Critic Richard Hennessy complained in Artforum about the East Building's " shocking fun-house atmosphere ".

Critic Mike Gee of iZINE said of this time, " The Verve, as he ( Richard Ashcroft ) promised, had become the greatest band in the world.

Sheridan had a rivalry with his fellow playwright Richard Cumberland and included a parody of Cumberland in his play The Critic.

* Richard Brinsley Sheridan-The Critic

Richard E. Geis has won 6 of 14 nominations for his work on Science Fiction Review, Psychotic, and The Alien Critic ; Mike Glyer has won 6 of 29 for editing File 770 ; David Langford has won 5 of 12 for work on Ansible and Twil-Ddu ; and Richard Lynch and Nicki Lynch have both won 6 of 14 nominations for Mimosa.

Critic Nick Schager wrote, " It would be no surprise to learn that Richard Widmark was a big ' Batman ' fan, as his star-making screen debut in Kiss of Death as grinning, cackling psychopath Tommy Udo ( for which he received an Academy Award nomination ) seems heavily indebted to the Caped Crusader's arch-nemesis The Joker.

" Critic Richard Delap writes " There is an abundance of exploitable elements in Bishop's story, so it is astonishing to see how the author keeps them under strict rein, always with a highly keyed visual sense but also with a literary flair that says more by implication than by direct description.

Critic Roger Ebert gave the film three stars, stating " When you hear that Dr. T is a gynecologist played by Richard Gere, you assume he is a love machine mowing down his patients.

In fact, the trend toward absurdly lofty bombast and sentiment was so strong that Richard Brinsley Sheridan reworked The Rehearsal for his play, The Critic ( 1779 ), where the target was the inflated importance and prose of theater criticism.

Critic Richard Skorman wrote, " Forsyth does a good job of making light of the tender part in teenage psyche, and his friends and little sister in particular are quirky and lovable.

Together with producing partner Arthur Cantor and Washington Post Critic Emeritus Richard L. Coe, they presented a plan to the first lady of the American theatre and native Washingtonian, Helen Hayes, who wholeheartedly embraced the idea of her namesake awards honoring theatrical excellence in her hometown.

Returning to England in 1911, Tempest joined a star-studded cast for Herbert Beerbohm Tree's production of The Critic by Richard Brinsley Sheridan, also starring Arthur Bourchier, C. Hayden Coffin, Lily Elsie, George Grossmith, Jr., Charles Hawtrey, Cyril Maude, Gerald Du Maurier, Gertie Millar, Edmund Payne, Courtice Pounds, Violet Vanbrugh and Arthur Williams, among others.

Critic Richard C. Carpenter discussed it in Twentieth Century Crime and Mystery Writers:

Gilder was associated with her brother, Richard Watson Gilder, in the editorship of Scribner's Monthly ( later called the Century ), and was joint editor with her brother Joseph Benson Gilder of the Critic from 1881 to 1906.

Critic Richard Eder did not like the film much.

Critic Richard Scheib said, " The film was part of a brief revival of the old caveman vs dinosaurs genre, along with Quest for Fire and Clan of the Cave Bear, in which earlier action-fantasy films were redressed with a much stricter regard to anthropological realism.

Critic Lisa Starks says that “ Cleopatra to signify the double-image of the “ temptress / goddess ”.

The sketch was parodied on the animated show The Critic when the main character watches " Yesterday Night Live " and the Australian host comes out and says, " She's a girl mate, I saw her backstage ," and pulls her wig off with her saying, " You ruined my career!

Critic and scholar John Sutherland says that of all the books Gardner published, " it's the one that most deserves to survive.

Critic Opal Moore says about Caged Bird: "...

Critic W. H. Helm calls one " the French Dickens " and the other " the English Balzac ".

DirkJan was first published in Critic, the magazine for the local union of psychology students.

Critic Roger Ebert was and remains today a champion of the film, including it on his all-time top ten best films list.

