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Critic and Roger
Critic Roger Ebert, in a review dated January 1, 1972, did not care for the film.
Critic Roger Ebert stated that Gellar and co-star Ryan Phillippe " develop a convincing emotional charge " and that Gellar is " effective as a bright girl who knows exactly how to use her act as a tramp ".
Critic Roger Ebert has included the film in his series of " Great Movies " reviews.
Critic Roger Ebert wrote of Keaton's " extraordinary period from 1920 to 1929, he worked without interruption on a series of films that make him, arguably, the greatest actor-director in the history of the movies.
Critic and artist Roger Fry did something to restore it in the 1930s, when he described Lawrence as having a " consummate mastery over the means of artistic expression " with an " unerring hand and eye ".
Critic Roger Ebert wrote an article entitled, " Attacks on ' Roger & Me ' completely miss point of film " that defends Moore's manipulation of his film's timeline as an artistic and stylistic choice that has less to do with his credibility as a filmmaker and more to do with the flexibility of film as a medium to express a viewpoint using the same methods that satirists have used.
Critic Roger Ebert said of the film that it " somehow does succeed in treating the awesome and scary subject of sexual initiation with some of the dignity it deserves.
Critic Roger Ebert wrote in his review, " The best shot in this film is the first one.
Critic Roger Kimball suggests that Opium is " a seminal book of the twentieth century.
Critic Roger Ebert's review was four out of four stars ; at the end of the year, he named it the best film of 1999.
Critic Roger Ebert reviewed Deep Throat in an early 1973 column, giving it a no-stars rating and writing, " It is all very well and good for Linda Lovelace, the star of the movie, to advocate sexual freedom ; but the energy she brings to her role is less awesome than discouraging.
Critic Roger Ebert gave the film two out of four stars, praising the film's visual artistry but stating that there is " no narrative engine to pull us past the visual scenery ", and that he " suspected the filmmakers began with a lot of ideas about how the movie should look, but without a clue about pacing, plotting or destination.
Critic Roger Ebert gave the film four stars, calling it " a very funny movie sometimes, and very touching at other times.
Critic Roger Ebert called it " one of the great films.
Critic Roger Ebert called it " one of the best horror films ever made ".
Critic Roger Ebert of the Chicago Sun-Times remarked that " Here, using big movie stars and asking them to play each other, Woo and his writers find a terrific counterpoint to the action scenes: All through the movie, you find yourself reinterpreting every scene as you realize the ' other ' character is ' really ' playing it.
Critic Roger Ebert stated, " I am gradually developing a suspicion, or perhaps it is a fear, that Jim Carrey is growing on me ", as he had given bad reviews for his previous films Dumb and Dumber and Ace Ventura: Pet Detective.
" Critic Roger Ebert praised the film as " an original, intelligent thriller, well-directed by Joel Schumacher ," and called the cast " talented young actors, inhabit the shadows with the right mixture of intensity, fear and cockiness.
Critic Roger Ebert gave the film three stars, stating " When you hear that Dr. T is a gynecologist played by Richard Gere, you assume he is a love machine mowing down his patients.
Critic Roger Ebert lauded the film in his film review, writing, " The Official Story is part polemic, part thriller, part tragedy.
Critic Roger Ebert had read the novel and believed the film is true to its themes.
Critic Roger Ebert gave the movie three stars out of four, saying " Gibson gives an interesting performance, showing a man trying to think his way out of a crisis, and Sinise makes a good foil: Here are two smart men playing a game with deadly stakes.
" Top Critic Roger Ebert went further, saying of the film " In a genre where a lot of movies are retreads of the predictable, ' Deep Blue Sea ' keeps you guessing.

