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Critic and Rex
Critic Rex Reed wrote, " If you want to see what turns a B movie into a classic [...] don't miss Night of the Living Dead.
It was followed by The Critic ( 1779 ), an updating of the satirical Restoration play The Rehearsal, which received a memorable revival ( performed with Oedipus Rex in a single evening ) starring Laurence Olivier as Mr Puff, opening at the New Theatre on 18 October 1945 as part of an Old Vic Theatre Company season.
Critic Roger Ebert commented on his website that " Not only is the rumor untrue, it is unfair to Marisa Tomei, and Rex Reed owes her an apology.

Critic and Reed
Critic Alan Blyth commented that in his Bunthorne, " Reed ... remains a past master of keeping the text fresh and articulated ".
Reed additionally served on the jury at the 21st Berlin International Film Festival in 1971, and guest voiced as himself on the animated series The Critic.

Critic and noted
Critic W. S. Di Piero noted " Whatever the occasion, childhood, farm life, politics and culture in Northern Ireland, other poets past and present, Heaney strikes time and again at the taproot of language, examining its genetic structures, trying to discover how it has served, in all its changes, as a culture bearer, a world to contain imaginations, at once a rhetorical weapon and nutriment of spirit.
Critic James Agee noted that " the Hays office must have been raped in its sleep " to allow the film to be released.
Critic Robert Trussell noted, " Little effort was made to hide the ( California ) mountains in the background.
Critic Bosley Crowther noted that its " striking and authentic documentary quality has been imported to the whole film in every detail, attitude and word.
Critic Andy Sawyer has noted that such fragments seem to arise naturally from the " barbarically sophisticated " worlds Eddison has created.
Critic Steve Blance, in his Top Ten Worst Movies Review, called the film " the worst I have ever witnessed " and also noted that he would " rather be tortured for twenty-years with searing iron than have to sit through even a minute of this again.
" Critic Paul Tatara noted that " It isn't really fair to suggest that the movie's main subject is dance, though.
Critic Anne Midgette of the New York Times has noted that Argento's operas tend to be very well received upon their premieres, but they lack an " easy popular hook " and are rarely revived.
Critic Vladimir Stasov noted that a " sorrowful note sensibly resounds in the general physological array of the work ".
Critic Roger Ebert said, on At the Movies, that Pauly Shore was the " cinematic equivalent of long fingernails, drawn very slowly and quite loudly over a gigantic blackboard " and noted that although his co-host, Gene Siskel, extremely disliked Chris Farley, he would " rather attend a dusk-to-dawn Chris Farley film festival than sit through any 5 minutes of Jury Duty.

Critic and score
Critic Jack Sullivan has kinder words for Tiomkin's score for Strangers than does biographer Spoto: " o seamlessly and inevitably does it fit the picture's design that it seems like an element of Hitchcock's storyboards ", he writes It is a score that " goes largely uncelebrated.
Theatre review aggregator Curtain Critic gave the production a score of 63 out of 100 based on the opinions of 18 critics.
Critic Peter Bradshaw of The Guardian gives the film a score of 3 out of 5.
Theatre review aggregator Curtain Critic gave the production a score of 73 out of 100 based on the opinions of 15 critics.
While no reviewers at the time bothered to give the Special Edition its own review, The Video Game Critic has since reviewed both versions of the game giving the original a score of " D " and the Special Edition a score of " B -" stating that the " Lost World Special Edition is almost good enough to let me forgive EA for the first one ".

Critic and Night
Less successful efforts included The Critic, which starred Jon Lovitz from Saturday Night Live ( originally airing on ABC then moved to Fox before being canceled ), and The PJs, ( which was later broadcast on The WB ).
The sketch was parodied on the animated show The Critic when the main character watches " Yesterday Night Live " and the Australian host comes out and says, " She's a girl mate, I saw her backstage ," and pulls her wig off with her saying, " You ruined my career!
Critic Dennis Schwartz liked the film and acting in the drama and wrote, " A schematic film noir by Nicholas Ray ( They Live by Night ) that overcomes its artificial contrivances to become a touching psychological drama about despair and loneliness -- one of the best of this sort in the history of film noir ... Robert Ryan's fierce performance is superb, as he's able to convincingly assure us he has a real spiritual awakening ; while Lupino's gentle character acts to humanize the crime fighter, who has walked on the " dangerous ground " of the city and has never realized before that there could be any other kind of turf until meeting someone as profound and tolerant as Mary.

Critic and Music
Critic Edward Dannreuther, wrote, in the 1905 edition of The Oxford History of Music, " Mussorgsky, in his vocal efforts, appears wilfully eccentric.
According to Kevin C. Johnson, Post-Dispatch Pop Music Critic ," What stood out about Mecca's two-hour, 50-song set was her song choices, full of selections music fans don't necessarily hear every weekend at the clubs ( unlike, say, DJ Solange, who totally pandered to the crowd at the gig at Exo earlier this year ).
* Wayne McKenna W. J. Turner: Poet and Music Critic, N. S. W.
Sputnik Music and NME gave it 4. 5 stars to the album with Sputnik Music's Critic Tyler Fisher saying: " This is their most cohesive album, it expands on newer sounds and improves on others.
In 1995, he married the writer Fiona Maddocks, Music Critic of The Observer.
Liner notes by Alan Rich, Music Critic, L. A. Daily News.
" The Day the Music Critic Died.
In 2011 at the Guardian Student Media Awards, Deputy Editor Camilla Apcar and Music Editor Tom Killingbeck were shortlisted for Best Feature Writer and Best Critic, respectively, and Charlotte-Hogarth Jones came runner up for Best Columnist.
" In his So I've Heard: Notes of a Migratory Music Critic, 66 – 67.
* 1923 Confessions of a Musical Critic ( reprinted in Testament of Music, 1962 )
Critic John Metzger of The Music Box praised the album, saying that " the group's songs combine the melodic pop of The Beatles with the heavy-handed thunder of The Who and the tight-knit harmonic luster of The Byrds ".
* Bill Flanagan ( Rock Music Critic )

