Critic Robin Roberts opines that this character " is shaped more by her femininity than by her medical, scientific training.

At the August 2008 conference of the American Association of Wine Economists in Portland, Oregon, a hoax exposé submission of the fictitious restaurant Osteria L ’ Intrepido was revealed by the author and Fearless Critic founder Robin Goldstein: he had won an Award of Excellence for a restaurant that didn't exist and whose " reserve wine list " was full of the lowest-rated Italian wines in history.

Robin Pierson of The TV Critic gave the episode a mixed review, giving it a 55 %.

Robin Pierson of The TV Critic gave the episode a mixed review, rating the episode a 67 / 100, stating that it is one of the most densely packed pilots on television, he mentioned that it is entertaining but he said that there are many jokes that follow the quality does not win out over quantity saying.

" Robin Pierson of The TV Critic rated the episode a 70 out of 100, making it the highest-rated episode of Family Guy on the site.

Robin Pierson of The TV Critic, however, was far more hostile towards the episode, giving it the lowest rating of the season, a 44 out of 100.

* Joseph Wood Krutch as a Cultural Critic by John Margolis

Critic Jennifer M. Wood points to the Palace Theater in San Francisco's North Beach district where, in 1968, San Francisco Art Institute graduates Michael Wiese and Steven Arnold, after a sellout screening of their Dalí-esque thesis film Messages, Messages, were invited to program offbeat films at midnight.

Critic Ed Naha, writing in Crawdaddy !, gave the album a negative review, saying, " Much of the Wonderlandish magic found on Eno ’ s first LP is lost on this rocky terrain, being replaced by a dull,

Critic Harold Bloom praised Blood Meridian as one of the best 20th century American novels, describing it as " worthy of Herman Melville's Moby-Dick ," but admitted that he found the book's pervasive violence so distasteful that he had several false starts before reading the book entirely.

Critic Groff Conklin reviewed the collection for Galaxy Science Fiction in 1954 ; although generally favorable, the review claimed that Sheckley was " still trying to discover his own particular bent " and that he " hasn't quite found his footing.

Yale ’ s The New Englander while complimenting Emerson's abilities, criticized the book as depicting “ a universe bereft of its God ” and described its author as writing “ with the air of a man who is accustomed to be looked up to with admiring and unquestioning deference .” Littell's Living Age found the book to contain the “ weakest kind of commonplace elaborately thrown into unintelligible shapes ” and claimed it to read in parts like an “ emasculate passage of Walt Whitman .” Others were no less critical, proclaiming that Emerson “ has come to the end of what he had to say, and is repeating himself ” ( Athenaeum ) or even calling him a “ phrasemonger ” and “ second-hand writer ” ( Critic ).

In 1988 the British artist and friend of Weizenbaum Brian Reffin Smith created and showed at the exhibition ' Salamandre ', in the Musée du Berry, Bourges, France, two art-oriented ELIZA-style programs written in BASIC, one called ' Critic ' and the other ' Artist ', running on two separate Amiga 1000 computers.

Critic Georg Lukács points to middling main characters like Ivanhoe in Sir Walter Scott's other novels as one of the primary reasons Scott's historical novels depart from previous historical works and better explore social and cultural history.

Critic Stephen Thomas Erlewine describes Talking Heads as being " one of the most critically acclaimed bands of the ' 80s, while managing to earn several pop hits.

Critic Steve Huey calls it " perhaps Tom Waits's most cohesive album ... a morbid, sinister nightmare, one that applied the quirks of his experimental ' 80s classics to stunningly evocative — and often harrowing — effect ... Waits ' most affecting and powerful recording, even if it isn't his most accessible.

* Holt, Jim, Say Anything, one of his Critic At Large essays from The New Yorker, ( August 22, 2005 )

Critic W. H. Helm calls one " the French Dickens " and the other " the English Balzac ".

Critic Lloyd Goodrich praised the work as “ one of the most poignant and desolating pieces of realism .” The work is the first of a series of stark rural and urban scenes that uses sharp lines and large shapes, played upon by unusual lighting to capture the lonely mood of his subjects.

Critic Pare Lorentz wrote, " The Warner brothers have declared war on Germany with this one.

Critic Gunther Schuller declared, " On one point there is universal agreement: Tatum's awesome technique.

Critic Emerson Dameron writes that the song is " one of the most terrifying, riveting, absurd things I ’ ve ever heard.

He gave assistance to William Beloe in one or two articles in the British Critic, and probably wrote also in the Analytical Review and the Critical Review.

Critic Dave Marsh called it " one of the best live albums ever made.

Critic Dave Marsh, in The Rolling Stone Record Guide ( 1979 ), called Zevon " one of the toughest rockers ever to come out of Southern California ".

Critic Dennis Schwartz called the film, " A fresh smelling film noir directed with great skill by George Marshall from the screenplay of Raymond Chandler ( the only one he ever wrote for the screen, his other films were adapted from novels of others and, ironically, film adaptations of his novels were all written by other screenwriters ).

Critic Roger Ebert wrote in his review, " The best shot in this film is the first one.

