Loewen was subsequently demoted from his position as Finance Critic by Stuart Murray, and was required to make a formal apology to the legislature in April 2002.

Critic Steve Huey calls it " perhaps Tom Waits's most cohesive album ... a morbid, sinister nightmare, one that applied the quirks of his experimental ' 80s classics to stunningly evocative — and often harrowing — effect ... Waits ' most affecting and powerful recording, even if it isn't his most accessible.

Critic W. H. Helm calls one " the French Dickens " and the other " the English Balzac ".

Critic Mark Deming calls them " quite simply, one of the best and brightest American bands of punk's first wave.

There were some calls for him to resign as Justice Critic, but nothing came of this.

Critic Gary Giddins, who wrote the book's introduction, calls Raise Up Off Me " a major contribution to the literature of jazz.

Critic Alexander Woollcott wrote of Bogart's early work that he " is what is usually and mercifully described as inadequate.

Critic John Clute wrote of M. John Harrison's early writing that it "... reveals its New-Wave provenance in narrative discontinuities and subheads after the fashion of J. G. Ballard ".

In the late 1940s and early 1950s, Stone's role as Chief Design Critic and Associate Professor of Architecture at the Yale University School of Architecture gave him the opportunity to recruit many skilled young staff members for his office.

Critic Roberta Reeder notes that the early poems always attracted large numbers of admirers: " For Akhmatova was

Critic Steve Turner suggests that Plant's early and continued experiences in Wales served as the foundation for his broader interest in the mythologies he revisits in his lyrics ( including those myth systems of Tolkien and the Norse ).

Critic Zack Handlen remarked, " This is still early Dick, which means that while interesting concepts are introduced, and there ’ s some play with identity -- Jennings develops an overwhelming faith in the prescience of his past self, a faith which most people can ’ t ever have in their present versions, and by the end he ’ s even referring to that past guy as a separate person -- the primary focus is nabbing you and keeping you entertained.

Critic Roger Ebert reviewed Deep Throat in an early 1973 column, giving it a no-stars rating and writing, " It is all very well and good for Linda Lovelace, the star of the movie, to advocate sexual freedom ; but the energy she brings to her role is less awesome than discouraging.

In early November 2000, Conservative Defence Critic David Price stated that JTF2 had been deployed to Kosovo, however, this was denied by Prime Minister Jean Chrétien and Defence Minister Art Eggleton.

" Critic Janet Maslin wrote of Terence Stamp's work, " Stamp plays the title role furiously, with single-minded intensity, wild blue eyes and a stentorian roar shown off in the film's early moments ... Glimpses of young, dreamily beautiful Stamp and his no less imposing latter-day presence are used by Soderbergh with touching efficacy.

) Critic and author John Clute writes that "… his early stories and novels display considerable intellectual complexity, and do not shirk the downbeat implications of their anthropological treatment of aliens and alienating milieux …" In his major essay on these early novels, author Ian Watson writes " Michael Bishop is both an exoticist and a moralist.

Critic Joachim Berendt wrote that " Since Ponty, the jazz violin has been a different instrument ", of his " style of phrasing that corresponds to early and middle John Coltrane " and his " brilliance and fire ".

Critic Silvio Sirias believes that Dominicans value a talent for story-telling ; Alvarez developed this talent early and was " often called upon to entertain guests ".

Critic and sf historian Thomas Clareson has commented that " Planet seemed to look backward towards the 1930s and earlier ", an impression that was strengthened by the extensive use of interior artwork by Frank Paul, who had been the cover artist for the early Gernsback magazines in the 1920s.

and The Critic ( the crew from The Critic worked on Klutter after its demise in early 1995 on Fox ).

Beginning in the early 1960s he became art Critic for the New Yorker magazine.

Critic Glenn Erickson recently echoed the New York Times review, writing, " Although biographies on both Ib Melchior and Sid Pink would have you believe that The Angry Red Planet is an outer-space classic, it simply isn't so.

Critic Roger Ebert was and remains today a champion of the film, including it on his all-time top ten best films list.

" Critic Robin Wood found it one of the few horror films to possess " the authentic quality of nightmare ".

Critic Roger Ebert wrote of Keaton's " extraordinary period from 1920 to 1929, he worked without interruption on a series of films that make him, arguably, the greatest actor-director in the history of the movies.

Short films such as The Critic, Bambi Meets Godzilla, Lupo the Butcher, and many others were almost unknown to mainstream audiences ; however, these independent animated films continued to keep the yearly category of the Academy Award for Animated Short Film alive, as well as introducing a number of new names into the field of animation — names that would begin to bring change to the industry in the 1980s.

Critic Dennis Schwartz called the film, " A fresh smelling film noir directed with great skill by George Marshall from the screenplay of Raymond Chandler ( the only one he ever wrote for the screen, his other films were adapted from novels of others and, ironically, film adaptations of his novels were all written by other screenwriters ).

Critic Roger Ebert called it " one of the great films.

Many Internet reviewers such as The Nostalgia Critic also feature unintentionally funny films.

Critic Roger Ebert called it " one of the best horror films ever made ".

Critic Roger Ebert stated, " I am gradually developing a suspicion, or perhaps it is a fear, that Jim Carrey is growing on me ", as he had given bad reviews for his previous films Dumb and Dumber and Ace Ventura: Pet Detective.

In the animated prime time series, The Critic, Jay Sherman reviews a sub par movie titled " Dirty Harry K-9-Robo-Cop-and-a-half 2 " in which the title parodies numerous " buddy cop " films.

Critic Alexei Korotyukov remarked: " Paradjanov made films not about how things are, but how they would have been had he been God.

Film Critic Jonathan Rosenbaum considers it one of the 15 best films of the 1980s.

Critic Roger Ebert said that " Pedro Almodóvar's films are an acquired taste, and with High Heels I am at last beginning to acquire it.

Critic Bosley Crowther was not impressed with the atmospherics of the film and panned the film due to its screenplay, writing, " We wish we could recommend it as a perfect combination of the styles of the eminent Mr. Hitchcock and the old German psychological films, for that is plainly and precisely what it tries very hard to be.

Critic and director Jean-Luc Godard regarded the film negatively in comparison to other French crime films of the era, noting in 1986 that " today it can't hold a candle to Touchez pas au grisbi which paved the way for it, let alone Bob le flambeur which it paved the way for.

" Critic Roger Ebert gave the film three stars, comparing the movie to a summertime version of A Christmas Story, based on the tone and narration of both films.

Critic Jennifer M. Wood points to the Palace Theater in San Francisco's North Beach district where, in 1968, San Francisco Art Institute graduates Michael Wiese and Steven Arnold, after a sellout screening of their Dalí-esque thesis film Messages, Messages, were invited to program offbeat films at midnight.

Frank Beaver wrote in Bosley Crowther: Social Critic of the Film, 1940-1967 that Crowther opposed displays of patriotism in films and believed that a movie producer " should balance his political attitudes even in the uncertain times of the 1940s and 1950s, during the House Un-American Activities Committee.

Critic Richard Scheib said, " The film was part of a brief revival of the old caveman vs dinosaurs genre, along with Quest for Fire and Clan of the Cave Bear, in which earlier action-fantasy films were redressed with a much stricter regard to anthropological realism.