Critic Taran Adarsh wrote of his performance in the film, " he's sure to win the hearts of millions of moviegoers with a terrific portrayal in this film.

Critic, Taran Adarsh said, " Raveena Tandon lends credibility to the role of a battered wife and walks away with the honours.

Critic, Taran Adarsh wrote, " Raveena Tandon delivers a bravura performance.

Critic Taran Adarsh wrote, " Shahid gives his all to this role, submitting himself to his director-father to mould him the way he chooses to.

Critic Alexander Woollcott wrote of Bogart's early work that he " is what is usually and mercifully described as inadequate.

Critic Lev Grossman described it as " a deeply unsettling existential horror story, a nightmare you'll never be sure you've woken up from.

Critic Simon Reynolds described this movement as " a rash of blurry, neo-psychedelic bands ".

Critic Stephen Thomas Erlewine has described Francis's writing as containing " bizarre, fragmented lyrics about space, religion, sex, mutilation, and pop culture ".

Critic John Sutherland ( 1989 ) described the work as " the most sensationally successful of all the sensation novels.

Critic Stephen Farber has described the film as " One of the most skillful and entertaining summaries of Marilyn's endlessly fascinating rise and fall.

Critic Louis Vauxcelles described the work with the phrase " Donatello parmi les fauves!

Critic Henry Sheehan described the film as a retelling of Peter Pan from the perspective of a Lost Boy ( Elliott ): E. T.

Critic and artist Roger Fry did something to restore it in the 1930s, when he described Lawrence as having a " consummate mastery over the means of artistic expression " with an " unerring hand and eye ".

Critic Billy Stevenson described the film as Moore's " most astonishing ", arguing that it represents an effort to conflate film-making and labor, and that " it's this fusion of film-making and work that allows Moore to fully convey the desecration of Flint without ever transforming it into a sublime or melancholy poverty-spectacle, thereby distancing himself from the retouristing of the town-as-simulacrum that occupies the last and most intriguing part of the film.

" Critic Giovanni Grazzini, reviewing for the Italian newspaper Corriere della Sera, described Fellini as " an artist at his peak " and the film as the work of a mature, more refined director whose “ autobiographical content shows greater insight into historical fact and the reality of a generation.

Critic David Shipman thought Novak's performance " little more than competent ", while David Thomson described it as " one of the major female performances in the cinema ".

Critic Ned Chaillett has described Sink the Belgrano !, a critical take on the Falklands War, which premiered at the Half Moon Theatre, in Stepney, on 2 September 1986, as " a diatribe in punk-Shakespearean verse "; and Berkoff himself described it as " even by my modest standards ... one of the best things I have done ".

Critic and poet Kenneth Rexroth described Ciardi as ".

Critic William Lawrence Schroeder described Holmes's prose style as " attractive " in that it " made no great demand on the attention of the reader.

As Conservative Health Critic, Fletcher described himself as a supporter of the Canada Health Act but also indicated a willingness to permit greater private-sector involvement.

NDP Justice Critic Joe Comartin argued that this change addressed the legitimate concerns of Canadians, while removing what he described as " the radical, extreme over-reaction " of the Conservatives.

Film Critic David Robinson described Linder's screen persona as " no grotesque: he was young, handsome, debonair, immaculate ... in silk hat, jock coat, cravat, spats, patent shoes, and swagger cane.

Critic Stephen Thomas Erlewine described the hair metal – leaning album as " unbearable ".

Critic Nathan Morley described " Accidents " as the band's masterpiece.

Critic Tzvetan Todorov described Bénichou ’ s special interest as “ the thought of poets .” More generally, though, Paul Bénichou ’ s work contributed to the understanding of the creative writer's place in modernity, and illuminated the role of writers in legitimating the institutions and values of modern society.

Critic Marc Bernardin described the episode as Star Treks " smartest time-travel experiment " and a fan favorite.

" Critic Andre Meyer of CBS News thought the material on the album was " stronger " than on Charmbracelet, and described it as a move in Carey's long-term plan for pop domination, while giving off the " jittery R & B vibe that made Destiny's Child so potent.

Joe Bob Briggs, The Drive-In Movie Critic, described Wishman as, " The greatest female exploitation film director in history.

Critic Roger Ebert said of the film that it " somehow does succeed in treating the awesome and scary subject of sexual initiation with some of the dignity it deserves.

" Critic Paul Tatara noted that " It isn't really fair to suggest that the movie's main subject is dance, though.

Critic Frank Rich wrote: "... this play can be taken as an indirect treatment of the same subject.

