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Critic and Robert
Critic and musicologist Robert Palmer said their endurance and relevance stems from being " rooted in traditional verities, in rhythm-and-blues and soul music " while " more ephemeral pop fashions have come and gone ".
Critic Robert Christgau gave the album a B +, saying that " I find it impossible to give this record an A because it is just too weird.
Critic Robert Trussell noted, " Little effort was made to hide the ( California ) mountains in the background.
Critic Robert Cantwell wrote in his unpublished memoir Twigs of Folly:
Letters to Robert Ross, Art Critic and Writer, together with extracts from his published articles.
Critic Robert Christgau was the " originator of the ' consumer guide ' approach to pop music reviews ", an approach to writing pop recording reviews that was designed to help consumers to decide whether to buy a new album.
" Critic Robert Christgau commented that " Anybody who thinks rock and roll is alive and well in the infinite variety of its garage-boy permutations had better figure out how these Hitler Youth rejects could crush the competition and quit simultaneously.
Anthony DiMaggio, “ Interview: Media Critic Robert McChesney ,” indy ( Bloomington-Normal, Ill .), Vol.
Brian Sarzynski, “ Thinking Outside the Vox ( Populi ): An Interview with Outspoken Media Critic Robert McChesney ,” mountainx. com, Vol.
Critic Robert Richardson suggests that the originality of La dolce vita lies in a new form of film narrative that mines " an aesthetic of disparity.
Critic Robert van Gelder called it " perhaps the most sentimental story that ever has achieved the dignity of a Borzoi imprint of publisher Knopf imprint.
Critic Robert Christgau of The Village Voice called her contribution " one of the most gorgeous ballads you've ever heard ".
" Critic Robert Christgau said that Young " was born to lumber, and Pearl Jam wasn't.
Critic Robert A.
Critic Robert Christgau called the album " A satire on, celebration of, and lament for the upper-middle classmates an Orange County liberal knows like he knows his neighbor's backyard ..."
Critic Robert Christgau also commented in a similar vein: " The difference is that Browne shouldn't be doing this ... he's a pop star who's stretching his audience and endangering his market share merely by making such a statement in 1986.
" Critic Robert Christgau commented that the best songs were the ones Browne did not write.
Critic Dennis Schwartz liked the film and acting in the drama and wrote, " A schematic film noir by Nicholas Ray ( They Live by Night ) that overcomes its artificial contrivances to become a touching psychological drama about despair and loneliness -- one of the best of this sort in the history of film noir ... Robert Ryan's fierce performance is superb, as he's able to convincingly assure us he has a real spiritual awakening ; while Lupino's gentle character acts to humanize the crime fighter, who has walked on the " dangerous ground " of the city and has never realized before that there could be any other kind of turf until meeting someone as profound and tolerant as Mary.
Critic Robert Shelton was under the impression that Self Portrait was intended as a serious release.
* Robert Holub ’ s Jurgen Habermas: Critic in the Public Sphere ( Tehran: Nay Press, 1996 ).
" Critic Robert Towers described McEwan's England in The New York Review of Books as a " flat, rubble-strewn wasteland, populated by freaks and monsters, most of them articulate enough to tell their own stories with mesmerizing narrative power and an unfaltering instinct for the perfect, sickening detail "; Towers called the collection " possibly the most brilliantly perverse and sinister batch of short stories to come out of England since Angus Wilson's The Wrong Set.
Critic Robert Weston also hailed the film and wrote, " Niagara is a good movie for noir fans who crave something a little different.
Critic Robert Christgau said of the record: " Beefheart's famous five-octave range and covert totalitarian structures have taken on a playful undertone, repulsive and engrossing and slapstick funny.
" Critic Robert Christgau graded the album as a B + though he felt that Beefheart's " much-bruited commercial bid turns out to have all the mass appeal of King of the Delta Blues Singers ".

Critic and writing
*" Dining Out: The Food Critic at Table " A review of food writing and writers by Adam Gopnick that examines the genre.
Critic Stephen Thomas Erlewine has described Francis's writing as containing " bizarre, fragmented lyrics about space, religion, sex, mutilation, and pop culture ".
Critic John Clute wrote of M. John Harrison's early writing that it "... reveals its New-Wave provenance in narrative discontinuities and subheads after the fashion of J. G. Ballard ".
Critic Lawrence van Gelder, writing for The New York Times, did not like the film.
Critic Luis Leal attests that Carpentier was an originating pillar of the magical realist style by implicitly referring to the latter's critical works, writing that " The existence of the marvelous real is what started magical realist literature, which some critics claim is the truly American literature.
Pattison was at this time a Puseyite, and greatly under the influence of John Henry Newman, for whom he worked, helping in the translation of Thomas Aquinas's Catena Aurea, and writing in the British Critic and Christian Remembrancer.
Critic James Steffen appreciated the direction of the film and the cinematography of Lee Garmes, writing " While Detective Story remains essentially a filmed play, Wyler manages to use the inherent constraints of such an approach as an artistic advantage.
Critic Ion Simuţ suggests that Iorga is at his best in travel writing, combining historical fresco and picturesque detail.
Critic Stephen Thomas Erlewine of Allmusic speculated that the alternate persona and elaborate marketing scheme backfired, writing, " When Brooks ' new persona and his album were revealed to the public, they were unforgiving-they didn't think he was playing a role, they simply thought he'd lost his mind.
Critic Roger Ebert reviewed Deep Throat in an early 1973 column, giving it a no-stars rating and writing, " It is all very well and good for Linda Lovelace, the star of the movie, to advocate sexual freedom ; but the energy she brings to her role is less awesome than discouraging.
Critic Ed Naha, writing in Crawdaddy !, gave the album a negative review, saying, " Much of the Wonderlandish magic found on Eno ’ s first LP is lost on this rocky terrain, being replaced by a dull,
Critic James Dafforne, writing in 1871 in The Art Journal said of Leader's style:
In 1917, she began writing for the Fort Worth Critic, critiquing dramas, and writing society gossip.
Critic Roger Ebert lauded the film in his film review, writing, " The Official Story is part polemic, part thriller, part tragedy.
Gael Greene, writing under the rubric " The Insatiable Critic ," reviewed restaurants, cultivating a baroque writing style that leaned heavily on sexual metaphor.
Critic Glenn Erickson recently echoed the New York Times review, writing, " Although biographies on both Ib Melchior and Sid Pink would have you believe that The Angry Red Planet is an outer-space classic, it simply isn't so.
Critic William Ruhlman agreed, writing that the album " is a highly referential work from an artist who started where most end and has been earnestly seeking the right direction ever since.
Critic Roger Ebert, on the other hand, liked the film writing, " And yet the film works.
Critic Janet Maslin spoke well of the actors, writing,
" Critic Philip Kemp, writing in his essay for the Criterion Collection release of the trilogy, argues that, while " the film suffers from its sheer magnitude from the almost unrelieved somberness of its prevailing mood ...

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