Critic Roger Ebert was and remains today a champion of the film, including it on his all-time top ten best films list.

Critic Roger Ebert, in a review dated January 1, 1972, did not care for the film.

Critic Roger Ebert stated that Gellar and co-star Ryan Phillippe " develop a convincing emotional charge " and that Gellar is " effective as a bright girl who knows exactly how to use her act as a tramp ".

Critic Roger Ebert has included the film in his series of " Great Movies " reviews.

Critic Roger Ebert wrote of Keaton's " extraordinary period from 1920 to 1929, he worked without interruption on a series of films that make him, arguably, the greatest actor-director in the history of the movies.

Critic and artist Roger Fry did something to restore it in the 1930s, when he described Lawrence as having a " consummate mastery over the means of artistic expression " with an " unerring hand and eye ".

Critic Roger Ebert wrote an article entitled, " Attacks on ' Roger & Me ' completely miss point of film " that defends Moore's manipulation of his film's timeline as an artistic and stylistic choice that has less to do with his credibility as a filmmaker and more to do with the flexibility of film as a medium to express a viewpoint using the same methods that satirists have used.

Critic Roger Ebert said of the film that it " somehow does succeed in treating the awesome and scary subject of sexual initiation with some of the dignity it deserves.

Critic Roger Ebert wrote in his review, " The best shot in this film is the first one.

Critic Roger Kimball suggests that Opium is " a seminal book of the twentieth century.

Critic Roger Ebert's review was four out of four stars ; at the end of the year, he named it the best film of 1999.

Critic Roger Ebert reviewed Deep Throat in an early 1973 column, giving it a no-stars rating and writing, " It is all very well and good for Linda Lovelace, the star of the movie, to advocate sexual freedom ; but the energy she brings to her role is less awesome than discouraging.

Critic Roger Ebert gave the film two out of four stars, praising the film's visual artistry but stating that there is " no narrative engine to pull us past the visual scenery ", and that he " suspected the filmmakers began with a lot of ideas about how the movie should look, but without a clue about pacing, plotting or destination.

Critic Roger Ebert gave the film four stars, calling it " a very funny movie sometimes, and very touching at other times.

Critic Roger Ebert called it " one of the great films.

Critic Roger Ebert called it " one of the best horror films ever made ".

Critic Roger Ebert of the Chicago Sun-Times remarked that " Here, using big movie stars and asking them to play each other, Woo and his writers find a terrific counterpoint to the action scenes: All through the movie, you find yourself reinterpreting every scene as you realize the ' other ' character is ' really ' playing it.

Critic Roger Ebert stated, " I am gradually developing a suspicion, or perhaps it is a fear, that Jim Carrey is growing on me ", as he had given bad reviews for his previous films Dumb and Dumber and Ace Ventura: Pet Detective.

" Critic Roger Ebert praised the film as " an original, intelligent thriller, well-directed by Joel Schumacher ," and called the cast " talented young actors, inhabit the shadows with the right mixture of intensity, fear and cockiness.

Critic Roger Ebert gave the film three stars, stating " When you hear that Dr. T is a gynecologist played by Richard Gere, you assume he is a love machine mowing down his patients.

Critic Roger Ebert lauded the film in his film review, writing, " The Official Story is part polemic, part thriller, part tragedy.

Critic Roger Ebert had read the novel and believed the film is true to its themes.

Critic Roger Ebert gave the movie three stars out of four, saying " Gibson gives an interesting performance, showing a man trying to think his way out of a crisis, and Sinise makes a good foil: Here are two smart men playing a game with deadly stakes.

" Top Critic Roger Ebert went further, saying of the film " In a genre where a lot of movies are retreads of the predictable, ' Deep Blue Sea ' keeps you guessing.

In 1995, Ebert, along with colleague Gene Siskel, guest starred on an episode of the animated TV series The Critic.

Critic Roger Ebert wrote in the Chicago Sun-Times: " The film is a masterful achievement on all the technical levels -- it does an especially good job of convincing us with its Asian locations -- but the best moments are the human ones, the conversations, the exchanges of trust, the waiting around, the sudden fear, the quick bursts of violence, the desperation.

