Critic Roger Ebert was and remains today a champion of the film, including it on his all-time top ten best films list.

Critic Roger Ebert, in a review dated January 1, 1972, did not care for the film.

Critic Roger Ebert stated that Gellar and co-star Ryan Phillippe " develop a convincing emotional charge " and that Gellar is " effective as a bright girl who knows exactly how to use her act as a tramp ".

Critic Roger Ebert has included the film in his series of " Great Movies " reviews.

Critic Roger Ebert wrote of Keaton's " extraordinary period from 1920 to 1929, he worked without interruption on a series of films that make him, arguably, the greatest actor-director in the history of the movies.

Critic and artist Roger Fry did something to restore it in the 1930s, when he described Lawrence as having a " consummate mastery over the means of artistic expression " with an " unerring hand and eye ".

Critic Roger Ebert wrote an article entitled, " Attacks on ' Roger & Me ' completely miss point of film " that defends Moore's manipulation of his film's timeline as an artistic and stylistic choice that has less to do with his credibility as a filmmaker and more to do with the flexibility of film as a medium to express a viewpoint using the same methods that satirists have used.

Critic Roger Ebert said of the film that it " somehow does succeed in treating the awesome and scary subject of sexual initiation with some of the dignity it deserves.

Critic Roger Ebert wrote in his review, " The best shot in this film is the first one.

Critic Roger Kimball suggests that Opium is " a seminal book of the twentieth century.

Critic Roger Ebert's review was four out of four stars ; at the end of the year, he named it the best film of 1999.

Critic Roger Ebert reviewed Deep Throat in an early 1973 column, giving it a no-stars rating and writing, " It is all very well and good for Linda Lovelace, the star of the movie, to advocate sexual freedom ; but the energy she brings to her role is less awesome than discouraging.

Critic Roger Ebert gave the film two out of four stars, praising the film's visual artistry but stating that there is " no narrative engine to pull us past the visual scenery ", and that he " suspected the filmmakers began with a lot of ideas about how the movie should look, but without a clue about pacing, plotting or destination.

Critic Roger Ebert gave the film four stars, calling it " a very funny movie sometimes, and very touching at other times.

Critic Roger Ebert called it " one of the great films.

Critic Roger Ebert called it " one of the best horror films ever made ".

Critic Roger Ebert of the Chicago Sun-Times remarked that " Here, using big movie stars and asking them to play each other, Woo and his writers find a terrific counterpoint to the action scenes: All through the movie, you find yourself reinterpreting every scene as you realize the ' other ' character is ' really ' playing it.

Critic Roger Ebert stated, " I am gradually developing a suspicion, or perhaps it is a fear, that Jim Carrey is growing on me ", as he had given bad reviews for his previous films Dumb and Dumber and Ace Ventura: Pet Detective.

" Critic Roger Ebert praised the film as " an original, intelligent thriller, well-directed by Joel Schumacher ," and called the cast " talented young actors, inhabit the shadows with the right mixture of intensity, fear and cockiness.

Critic Roger Ebert gave the film three stars, stating " When you hear that Dr. T is a gynecologist played by Richard Gere, you assume he is a love machine mowing down his patients.

Critic Roger Ebert lauded the film in his film review, writing, " The Official Story is part polemic, part thriller, part tragedy.

Critic Roger Ebert had read the novel and believed the film is true to its themes.

Critic Roger Ebert gave the movie three stars out of four, saying " Gibson gives an interesting performance, showing a man trying to think his way out of a crisis, and Sinise makes a good foil: Here are two smart men playing a game with deadly stakes.

" Top Critic Roger Ebert went further, saying of the film " In a genre where a lot of movies are retreads of the predictable, ' Deep Blue Sea ' keeps you guessing.

In 1995, Ebert, along with colleague Gene Siskel, guest starred on an episode of the animated TV series The Critic.

Critic Roger Ebert wrote in the Chicago Sun-Times: " The film is a masterful achievement on all the technical levels -- it does an especially good job of convincing us with its Asian locations -- but the best moments are the human ones, the conversations, the exchanges of trust, the waiting around, the sudden fear, the quick bursts of violence, the desperation.

Critic Roger Ebert said that " Pedro Almodóvar's films are an acquired taste, and with High Heels I am at last beginning to acquire it.

Critic Roger Ebert explains:

The visitor was supposed to help them converse by typing in to ' Artist ' what ' Critic ' said, and vice versa.

Critic and musicologist Robert Palmer said their endurance and relevance stems from being " rooted in traditional verities, in rhythm-and-blues and soul music " while " more ephemeral pop fashions have come and gone ".

Critic Adam Roberts said of the novel: “ It is really quite hard to respond to this masterful book, except by engaging with its political content ; and yet we need to make the effort to see past the ideological to the formal and thematic if we are fully to appreciate the splendour of Heinlein's achievement here .”

Critic Joshua Klein said that " the emphasis this time sounds less on unfocused experimentation and more on melody ... a breezy and welcome return to form for the British band.

Critic Mike Gee of iZINE said of this time, " The Verve, as he ( Richard Ashcroft ) promised, had become the greatest band in the world.

" Critic Howard Halle said of it that " Using distance and attendant shifts of scale within the very fabric of the city, Horizon creates a metaphor for urban life and all the contradictory associations – alienation, ambition, anonymity, fame – it entails.

Critic Dale Krueger said that the system is difficult to implement, and that companies often wind up overemphasizing control, as opposed to fostering creativity, to meet their goals.

Critic William Winter said, “ He was followed as a marvel.

Critic David Shipman said his personal notices for his performance in The Secretary Bird ( 1968 ) " must be among the best accorded any light comedian during this century ".

Critic Northrop Frye said that Menippean satire moves rapidly between styles and points of view.

Critic Joe Balthai wrote she was " the darling of the 1998 Sundance Film Festival " and Internet movie writer Harry Knowles said she was the " discovery of the fest ", but the film was not commercially released in the U. S. and went direct-to-video.

Critic James Dafforne, writing in 1871 in The Art Journal said of Leader's style:

" Critic Ian Lace said of her theme: " One has to suppose that the main character of this new game, Manon, inspired by the exploits of Hélène Déschamps is French.

Critic, Taran Adarsh said, " Raveena Tandon lends credibility to the role of a battered wife and walks away with the honours.

" Critic Robert Christgau said that Young " was born to lumber, and Pearl Jam wasn't.

Critic Harry Sumrall of the San Jose Mercury News said that Rabbitt was " like a hot corn dog: nothing fancy, nothing frilly.

Critic Leonard Feather once said, " It is almost indisputable that Dr. Billy Taylor is the world's foremost spokesman for jazz.

Critic Tony Rayns describes The Spirit of the Beehive as " a haunting mood piece that dispenses with plot and works its spells through intricate patterns of sound and image " and of El Sur it has been said that " Erice creates his film as a canvas, conjuring painterly images of slow dissolves and shafts of light that match Caravaggio in their power to animate a scene of stillness, or freeze one of mad movement.

" said Autumn Bartsch of Everyone's a Critic.

In one of its highest scoring reviews, The Video Game Critic gave the game an A-and said it's " hard to put down.

Critic Josip Novakovich, who compared One of the Guys to A Confederacy of Dunces, has said, " If you read the book in public, you will laugh so much and go through so many facial expressions that you'll run the risk of having the police called to check you out.

Critic Robert Christgau said of the record: " Beefheart's famous five-octave range and covert totalitarian structures have taken on a playful undertone, repulsive and engrossing and slapstick funny.