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Critic and Scott
Critic Scott Yanow wrote, " Tatum's quick reflexes and boundless imagination kept his improvisations filled with fresh ( and sometimes futuristic ) ideas that put him way ahead of his contemporaries ... Art Tatum's recordings still have the ability to scare modern pianists.
Critic Clement Scott
* Scott of Amwell, Dr. Johnson's Quaker Critic ( 2001 ) David Perman
Critic Roger Ebert of the Chicago Sun-Times called the film "... quite an improvement on Cooper's all but unreadable book, and a worthy successor to the Randolph Scott version ," going on to say that " The Last of the Mohicans is not as authentic and uncompromised as it claims to be — more of a matinee fantasy than it wants to admit — but it is probably more entertaining as a result.
Critic Scott Foundas, writing for FIPRESCI believes the film achieved Enrique Piñeyro's exact goal.
* A. O. Scott — Chief New York Times Movie Critic

Critic and said
The visitor was supposed to help them converse by typing in to ' Artist ' what ' Critic ' said, and vice versa.
Critic and musicologist Robert Palmer said their endurance and relevance stems from being " rooted in traditional verities, in rhythm-and-blues and soul music " while " more ephemeral pop fashions have come and gone ".
Critic Adam Roberts said of the novel: “ It is really quite hard to respond to this masterful book, except by engaging with its political content ; and yet we need to make the effort to see past the ideological to the formal and thematic if we are fully to appreciate the splendour of Heinlein's achievement here .”
Critic Joshua Klein said that " the emphasis this time sounds less on unfocused experimentation and more on melody ... a breezy and welcome return to form for the British band.
Critic Mike Gee of iZINE said of this time, " The Verve, as he ( Richard Ashcroft ) promised, had become the greatest band in the world.
Critic Roger Ebert said of the film that it " somehow does succeed in treating the awesome and scary subject of sexual initiation with some of the dignity it deserves.
" Critic Howard Halle said of it that " Using distance and attendant shifts of scale within the very fabric of the city, Horizon creates a metaphor for urban life and all the contradictory associations – alienation, ambition, anonymity, fame – it entails.
Critic Dale Krueger said that the system is difficult to implement, and that companies often wind up overemphasizing control, as opposed to fostering creativity, to meet their goals.
Critic William Winter said, “ He was followed as a marvel.
Critic David Shipman said his personal notices for his performance in The Secretary Bird ( 1968 ) " must be among the best accorded any light comedian during this century ".
Critic Northrop Frye said that Menippean satire moves rapidly between styles and points of view.
Critic Joe Balthai wrote she was " the darling of the 1998 Sundance Film Festival " and Internet movie writer Harry Knowles said she was the " discovery of the fest ", but the film was not commercially released in the U. S. and went direct-to-video.
Critic James Dafforne, writing in 1871 in The Art Journal said of Leader's style:
" Critic Ian Lace said of her theme: " One has to suppose that the main character of this new game, Manon, inspired by the exploits of Hélène Déschamps is French.
Critic, Taran Adarsh said, " Raveena Tandon lends credibility to the role of a battered wife and walks away with the honours.
" Critic Robert Christgau said that Young " was born to lumber, and Pearl Jam wasn't.
Critic Harry Sumrall of the San Jose Mercury News said that Rabbitt was " like a hot corn dog: nothing fancy, nothing frilly.
Critic Roger Ebert said that " Pedro Almodóvar's films are an acquired taste, and with High Heels I am at last beginning to acquire it.
Critic Roger Ebert said of his performance that he " seems to have become the latter-day version of Christopher Walken – not all the time, but when you need him, he's your go-to guy for weirdness.
Critic Leonard Feather once said, " It is almost indisputable that Dr. Billy Taylor is the world's foremost spokesman for jazz.
Critic Tony Rayns describes The Spirit of the Beehive as " a haunting mood piece that dispenses with plot and works its spells through intricate patterns of sound and image " and of El Sur it has been said that " Erice creates his film as a canvas, conjuring painterly images of slow dissolves and shafts of light that match Caravaggio in their power to animate a scene of stillness, or freeze one of mad movement.
" said Autumn Bartsch of Everyone's a Critic.
In one of its highest scoring reviews, The Video Game Critic gave the game an A-and said it's " hard to put down.
Critic Josip Novakovich, who compared One of the Guys to A Confederacy of Dunces, has said, " If you read the book in public, you will laugh so much and go through so many facial expressions that you'll run the risk of having the police called to check you out.
Critic Robert Christgau said of the record: " Beefheart's famous five-octave range and covert totalitarian structures have taken on a playful undertone, repulsive and engrossing and slapstick funny.

Critic and say
Critic Jon Savage would later say that their singer Ian Curtis wrote " the definitive Northern Gothic statement ".
Critic Danél Griffin remarked, " Romero freely admits that his film was a direct rip-off of Matheson's novel ; I would be a little less harsh in my description and say that Romero merely expanded the author's ideas with deviations so completely original that of the Living Dead is expelled from being labeled a true ' rip-off '".
According to Kevin C. Johnson, Post-Dispatch Pop Music Critic ," What stood out about Mecca's two-hour, 50-song set was her song choices, full of selections music fans don't necessarily hear every weekend at the clubs ( unlike, say, DJ Solange, who totally pandered to the crowd at the gig at Exo earlier this year ).
* November 13, 1965 – Critic and author Kenneth Tynan became the first person to say the word " fuck " on British television on the live satirical programme BBC-3 while commenting on censorship during a TV debate.
[...] This episode doesn't say ' Watch The Critic all over it.
Yale ’ s The New Englander while complimenting Emerson's abilities, criticized the book as depicting “ a universe bereft of its God ” and described its author as writing “ with the air of a man who is accustomed to be looked up to with admiring and unquestioning deference .” Littell's Living Age found the book to contain the “ weakest kind of commonplace elaborately thrown into unintelligible shapes ” and claimed it to read in parts like an “ emasculate passage of Walt Whitman .” Others were no less critical, proclaiming that Emerson “ has come to the end of what he had to say, and is repeating himself ” ( Athenaeum ) or even calling him a “ phrasemonger ” and “ second-hand writer ” ( Critic ).
Internet comedian Nostalgia Critic poked fun at both advertisements in his Top 11 Nostalgic Drug PSAs video, stating, " People know this one so well, they can say it in their sleep.

Critic and these
Critic F. O. Matthiessen called this " trilogy " James's major phase, and these novels have certainly received intense critical study.
Short films such as The Critic, Bambi Meets Godzilla, Lupo the Butcher, and many others were almost unknown to mainstream audiences ; however, these independent animated films continued to keep the yearly category of the Academy Award for Animated Short Film alive, as well as introducing a number of new names into the field of animation — names that would begin to bring change to the industry in the 1980s.
" Critic Robert Christgau commented that " Anybody who thinks rock and roll is alive and well in the infinite variety of its garage-boy permutations had better figure out how these Hitler Youth rejects could crush the competition and quit simultaneously.
Critic Mike Beek suggests these time constraints enabled Williams " to create themes based on ideas and suggestions, rather than a locked down print.
) Critic and author John Clute writes that "… his early stories and novels display considerable intellectual complexity, and do not shirk the downbeat implications of their anthropological treatment of aliens and alienating milieux …" In his major essay on these early novels, author Ian Watson writes " Michael Bishop is both an exoticist and a moralist.
Critic Petra Dierkes-Thrun has argued that these examples illustrate the way in which Shaw

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