing control, as opposed to fostering creativity, to meet their goals.

Critic William Winter said, “ He was followed as a marvel.

Critic David Shipman said his personal notices for his performance in The Secretary Bird ( 1968 ) " must be among the best accorded any light comedian during this century ".

Critic Northrop Frye said that Menippean satire moves rapidly between styles and points of view.

Critic Joe Balthai wrote she was " the darling of the 1998 Sundance Film Festival " and Internet movie writer Harry Knowles said she was the " discovery of the fest ", but the film was not commercially released in the U. S. and went direct-to-video.

Critic James Dafforne, writing in 1871 in The Art Journal said of Leader's style:

" Critic Ian Lace said of her theme: " One has to suppose that the main character of this new game, Manon, inspired by the exploits of Hélène Déschamps is French.

Critic, Taran Adarsh said, " Raveena Tandon lends credibility to the role of a battered wife and walks away with the honours.

" Critic Robert Christgau said that Young " was born to lumber, and Pearl Jam wasn't.

Critic Harry Sumrall of the San Jose Mercury News said that Rabbitt was " like a hot corn dog: nothing fancy, nothing frilly.

Critic Roger Ebert said that " Pedro Almodóvar's films are an acquired taste, and with High Heels I am at last beginning to acquire it.

Critic Roger Ebert said of his performance that he " seems to have become the latter-day version of Christopher Walken – not all the time, but when you need him, he's your go-to guy for weirdness.

Critic Leonard Feather once said, " It is almost indisputable that Dr. Billy Taylor is the world's foremost spokesman for jazz.

Critic Tony Rayns describes The Spirit of the Beehive as " a haunting mood piece that dispenses with plot and works its spells through intricate patterns of sound and image " and of El Sur it has been said that " Erice creates his film as a canvas, conjuring painterly images of slow dissolves and shafts of light that match Caravaggio in their power to animate a scene of stillness, or freeze one of mad movement.

" said Autumn Bartsch of Everyone's a Critic.

In one of its highest scoring reviews, The Video Game Critic gave the game an A-and said it's " hard to put down.

Critic Josip Novakovich, who compared One of the Guys to A Confederacy of Dunces, has said, " If you read the book in public, you will laugh so much and go through so many facial expressions that you'll run the risk of having the police called to check you out.

Critic Robert Christgau said of the record: " Beefheart's famous five-octave range and covert totalitarian structures have taken on a playful undertone, repulsive and engrossing and slapstick funny.

On the Board of NeWest Press ( Edmonton ) since 1981, she is the founder and editor of The Writer as Critic series, which includes, among others, Douglas Barbour's Lyric / Anti-lyric: Essays on Contemporary Poetry, Frank Davey's Canadian Literary Power, Daphne Marlatt's Readings from the Labyrinth, Fred Wah's Faking It: Poetics and Hybridity, Phyllis Webb's Nothing But Brush Strokes, and, most recently, Di Brandt's So This Is the World & Here I Am in It.

* How-To Guides: Examples include " So You Want to Be an Unrecognized Genius ," " How to Be a Clever Film Critic ," and " How to Get into the College of Your Choice.

" In his So I've Heard: Notes of a Migratory Music Critic, 66 – 67.

Critic Billy Altman, whose work has appeared in many publications including Entertainment Weekly and The New York Times, wrote the following for Amazon. com: " One of rock's most overlooked masterpieces, this third album by the L. A. folk-rock outfit led by inscrutable singer-songwriter Arthur Lee sounds as fresh and innovative today as it did upon its original release in 1968.

Critic Frank Murphy argues that many of the same characteristics that mark Beiderbecke on the cornet mark him on the keyboard: the uncharacteristic fingering, the emphasis on inventive harmonies, and the correlated choruses.

In the late 1940s and early 1950s, Stone's role as Chief Design Critic and Associate Professor of Architecture at the Yale University School of Architecture gave him the opportunity to recruit many skilled young staff members for his office.

In addition to her work on The Simpsons, Cartwright has voiced many other characters on several animated series, including Chuckie Finster in Rugrats and All Grown Up !, Margo Sherman in The Critic, Mindy in Animaniacs and Rufus the naked mole rat in Kim Possible.

Short films such as The Critic, Bambi Meets Godzilla, Lupo the Butcher, and many others were almost unknown to mainstream audiences ; however, these independent animated films continued to keep the yearly category of the Academy Award for Animated Short Film alive, as well as introducing a number of new names into the field of animation — names that would begin to bring change to the industry in the 1980s.

Prior to reVisions, Isserlis recorded Schumann ’ s music for cello and piano ( Dénes Várjon ), and the complete Solo Cello Suites by Bach, which has won many awards, including Listeners ’ Disc of the Year on BBC Radio 3 ’ s CD Review, Gramophone ’ s Instrumental Disc of the Year, and “ Critic ’ s Choice ” at the 2008 Classical Brits.

Critic / novelist Jonathan Barnes writes of encountering the story as a child and finding it " one of the richest and most singular investigations of Holmes ’ s long career – an opinion which I have had no reason to change ... Revisited in adulthood, the story reveals itself as a sour parable about the endurance of lust, a lurid treatment of the question that is put to Falstaff as Doll Tearsheet fidgets on his knee: ' is it not strange that desire should so many years outlive performance ?'.

