" Critic Robin Wood found it one of the few horror films to possess " the authentic quality of nightmare ".

At the August 2008 conference of the American Association of Wine Economists in Portland, Oregon, a hoax exposé submission of the fictitious restaurant Osteria L ’ Intrepido was revealed by the author and Fearless Critic founder Robin Goldstein: he had won an Award of Excellence for a restaurant that didn't exist and whose " reserve wine list " was full of the lowest-rated Italian wines in history.

Robin Pierson of The TV Critic gave the episode a mixed review, giving it a 55 %.

Robin Pierson of The TV Critic gave the episode a mixed review, rating the episode a 67 / 100, stating that it is one of the most densely packed pilots on television, he mentioned that it is entertaining but he said that there are many jokes that follow the quality does not win out over quantity saying.

" Robin Pierson of The TV Critic rated the episode a 70 out of 100, making it the highest-rated episode of Family Guy on the site.

Robin Pierson of The TV Critic, however, was far more hostile towards the episode, giving it the lowest rating of the season, a 44 out of 100.

Critic Adam Roberts said of the novel: “ It is really quite hard to respond to this masterful book, except by engaging with its political content ; and yet we need to make the effort to see past the ideological to the formal and thematic if we are fully to appreciate the splendour of Heinlein's achievement here .”

* Jay Sherman, the main character in The Critic

In the episode of The Critic, Jay Sherman shows a clip of a movie entitled " Field Of Dreams 2 " where after Kevin Costner's character completes his new ball field, Martin emerges and punches Costner.

However, they both " could not resist " appearing on an episode of the animated television series The Critic, the title character of which was a television film critic.

Groening felt that the episode was a thirty-minute advertisement for Brooks ' show The Critic, ( which had moved to Fox from ABC for its second season ) and was created by former The Simpsons show runners Al Jean and Mike Reiss, and whose lead character Jay Sherman appears in the episode.

In the series The Critic, he played the title character of Jay Sherman ( using his regular speaking voice ).

He has made several appearances on The Simpsons, including as Marge's prom date Artie Ziff in " The Way We Was ", the art teacher in " Brush with Greatness ", theater director Llewellyn Sinclair and his sister who owned a daycare center in " A Streetcar Named Marge ", Andre in " Homer's Triple Bypass ", and numerous other appearances ( including the character of Jay Sherman in the episode A Star Is Burns, which was a crossover with The Critic ).

A notable example of this is The Simpsons episode A Star Is Burns, in which the character of Jay Sherman ( from The Critic ) appeared.

Critic Alfred Habegger has claimed that the main character of Portrait was inspired by Christie Archer, the protagonist from Anne Moncure Crane's novel, Reginald Archer ( 1871 ).

The sketch was parodied on the animated show The Critic when the main character watches " Yesterday Night Live " and the Australian host comes out and says, " She's a girl mate, I saw her backstage ," and pulls her wig off with her saying, " You ruined my career!

Critic Roger Ebert of the Chicago Sun-Times remarked that " Here, using big movie stars and asking them to play each other, Woo and his writers find a terrific counterpoint to the action scenes: All through the movie, you find yourself reinterpreting every scene as you realize the ' other ' character is ' really ' playing it.

* One episode of the short lived TV series, The Critic, features main character Jay Sherman reviewing a movie titled Dennis the Menace II Society, in which Dennis the Menace pulls out two machine guns and shoots up George Wilson's house.

" Critic Ian Lace said of her theme: " One has to suppose that the main character of this new game, Manon, inspired by the exploits of Hélène Déschamps is French.

Critic Akshay Shah wrote " Arjun Rampal displays talent, looks smashing on screen, but one can ’ t help feel that he isn ’ t given a character to match his acting potential.

He resembles the character Jay Sherman from The Critic as well as the actor who plays Jay Sherman, Jon Lovitz.

On November 28, 1828 a contest was posted in the New York Critic by American actor, Edwin Forrest, offering a prize of 500 dollars for an original play which met such criteria as, “ a tragedy, in five acts, of which the hero, or principal character, shall be an aboriginal of this country .” Forrest, looking to produce a play suiting his strengths, created the contest as an opportunity to boost his acting career.

Critic Roger Ebert comments that the character of Maria Gonzalez " suggests ethnic distinctions have been lost in generations of government-supervised DNA matchups ".