Critic David Ansen gave the film a mixed review, writing, " Taylor Hackford's thriller Proof of Life leaves a lot to be desired, but it's got its hands on a fascinating subject ... To be fair, Tony Gilroy's screenplay keeps the romance on the back burner ... Thorne is the most compelling aspect of Proof of Life, thanks to Crowe's quiet, hard-bitten charisma.

Critic Janet Maslin was dismissive of the film, and wrote, " Today, in the dazzling, superficial style that Mr. Friedkin has so thoroughly mastered, it's the car chases and shootouts and eye-catching settings that are truly the heart of the matter ".

Critic Dennis Schwartz wrote, " The unwell Bogie's last film is not a knockout, but his hard-hitting performance is terrific as a has-been sports journalist out of desperation taking a job as a publicist for a fight fixer in order to get a bank account ... The social conscience film is realistic, but fails to be shocking or for that matter convincing.

In 1988 the British artist and friend of Weizenbaum Brian Reffin Smith created and showed at the exhibition ' Salamandre ', in the Musée du Berry, Bourges, France, two art-oriented ELIZA-style programs written in BASIC, one called ' Critic ' and the other ' Artist ', running on two separate Amiga 1000 computers.

Critic Georg Lukács points to middling main characters like Ivanhoe in Sir Walter Scott's other novels as one of the primary reasons Scott's historical novels depart from previous historical works and better explore social and cultural history.

" Critic Robin Wood found it one of the few horror films to possess " the authentic quality of nightmare ".

Critic Stephen Thomas Erlewine describes Talking Heads as being " one of the most critically acclaimed bands of the ' 80s, while managing to earn several pop hits.

Critic Steve Huey calls it " perhaps Tom Waits's most cohesive album ... a morbid, sinister nightmare, one that applied the quirks of his experimental ' 80s classics to stunningly evocative — and often harrowing — effect ... Waits ' most affecting and powerful recording, even if it isn't his most accessible.

* Holt, Jim, Say Anything, one of his Critic At Large essays from The New Yorker, ( August 22, 2005 )

Critic W. H. Helm calls one " the French Dickens " and the other " the English Balzac ".

Critic Lloyd Goodrich praised the work as “ one of the most poignant and desolating pieces of realism .” The work is the first of a series of stark rural and urban scenes that uses sharp lines and large shapes, played upon by unusual lighting to capture the lonely mood of his subjects.

Critic Pare Lorentz wrote, " The Warner brothers have declared war on Germany with this one.

Critic Gunther Schuller declared, " On one point there is universal agreement: Tatum's awesome technique.

Critic Emerson Dameron writes that the song is " one of the most terrifying, riveting, absurd things I ’ ve ever heard.

He gave assistance to William Beloe in one or two articles in the British Critic, and probably wrote also in the Analytical Review and the Critical Review.

Critic Dave Marsh called it " one of the best live albums ever made.

Critic Dave Marsh, in The Rolling Stone Record Guide ( 1979 ), called Zevon " one of the toughest rockers ever to come out of Southern California ".

Critic Dennis Schwartz called the film, " A fresh smelling film noir directed with great skill by George Marshall from the screenplay of Raymond Chandler ( the only one he ever wrote for the screen, his other films were adapted from novels of others and, ironically, film adaptations of his novels were all written by other screenwriters ).

Critic Roger Ebert wrote in his review, " The best shot in this film is the first one.

The principles of what would be known as the Aesthetic Movement were partly traceable to him, and his effect was particularly felt on one of the movement's leading proponents, Oscar Wilde, who paid tribute to him in The Critic as Artist ( 1891 ).

Critic Leonard Maltin observed that Disney Studios made several attempts to recreate the appeal and success of Mary Poppins ( 1964 ), and that this was one of their least successful endeavors.

Critic Andrew Dickos wrote that " the touchstone of Preston Sturges ' screenwriting lies in the respect paid to the play and density of verbal language " and " establishes the standard of eloquence as one of poetry, of a cacophony of Euro-American vernacularisms and utterances, peculiarly -- and appropriately -- spoken with scandalous indifference.

Critic Christopher Null wrote of the film, " One of the ' 70s juiciest entries into the horror genre, The Abominable Dr. Phibes is Vincent Price at his campy best, a former doctor and concert organist ( go figure that one out yourself ) who is exacting revenge on the nine doctors he blames for botching his wife's surgery, which ended with her death.

Critic Thomas Ward called this recording " one of the most astonishing accomplishments in all of twentieth century music.

Critic Peter Marrow wrote: " As it stands, the story's ending makes no sense – forcing one to try to look for something left unsaid.

Critic Fred Patten is one of the main supporters of the strip.