Critic and ...
Critic Steve Huey calls it " perhaps Tom Waits's most cohesive album ... a morbid, sinister nightmare, one that applied the quirks of his experimental ' 80s classics to stunningly evocative — and often harrowing — effect ... Waits ' most affecting and powerful recording, even if it isn't his most accessible.
Critic Bosley Crowther, film critic for The New York Times, liked the screenplay, the message of the film, and John Ford's direction, and wrote, " John Ford has truly fashioned a modern Odyssey — a stark and tough-fibered motion picture which tells with lean economy the never-ending story of man's wanderings over the waters of the world in search of peace for his soul ... it is harsh and relentless and only briefly compassionate in its revelation of man's pathetic shortcomings.
Critic John Krewson lauded the work of Ida Lupino, and wrote, " As a screenwriter and director, Lupino had an eye for the emotional truth hidden within the taboo or mundane, making a series of B-styled pictures which featured sympathetic, honest portrayals of such controversial subjects as unmarried mothers, bigamy, and rape ... in The Hitch-Hiker, arguably Lupino's best film and the only true noir directed by a woman, two utterly average middle-class American men are held at gunpoint and slowly psychologically broken by a serial killer.
Critic Frederic and Mary Ann Brussat wrote, " Here's a nice little movie about the baby boom generation ... Novelist John Sayles wrote, directed, and edited this movie.
Critic Joshua Klein said that " the emphasis this time sounds less on unfocused experimentation and more on melody ... a breezy and welcome return to form for the British band.
Critic Scott Yanow wrote, " Tatum's quick reflexes and boundless imagination kept his improvisations filled with fresh ( and sometimes futuristic ) ideas that put him way ahead of his contemporaries ... Art Tatum's recordings still have the ability to scare modern pianists.
During the broadcast run of The Adventures of Brisco County, Jr., TV Guide featured a positive review of the show in its Couch Critic column and wrote, " It's as funny as it is exciting, which is not an easy combo to pull off ... it's fresh and funny and different, and that's why we like it.
Critic Ned Chaillett has described Sink the Belgrano !, a critical take on the Falklands War, which premiered at the Half Moon Theatre, in Stepney, on 2 September 1986, as " a diatribe in punk-Shakespearean verse "; and Berkoff himself described it as " even by my modest standards ... one of the best things I have done ".
Critic Ned Raggett describes Over the Edge as " the longest-running block of free-form radio in the history of radio ... essentially live performance art.
" Critic Janet Maslin wrote of Terence Stamp's work, " Stamp plays the title role furiously, with single-minded intensity, wild blue eyes and a stentorian roar shown off in the film's early moments ... Glimpses of young, dreamily beautiful Stamp and his no less imposing latter-day presence are used by Soderbergh with touching efficacy.
Critic John G. Palfrey also praised Holmes, referring to him as " a man of genius ... His manner is entirely his own, manly and unaffected ; generally easy and playful, and sinking at times into ' a most humorous sadness '".
Critic Ron Wynn describes Parker as " mong Europe's most innovative and intriguing saxophonists ... his solo sax work isn't for the squeamish.
Critic Ed Gonzalez wrote, " Not unlike Albert Camus ' The Stranger, Nicholas Ray's remarkable In a Lonely Place represents the purest of existentialist primers ... Laurel and Dixon may love each other but it's evident that they're both entirely too victimized by their own selves to sustain this kind of happiness.
Film Critic David Robinson described Linder's screen persona as " no grotesque: he was young, handsome, debonair, immaculate ... in silk hat, jock coat, cravat, spats, patent shoes, and swagger cane.
Critic Robert Christgau also commented in a similar vein: " The difference is that Browne shouldn't be doing this ... he's a pop star who's stretching his audience and endangering his market share merely by making such a statement in 1986.
Critic / novelist Jonathan Barnes writes of encountering the story as a child and finding it " one of the richest and most singular investigations of Holmes ’ s long career – an opinion which I have had no reason to change ... Revisited in adulthood, the story reveals itself as a sour parable about the endurance of lust, a lurid treatment of the question that is put to Falstaff as Doll Tearsheet fidgets on his knee: ' is it not strange that desire should so many years outlive performance ?'.
Critic David Thomson in his April 2007 review of the film in the British Film Institute's Sight & Sound magazine draws attention ( in the Listen to Britain section of the article ) to the music that was used in the film, in particular " at the end of the film ... that mackerel sky and Sir Arthur Sullivan's ' The Long Day Closes ' itself " ( which was sung by Pro Cantione Antiqua ).
" Critic Philip Kemp, writing in his essay for the Criterion Collection release of the trilogy, argues that, while " the film suffers from its sheer magnitude from the almost unrelieved somberness of its prevailing mood ...
Critic Alex Henderson describes the band's music as a " mildly avant-garde blend of jazz, rock and funk draws on a wide variety of influences ... Often quirky, eccentric and abstract, JFJO favors an inside / outside approach but is usually more inside than outside.
Critic Dennis Schwartz wrote, " The unwell Bogie's last film is not a knockout, but his hard-hitting performance is terrific as a has-been sports journalist out of desperation taking a job as a publicist for a fight fixer in order to get a bank account ... The social conscience film is realistic, but fails to be shocking or for that matter convincing.
Critic and Beefheart biographer Mike Barnes has offered that the album was " ponderous ... it really just lumbers along.

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