Critic Dennis Schwartz liked the film and acting in the drama and wrote, " A schematic film noir by Nicholas Ray ( They Live by Night ) that overcomes its artificial contrivances to become a touching psychological drama about despair and loneliness -- one of the best of this sort in the history of film noir ... Robert Ryan's fierce performance is superb, as he's able to convincingly assure us he has a real spiritual awakening ; while Lupino's gentle character acts to humanize the crime fighter, who has walked on the " dangerous ground " of the city and has never realized before that there could be any other kind of turf until meeting someone as profound and tolerant as Mary.

Bart Simpson is watching the film The Flintstones Meet the Jetsons and after he criticizes the " cheap " crossover, Jay Sherman, the main character of the animated TV show The Critic, introduces himself to Bart.

Critic Jack Sommersby's comments typified the contemporary criticism directed at non-political matters such as character development and the changes made when the film was transferred from a novel to a film :< ref >

The point is already made by Hume, but see Mary Mothersill, " Beauty and the Critic ’ s Judgment ", in The Blackwell Guide to Aesthetics, 2004.

Critic Leonard Maltin labeled Hawks " the greatest American director who is not a household name ," noting that, while his work may not be as well known as Ford, Welles, or DeMille, he is no less a talented filmmaker.

Critic Alexander Woollcott wrote of Bogart's early work that he " is what is usually and mercifully described as inadequate.

Critic Roger Ebert stated that Gellar and co-star Ryan Phillippe " develop a convincing emotional charge " and that Gellar is " effective as a bright girl who knows exactly how to use her act as a tramp ".

Critic Danél Griffin remarked, " Romero freely admits that his film was a direct rip-off of Matheson's novel ; I would be a little less harsh in my description and say that Romero merely expanded the author's ideas with deviations so completely original that of the Living Dead is expelled from being labeled a true ' rip-off '".

Critic David Hurwitz offers an alternative explanation for the piece's structure: that " Jupiter " is the centrepoint of the suite and that the movements on either side are in mirror images.

Critic Bosley Crowther, film critic for The New York Times, liked the screenplay, the message of the film, and John Ford's direction, and wrote, " John Ford has truly fashioned a modern Odyssey — a stark and tough-fibered motion picture which tells with lean economy the never-ending story of man's wanderings over the waters of the world in search of peace for his soul ... it is harsh and relentless and only briefly compassionate in its revelation of man's pathetic shortcomings.

Critic Robert Christgau gave the album a B +, saying that " I find it impossible to give this record an A because it is just too weird.

Critic Lloyd Goodrich praised the work as “ one of the most poignant and desolating pieces of realism .” The work is the first of a series of stark rural and urban scenes that uses sharp lines and large shapes, played upon by unusual lighting to capture the lonely mood of his subjects.

Critic J. Dover Wilson notes that Richard's double nature as man and martyr is the dilemma that runs through the play eventually leading to Richard's death.

Critic and author Eddie Muller wrote, " Joseph H. Lewis's direction is propulsive, possessed of a confident, vigorous simplicity that all the frantic editing and visual pyrotechnics of the filmmaking progeny never quite surpassed.

* The Critic and the Heart ( 1957 )-Bolt's first professionally produced work, it involves Winifred Blazer, a middle-aged spinster whose life is ruined by the arrival of a mean-spirited art critic.

* The Pre-Raphaelite Critic is a collection of full-text and excerpted 19th century reviews of the movement and its individual members.

" Others criticised him, including Kushell, who clashed with Mirkin over the episode " A Star is Burns ", a crossover with the The Critic.

Critic Jim Harrington commented that Hansen's absence is noticeable on live performances of Stereolab's older tracks, and that their newer songs could have benefited from her backing vocals.

Critic Luis Leal attests that Carpentier was an originating pillar of the magical realist style by implicitly referring to the latter's critical works, writing that " The existence of the marvelous real is what started magical realist literature, which some critics claim is the truly American literature.

" ( This is followed by Frank Zappa's cameo as " The Critic ," who dismisses the 1920s-style tune as " pretty white.

Critic Dave Marsh suggests it is this moment that gives the recording greatness: " went for it so avidly you'd have thought he'd spotted the jugular of a lifelong enemy, so crudely that, at that instant, Ely sounds like Donald Duck on helium.

Critic Jerry Renshaw wrote, " A Double Life is an unusually intelligent, literate noir that is a classy departure from the pulpy " B " atmospherics often associated with the genre.