For The Simpsons, Keeler has written such episodes as " A Star Is Burns " ( which Matt Groening refused to be credited for, as he was opposed to the idea of The Simpsons crossing over with The Critic ) and " The Principal and the Pauper " ( which many fans -- including series creator Matt Groening and voice actor Harry Shearer -- disliked due to the massive changes in Principal Skinner's backstory ).

Critic Evelyn C. Leeper suggested that Verne might be a good candidate for a Hugo Award for Best Novel in 1996, noting that she had not read very many novels that were much better than Verne's work that year.

Robin Pierson of The TV Critic gave the episode a mixed review, rating the episode a 67 / 100, stating that it is one of the most densely packed pilots on television, he mentioned that it is entertaining but he said that there are many jokes that follow the quality does not win out over quantity saying.

Critic Paul Brenner of Rotten Tomatoes. com cited the film as " treacly ," whilst many others on the site have stated that a sequel was not necessary.

Critic Lynn Hirschberg declared Stranger than Paradise in a 2005 profile of the director for The New York Times to have " permanently upended the idea of independent film as an intrinsically inaccessible avant-garde form ".

Critic Dana D. Nelson believes presidents over the past thirty years have worked towards " undivided presidential control of the executive branch and its agencies.

Critic James Agee noted that " the Hays office must have been raped in its sleep " to allow the film to be released.

Critic F. O. Matthiessen called this " trilogy " James's major phase, and these novels have certainly received intense critical study.

Critic Pare Lorentz wrote, " The Warner brothers have declared war on Germany with this one.

Critic Roger Ebert wrote an article entitled, " Attacks on ' Roger & Me ' completely miss point of film " that defends Moore's manipulation of his film's timeline as an artistic and stylistic choice that has less to do with his credibility as a filmmaker and more to do with the flexibility of film as a medium to express a viewpoint using the same methods that satirists have used.

Critic Johnny Loftus writes, " Rock critics usually reserve a special place for Deftones above or at least away from the rest of the turn-of-the-century metal movement Deftones have always seemed more curious, more willing to incorporate traditionally revered sounds like D. C. hardcore and dream pop into their Northern California alt-metal.

Critic Jim Harrington commented that Hansen's absence is noticeable on live performances of Stereolab's older tracks, and that their newer songs could have benefited from her backing vocals.

: Critic: " I certainly have, my little friend.

Critic Dave Marsh suggests it is this moment that gives the recording greatness: " went for it so avidly you'd have thought he'd spotted the jugular of a lifelong enemy, so crudely that, at that instant, Ely sounds like Donald Duck on helium.

Critic Scott Yanow wrote, " Tatum's quick reflexes and boundless imagination kept his improvisations filled with fresh ( and sometimes futuristic ) ideas that put him way ahead of his contemporaries ... Art Tatum's recordings still have the ability to scare modern pianists.

Critic Gill Gregory suggests that Procter may have been a lesbian and in love with Matilda Hays, a fellow member of the Society for the Promotion of the Employment of Women ; other critics have called Procter's relationship with Hays " emotionally intense.

Critic Ned Chaillett has described Sink the Belgrano !, a critical take on the Falklands War, which premiered at the Half Moon Theatre, in Stepney, on 2 September 1986, as " a diatribe in punk-Shakespearean verse "; and Berkoff himself described it as " even by my modest standards ... one of the best things I have done ".

Critic Zack Handlen remarked, " This is still early Dick, which means that while interesting concepts are introduced, and there ’ s some play with identity -- Jennings develops an overwhelming faith in the prescience of his past self, a faith which most people can ’ t ever have in their present versions, and by the end he ’ s even referring to that past guy as a separate person -- the primary focus is nabbing you and keeping you entertained.

Critic John Simon remarked that it " must have arrived in garbage rather than in film cans ".

Richard E. Geis has won 6 of 14 nominations for his work on Science Fiction Review, Psychotic, and The Alien Critic ; Mike Glyer has won 6 of 29 for editing File 770 ; David Langford has won 5 of 12 for work on Ansible and Twil-Ddu ; and Richard Lynch and Nicki Lynch have both won 6 of 14 nominations for Mimosa.

Critic John Eyles writes, " Just as such labels as Blue Note, ECM, and Incus have captured and defined the zeitgeist at various points in the past, Erstwhile is now doing so.

Critic Steve Huey writes, " rampant eclecticism encompasses everything from heavy metal and punk to funk, R & B and avant-garde jazz, and his anarchic, lightning-fast solos have become something of a hallmark as well.

Critic Luke Y. Thompson of The New Times stated that " defenders of the film have argued that it's actually pro-woman, due to the fact that the female lead wins in the end, which is sort of like saying that cockfights are pro-rooster because there's always one left standing ".

Critic Alexei Korotyukov remarked: " Paradjanov made films not about how things are, but how they would have been had he been God.

Critic Glenn Erickson recently echoed the New York Times review, writing, " Although biographies on both Ib Melchior and Sid Pink would have you believe that The Angry Red Planet is an outer-space classic, it simply isn't so.

Critic Steve Blance, in his Top Ten Worst Movies Review, called the film " the worst I have ever witnessed " and also noted that he would " rather be tortured for twenty-years with searing iron than have to sit through even a minute of this again.