Critic and Ebert
In 1995, Ebert, along with colleague Gene Siskel, guest starred on an episode of the animated TV series The Critic.
Critic Roger Ebert wrote in the Chicago Sun-Times: " The film is a masterful achievement on all the technical levels -- it does an especially good job of convincing us with its Asian locations -- but the best moments are the human ones, the conversations, the exchanges of trust, the waiting around, the sudden fear, the quick bursts of violence, the desperation.
Critic Roger Ebert said that " Pedro Almodóvar's films are an acquired taste, and with High Heels I am at last beginning to acquire it.
Critic Roger Ebert explains:

Critic and was
DirkJan was first published in Critic, the magazine for the local union of psychology students.
The Athenaeum reviewer praised Ellis Bell's work for its music and power, and the Critic reviewer recognized " the presence of more genius than it was supposed this utilitarian age had devoted to the loftier exercises of the intellect.
The visitor was supposed to help them converse by typing in to ' Artist ' what ' Critic ' said, and vice versa.
Critic Alistair Cooke observed that Capra was " starting to make movies about themes instead of people.
Critic Janet Maslin of The New York Times wrote that the film was the greatest adaptation of the novel and remarked on Dunst's performance, " The perfect contrast to take-charge Jo comes from Kirsten Dunst's scene-stealing Amy, whose vanity and twinkling mischief make so much more sense coming from an 11-year-old vixen than they did from grown-up Joan Bennett in 1933.
Critic Danél Griffin remarked, " Romero freely admits that his film was a direct rip-off of Matheson's novel ; I would be a little less harsh in my description and say that Romero merely expanded the author's ideas with deviations so completely original that of the Living Dead is expelled from being labeled a true ' rip-off '".
Critic Richard Lehan says that " Balzac was the bridge between the comic realism of Dickens and the naturalism of Zola.
Critic William Baer notes that throughout his career " he constantly rose to the challenge of his own aspirations ", adding that " he was a pioneer and visionary who greatly affected the history of both stage and cinema ".
Less successful efforts included The Critic, which starred Jon Lovitz from Saturday Night Live ( originally airing on ABC then moved to Fox before being canceled ), and The PJs, ( which was later broadcast on The WB ).
Critic Dennis Schwartz appreciated the acting ensemble in the film and wrote, " The film was too stagebound to be effective cinema, but it scores points in its unsentimental portrait of the loser life of the lonely and desperate merchant seamen.
Critic Steve Huey of Allmusic writes that the album's influence " was felt more in spirit than in direct copycatting, as a catalyst rather than a literal musical starting point.
Critic Roberta Reeder notes that the early poems always attracted large numbers of admirers: " For Akhmatova was
Critic Joe S. Harrington suggested that the latter two " paraded as Hardcore until it was deemed permissible to do otherwise.
Critic Robert Trussell noted, " Little effort was made to hide the ( California ) mountains in the background.
Critic Luis Leal attests that Carpentier was an originating pillar of the magical realist style by implicitly referring to the latter's critical works, writing that " The existence of the marvelous real is what started magical realist literature, which some critics claim is the truly American literature.
Critic Michael Billington recalled: " In Redgrave's Vanya you saw both a tremulous victim of a lifetime's emotional repression and the wasted potential of a Chekhovian might-have-been: as Redgrave and Olivier took their joint curtain call, linked hands held triumphantly aloft, we were not to know that this was to symbolise the end of their artistic amity.
It was followed by The Critic ( 1779 ), an updating of the satirical Restoration play The Rehearsal, which received a memorable revival ( performed with Oedipus Rex in a single evening ) starring Laurence Olivier as Mr Puff, opening at the New Theatre on 18 October 1945 as part of an Old Vic Theatre Company season.
Pattison was at this time a Puseyite, and greatly under the influence of John Henry Newman, for whom he worked, helping in the translation of Thomas Aquinas's Catena Aurea, and writing in the British Critic and Christian Remembrancer.
He has also written for The Independent, and was Restaurant Critic for Harpers & Queen magazine from 1995 to 1998.
He was also Restaurant Critic for The Guardian between 2004 and 2005.
The Black Knight's voice was featured in an episode of the Nostalgia Critic where he reviewed the movie Child's Play.
He was the author of The Rehearsal, an amusing and clever satire on the heroic drama and especially on Dryden's The Conquest of Granada ( first performed on 7 December 1671, at the Theatre Royal, and first published in 1672 ), a deservedly popular play which was imitated by Henry Fielding in Tom Thumb the Great, and by Sheridan in The Critic.
Critic, Stephen Erlewine of AllMusic wrote that Dion's vocals " are back at top of their game " and that she was " getting back to pop basics and performing at a level unheard in a while.

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