The Athenaeum reviewer praised Ellis Bell's work for its music and power, and the Critic reviewer recognized " the presence of more genius than it was supposed this utilitarian age had devoted to the loftier exercises of the intellect.

The visitor was supposed to help them converse by typing in to ' Artist ' what ' Critic ' said, and vice versa.

Critic Alistair Cooke observed that Capra was " starting to make movies about themes instead of people.

Critic Janet Maslin of The New York Times wrote that the film was the greatest adaptation of the novel and remarked on Dunst's performance, " The perfect contrast to take-charge Jo comes from Kirsten Dunst's scene-stealing Amy, whose vanity and twinkling mischief make so much more sense coming from an 11-year-old vixen than they did from grown-up Joan Bennett in 1933.

Critic Danél Griffin remarked, " Romero freely admits that his film was a direct rip-off of Matheson's novel ; I would be a little less harsh in my description and say that Romero merely expanded the author's ideas with deviations so completely original that of the Living Dead is expelled from being labeled a true ' rip-off '".

Critic William Baer notes that throughout his career " he constantly rose to the challenge of his own aspirations ", adding that " he was a pioneer and visionary who greatly affected the history of both stage and cinema ".

Less successful efforts included The Critic, which starred Jon Lovitz from Saturday Night Live ( originally airing on ABC then moved to Fox before being canceled ), and The PJs, ( which was later broadcast on The WB ).

Critic Dennis Schwartz appreciated the acting ensemble in the film and wrote, " The film was too stagebound to be effective cinema, but it scores points in its unsentimental portrait of the loser life of the lonely and desperate merchant seamen.

Critic Steve Huey of Allmusic writes that the album's influence " was felt more in spirit than in direct copycatting, as a catalyst rather than a literal musical starting point.

Critic Roberta Reeder notes that the early poems always attracted large numbers of admirers: " For Akhmatova was

Critic Joe S. Harrington suggested that the latter two " paraded as Hardcore until it was deemed permissible to do otherwise.

Critic Robert Trussell noted, " Little effort was made to hide the ( California ) mountains in the background.

Critic Luis Leal attests that Carpentier was an originating pillar of the magical realist style by implicitly referring to the latter's critical works, writing that " The existence of the marvelous real is what started magical realist literature, which some critics claim is the truly American literature.

Critic Michael Billington recalled: " In Redgrave's Vanya you saw both a tremulous victim of a lifetime's emotional repression and the wasted potential of a Chekhovian might-have-been: as Redgrave and Olivier took their joint curtain call, linked hands held triumphantly aloft, we were not to know that this was to symbolise the end of their artistic amity.

It was followed by The Critic ( 1779 ), an updating of the satirical Restoration play The Rehearsal, which received a memorable revival ( performed with Oedipus Rex in a single evening ) starring Laurence Olivier as Mr Puff, opening at the New Theatre on 18 October 1945 as part of an Old Vic Theatre Company season.

Pattison was at this time a Puseyite, and greatly under the influence of John Henry Newman, for whom he worked, helping in the translation of Thomas Aquinas's Catena Aurea, and writing in the British Critic and Christian Remembrancer.

He has also written for The Independent, and was Restaurant Critic for Harpers & Queen magazine from 1995 to 1998.

He was also Restaurant Critic for The Guardian between 2004 and 2005.

The Black Knight's voice was featured in an episode of the Nostalgia Critic where he reviewed the movie Child's Play.

He was the author of The Rehearsal, an amusing and clever satire on the heroic drama and especially on Dryden's The Conquest of Granada ( first performed on 7 December 1671, at the Theatre Royal, and first published in 1672 ), a deservedly popular play which was imitated by Henry Fielding in Tom Thumb the Great, and by Sheridan in The Critic.

Critic, Stephen Erlewine of AllMusic wrote that Dion's vocals " are back at top of their game " and that she was " getting back to pop basics and performing at a level unheard in a while.