Critic David Shipman thought Novak's performance " little more than competent ", while David Thomson described it as " one of the major female performances in the cinema ".

Critic Ned Chaillett has described Sink the Belgrano !, a critical take on the Falklands War, which premiered at the Half Moon Theatre, in Stepney, on 2 September 1986, as " a diatribe in punk-Shakespearean verse "; and Berkoff himself described it as " even by my modest standards ... one of the best things I have done ".

The principles of what would be known as the Aesthetic Movement were partly traceable to him, and his effect was particularly felt on one of the movement's leading proponents, Oscar Wilde, who paid tribute to him in The Critic as Artist ( 1891 ).

Critic Leonard Maltin observed that Disney Studios made several attempts to recreate the appeal and success of Mary Poppins ( 1964 ), and that this was one of their least successful endeavors.

Critic Andrew Dickos wrote that " the touchstone of Preston Sturges ' screenwriting lies in the respect paid to the play and density of verbal language " and " establishes the standard of eloquence as one of poetry, of a cacophony of Euro-American vernacularisms and utterances, peculiarly -- and appropriately -- spoken with scandalous indifference.

Critic Christopher Null wrote of the film, " One of the ' 70s juiciest entries into the horror genre, The Abominable Dr. Phibes is Vincent Price at his campy best, a former doctor and concert organist ( go figure that one out yourself ) who is exacting revenge on the nine doctors he blames for botching his wife's surgery, which ended with her death.

Critic Thomas Ward called this recording " one of the most astonishing accomplishments in all of twentieth century music.

Critic Peter Marrow wrote: " As it stands, the story's ending makes no sense – forcing one to try to look for something left unsaid.

Critic Fred Patten is one of the main supporters of the strip.

Several short-lived papers also appeared a few years later – the St Helena Times ( 1889 ), the Monthly Critic and Flashman ( 1895 ) and the St Helena Observer.

Critic Lev Grossman described it as " a deeply unsettling existential horror story, a nightmare you'll never be sure you've woken up from.

Critic Christopher Sharrett argues that since Alfred Hitchcock's Psycho ( 1960 ) and The Birds ( 1963 ), the American horror film has been defined by the questions it poses " about the fundamental validity of the American civilizing process ", concerns amplified during the 1970s by the " delegitimation of authority in the wake of Vietnam and Watergate ".

Critic Roger Ebert called it " one of the best horror films ever made ".

Critic Roger Ebert was and remains today a champion of the film, including it on his all-time top ten best films list.

" Critic Stuart Byron calls his early Pink Panther films " two of the best comedies an American has ever made.

Critic Roger Ebert wrote of Keaton's " extraordinary period from 1920 to 1929, he worked without interruption on a series of films that make him, arguably, the greatest actor-director in the history of the movies.

Short films such as The Critic, Bambi Meets Godzilla, Lupo the Butcher, and many others were almost unknown to mainstream audiences ; however, these independent animated films continued to keep the yearly category of the Academy Award for Animated Short Film alive, as well as introducing a number of new names into the field of animation — names that would begin to bring change to the industry in the 1980s.

Critic Roger Ebert called it " one of the great films.

Many Internet reviewers such as The Nostalgia Critic also feature unintentionally funny films.

Critic Roger Ebert stated, " I am gradually developing a suspicion, or perhaps it is a fear, that Jim Carrey is growing on me ", as he had given bad reviews for his previous films Dumb and Dumber and Ace Ventura: Pet Detective.

In the animated prime time series, The Critic, Jay Sherman reviews a sub par movie titled " Dirty Harry K-9-Robo-Cop-and-a-half 2 " in which the title parodies numerous " buddy cop " films.

Critic Alexei Korotyukov remarked: " Paradjanov made films not about how things are, but how they would have been had he been God.

Film Critic Jonathan Rosenbaum considers it one of the 15 best films of the 1980s.

Critic Roger Ebert said that " Pedro Almodóvar's films are an acquired taste, and with High Heels I am at last beginning to acquire it.

Critic Bosley Crowther was not impressed with the atmospherics of the film and panned the film due to its screenplay, writing, " We wish we could recommend it as a perfect combination of the styles of the eminent Mr. Hitchcock and the old German psychological films, for that is plainly and precisely what it tries very hard to be.

Critic and director Jean-Luc Godard regarded the film negatively in comparison to other French crime films of the era, noting in 1986 that " today it can't hold a candle to Touchez pas au grisbi which paved the way for it, let alone Bob le flambeur which it paved the way for.

" Critic Roger Ebert gave the film three stars, comparing the movie to a summertime version of A Christmas Story, based on the tone and narration of both films.

Frank Beaver wrote in Bosley Crowther: Social Critic of the Film, 1940-1967 that Crowther opposed displays of patriotism in films and believed that a movie producer " should balance his political attitudes even in the uncertain times of the 1940s and 1950s, during the House Un-American Activities Committee.

Critic Richard Scheib said, " The film was part of a brief revival of the old caveman vs dinosaurs genre, along with Quest for Fire and Clan of the Cave Bear, in which earlier action-fantasy films were redressed with a much stricter regard to anthropological realism.