Critic Roger Ebert said that " Pedro Almodóvar's films are an acquired taste, and with High Heels I am at last beginning to acquire it.

Critic Annette Kuhn explains that “ a glamorous / glamourised image then is one manipulated, falsified perhaps, in order to heighten or even to idealise.

* 1967 – Film critic Roger Ebert published his very first film review in the Chicago Sun-Times.

Roger Ebert gave the film two out of four stars and wrote, " The movie isn't as funny or entertaining as Evil Dead II, however, maybe because the comic approach seems recycled ".

Critics that frequently admire De Palma's work include Pauline Kael, Roger Ebert and Armond White, among others.

Love received critical acclaim, a Golden Globe nomination for Best Actress, and a New York Film Critics Circle Award for Best Supporting Actress, for what film critic Roger Ebert called " quite a performance ; Love proves she is not a rock star pretending to act, but a true actress ".

In a review in the Chicago Sun-Times, Roger Ebert states: " Barrymore is the right actress for this role precisely because she approaches it with such grave calm.

Barrymore's role in the costume drama Ever After ( 1998 ) offered a modern take on the classic fairy tale of Cinderella and served as a reminder, according to Roger Ebert, of how well Drew Barrymore " can hold the screen and involve us in her characters ".

Summing up Barrymore's appeal, Roger Ebert, in his review of 50 First Dates, described Barrymore as having a " smiling, coy sincerity ," describing the film as " ingratiating and lovable.

Roger Ebert approves of the use of the label in unsuccessful films that had been tampered with by studio executives, such as Sergio Leone's original cut of Once Upon a Time in America, and the moderately successful theatrical version of Daredevil, which were altered by studio interference for their theatrical release.

Roger Ebert of the Chicago Sun-Times gave the film a three star rating ( out of four ) describing it as " a fairly sophisticated satire.

Roger Ebert considers it to be the finest film on the Vietnam war and included it on his list for the 2002 Sight and Sound poll for the greatest movie of all time.

Roger Ebert gave The Rainmaker three stars out of four, remarking: " I have enjoyed several of the movies based on Grisham novels ... but I've usually seen the storyteller's craft rather than the novelist's art being reflected.

Roger Ebert of the Chicago Sun-Times gave the film 3 stars, praising the film for being " boldly operatic, involving family drama, secrets, generations at war, melodrama, romance and violence ".

* An article by critic Roger Ebert describing his involvement with science fiction fanzines in the 1950s.

Film critic Roger Ebert gave the film three-and-a-half stars out of four, calling it " delightful and sly ", and directed with " light-hearted enchantment " by Newell.

Roger Ebert, who gave the film a mere one star in the Chicago Sun-Times, wrote :" The filmmakers must have known that the original Godzilla ( 1956 ) had many loyal fans all over the world who treasured the absurd dialogue, the bad lip-synching, the unbelievable special effects, the phony profundity.

Roger Ebert praised the ability of the film to spoof the " illogic of the TV show ".

* 1942 – Roger Ebert, American journalist, critic, and screenwriter

Roger Ebert said of his performance: " For one thing, there's more of a human element in the movie, and it comes from Klaus Maria Brandauer, as Largo.

Roger Ebert commented that Dunst's creation of the child vampire Claudia was one of the " creepier " aspects of the film, and mentioned her ability to convey the impression of great age inside apparent youth.

One of Scorsese's most consistent supporters, Roger Ebert of the Chicago Sun-Times, wrote that " In countless ways, right down to the detail of modern TV crime shows, Mean Streets is one of the source points of modern movies.

Roger Ebert discussed it in a June 2000 article and praised Strange Company's machinima setting of Percy Bysshe Shelley's sonnet " Ozymandias ".

" Similarly, Roger Ebert, writing of his iconic performance in Last Tango in Paris, said: " This was the greatest movie actor of his time, the author of performances that do honor to the cinema.

* Ebert, Roger.